The Feminist and the Conservative
Desdemona and Emilia are two of the main characters in William Shakespeare’s Othello. While one of them is the overly virtuous wife of the play’s protagonist and tragic hero, the other one is wife to one of the most clever and maquiavelic everlasting villains. Throughout the play, the sweet and old-fashioned Desdemona reveals to be a satisfying wife and a great friend, and she also denotes unquestionable ignorance to her surroundings. On the other hand, the open minded and slightly cynical Emilia supplies a huge contrast to her mistresses’ persona; a feminist way ahead of her time. Despite coming from different social backgrounds and having different personalities, both women find the same faith by dying at
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The naive Desdemona unconsciously follows along Iago’s Masterplan when she concedes herself to be spotted with Cassio in Act III, sc iii confirming Iago’s statement to Othello of Desdemona’s disloyalty. She is unaware of honest Iago’s true personality as she says, “I never knew/ A Florentine more kind and honest”. The same way Othello thinks of Iago as an honourable and honest man, Desdemona has that perspective of her husband’s ensign, and would never suspect of his multiple malicious …show more content…
Emilia, still worried about how Desdemona might feel, hands the handkerchief to Iago:
If it not be for some purpose of import,/ Give’t me again. Poor lady, she’ll run mad/ When she shall lack it. (III, iii. 73)
Emilia’s ignorance blossoms in this scene as she gives her husband’s the object that will make his plan fall in place. Desdemona lying about the missing state of her handkerchief and Emilia giving said handkerchief to Iago demonstrates their lack of awareness of what is happening around them. Two honest women doing what they think is right would never imagine that they are puppets in Iago’s show. In the same way they show to be ignorant of their surroundings, both Emilia and Desdemona show they can brave and speak up their minds.
Desdemona shows genuine courage when she stands up against her father, who does not approve of her marriage to Othello. When Brabantio finds out that his sweet Desdemona is now married, he accuses Othello of being a foul thief and taking his daughter away from him. When accusations are raised against Othello by Brabantio, she is quick to be audacious enough to stand up against her father to defend her
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era women were dominated by their sexual orientation. The Venetian era had a patriarchal society. In a patriarchal society, the father is the head of the household and men have authority over women and children. During the Elizabethan era the conduct toward women was vicious. Women were considered second class citizens. Males only consider women as possession, who is obligated to remain submissive and meek. Additionally, women are expected to be quiet, obedient to male figures, and chaste. Women were either considered a good wife or a whore. There are only three women in Othello; Desdemona, Emilia, and Bianca. Desdemona is the passive wife of Othello who has a quite idealistic take on life and marriage. Emilia is the cynical, perceptive women who seem to have a bitter take on her marriage to Iago. Bianca is portrayed as the whore of the play, and she has relations with Cassio. Although, each woman varies in roles and personality, they all had a common trait; they lived in a patriarchal society and suffered together. Each of them live in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Feminism is defined as the theory of the political, economic, and social equality of the sexes. In the Elizabethan era, women were viewed as inferiors and faced sexist problems. Women were only seen as property for men to dominate and critique. William Shakespeare presents an overview of women’s social conditions in the play, “Othello.” The tragedy explores issues for women in society such as confidential marriages, adultery, and the social status of the women. The two main lady characters Desdemona and Emilia undergo predicaments that justify sexism in Othello. Desdemona is subservient and Emilia is ambivalent of the story. Desdemona is the devoted wife of Othello, despite the fact that he is of another descent which is frowned upon during
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
...on of these personas. Shakespeare's juxtaposition of Desdemona and Emilia within the marital context provides social commentary of their duties as married women, but also mocks the doctrines that confines them to these positions.
In many relationships, there is suspicion or distrust, but it rarely leads to such murder, hate, and suicide so contemptible as in William Shakespeare’s Othello. In the play, three innocent characters spiral downward to their deaths as the sinister Iago unravels his scheme for revenge. These three are Othello the Moor, Cassio, and Desdemona who is Othello’s faithful wife. Desdemona receives the sour end of the bargain as she has never done anything to upset Iago, but rather she is killed for loving Othello and for being a friend toward Cassio. However, her love for Othello stays strong, though she realizes she is quickly falling out of his favor, soon to meet the death of their love.
Throughout the play, the sweet and old-fashioned Desdemona shows to be a satisfying wife and a great friend, and she also denotes unquestionable ignorance to her surroundings. On the other hand, the open minded and slightly cynical Emilia supplies a huge contrast to her mistresses’ persona; a feminist way ahead of her time. Despite coming from different social backgrounds and having different personalities, both women find the same faith by dying at the hands of their own husbands. But still, even when they do share a handful of similarities, it is their perception of life that makes them react in different ways. However, Desdemona is the one that is least aware of what is happening due to her undoubtedly naiveness.
Statement of intent: The role of women in William Shakespeare’s play Othello is portrayed through the behaviors and actions of Desdemona, Emilia, and Bianca. William Shakespeare integrates his Elizabethan society to create the patriarchal Venetian society in the play. Women in his society were seen as inferior to the men. The three women play a significant role in different social stratification. How are women submissive, possessions, bold, and degraded to sex objects and whores? How have they displayed unconventional acts and boldness?
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.
Since the beginning of time women have been viewed as weak and inferior to men. It wasn't until 1839 that women could even own property, before that a father would give the land to his sons and just skip over their daughters (Mcgree and Moore). The reasons a father would skip his daughters' inheritance was because women were thought to be unable to handle the responsibilities of holding land or any job. Shakespeare plays on these stereotypes of women by placing Emilia, Desdemona, and Bianca in Othello. These three women portray the expectations placed upon women during the Elizabethan era. Othello displays different examples of the expectations of the Elizabethan patriarchal society and the suppression of females. Although Shakespeare isn't
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.