Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Women in literature
Media influence on gender roles
Women in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Women in literature
Books, plays, and movies that depict culture and social life often make statements about social issues such as gender roles, racism, and class distinction. Stories set up a context in which characters relate, often representing “stock” characters chosen from society and placed in situations where their stereotypical behaviors—and sometimes their breaking of these stereotypes—are highlighted. As feminism became a popular movement in Western countries in general and the United States in particular, female voices were naturally heard through fictional characters. Social and political issues commonly fuel entertainment; feminism, racism, and classism—recurring themes in entertainment through the 20th Century and into the modern day—have defined many narratives that are considered classics. The works that portray aspects of feminist issues and other facets of social inequality are Margaret Mitchell’s Gone With the Wind, Flannery O’Connor’s “Revelation,” and Henrik Ibsen’s “A Doll’s House.” These stories use the female protagonists or lack thereof in central characters to expose gender roles, the perpetuation of social inequality through conversation and refusal to accept change, and the processes of transformation—or lack thereof—to make powerful statements that expose social problems.
The heroines of literature need not be perfect specimens of humanity to gain a reader’s sympathy. Literary technique often involves the creation of flawed and even repellent personages, evoking either reluctant sympathy or horror in the reader. Gone With the Wind’s Scarlett O’Hara—an icon of feminist literature (and later film)—exemplifies a woman of undesirable character, representing the “Southern Belle.” Scarlett O’Hara is a study of this stock chara...
... middle of paper ...
...r messages about equality as seen in action and worldview.
Works Cited
Bloom, Harold, ed. Henrik Ibsen. Philadelphia: Chelsea House, 1999. Questia. Web. 24 Mar. 2011.
Ibsen, Henrik. “A Doll’s House.” Prestwick House, Inc.:Clayton, 2005.
Lisman, C. David. The Curricular Integration of Ethics: Theory and Practice. Westport, CT: Praeger Publishers, 1996. Questia. Web. 24 Mar. 2011.
Mitchell, Margaret. Gone With the Wind. Scribner: New York, 2007.
O’Connor, Flannery. The Complete Stories. Farrar, Strauss, & Giroux: New York, 1971.
Shinn, Thelma J. Radiant Daughters: Fictional American Women. New York: Greenwood Press, 1986. Questia. Web. 24 Mar. 2011.
Singh, Amritjit, and Peter Schmidt, eds. Postcolonial Theory and the United States: Race, Ethnicity, and Literature. Jackson, MS: University Press of Mississippi, 2000. Questia. Web. 24 Mar. 2011.
Lois Tyson’s text, Critical Theory Today (2006), explains the various theories that are utilized to critique literature and explain plots, themes, and characters. With feminist literary theory, Tyson writes, “Broadly defined, feminist criticism examines the ways in which literature (and other cultural productions) reinforces or undermines the economic, political, social, and psychological oppression of women” (83). With Edna Pontellier, her place in the story relies on her husband’s social status; her husband, Leonce Pontellier, is a successful businessman in New Orleans and wants to maintain appearances of success and marital stability. With Leonce, a product of society, he sees and treats Edna as an object: “‘You are burnt beyond recognition,’ he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage” (Chopin 44).
Feminist theories are a way to review works and analyze the ways in which dominant patriarchal themes and oppression of women are prevalent. By reviewing certain stories with feminist theories in mind, the deeper meaning and hidden agendas of some authors can be found. In certain stories, authors give their female characters a traditional passive voice and glorify the patriarchal ideal. Feminist theories also help to recognize certain gender stigmas that are presented in stories and how the authors or narrators tackle those traditional gender roles.
Feminist criticism was presented all throughout the past by men, until the time of 1920’s. Women have been denied from social power and did not have a voice. Their jobs were to clean, take care of their husbands, and children. According to Donald Hall in his book, Literary and Cultural Theory, he states, “Language, institutions, and social power structures have reflected patriarchal interests throughout much of history; this has a profound impact on women’s ability to express themselves and the quality of their daily lives” (202). Halls theory is show in, The Awakening and “The Story of an Hour” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Perkins Gilman. These three samples provide specific excerpts of feminist analysis in how they are effected throughout there life and as well seen merely as an object. In addition, women suffered from depression and tried to break through a stereotypical belief of the roles of women.
Many writers have contributed to the idea of feminism by promoting heroines that defied the odds of a harsh society. Such a character can be found in Nathaniel Hawthorne's The Scarlet Letter which reveals the lack of respect that women received when they choose to act according to their desire, against the society. The Scarlet Letter provides an in depth analysis on women’s rights and their value in the society during the late 17th century. While Hawthorne was writing the novel, The Scarlet Letter, a feminism movement began to take root in American history which helped Hawthorne to be aware of the women’s movement for their rights and freedom. Hawthorne’s attitude toward women and being sexist demonstrates the fact that Hawthorne has feelings of aversion toward feminism and thus this identify him as a true feminist. In other words, Hawthorne was trying to illustrate to the reader that during his time how there was an inequality that existed between the sexes and the oppression that was going on between men and women. Hester Prynne can be used as an example of a true feminist, as she makes her own way in a society that has devalued her.
It is time that we start to look at the changes women have made in the comparison to the events surrounding them. We do not expect the women of today to behave and act submissively as though they were the women of the Medieval Era. Rather than looking at the news or textbooks for the evolution answer, the women of century were depicted in works of literature. The opposition against using media comes from an article from The Journal of Social Psychology Department written by Leslie McArthur and Beth Resko about the selection of men and women for commercials where men were selected more often but women had a better connection with the audience. These sex differences proved highly unfavorable for
The portrayal of men and women has varied in different stories throughout history. Many portray women as beautiful, deceptive, manipulative, and smart, while men are portrayed as being strong, masculine, and easily tricked. In many of the works covered in the course “Major British Writers to 1800,” men are advised to refrain from acting lustful, believed that it would harm their overall ability to succeed in whatever the characters aimed to do. An example of this is seen in “Sir Gawain and the Green Knight” when Gawain is deceived by Lady Bertilak in an effort to prove that Sir Gawain is imperfect. The depictions of men and women are very similar in Fantomina by Eliza Haywood, Sir Gawain and the Green Knight, and Phyllis and Aristotle. . While each of these stories maintain a similar image on men and women, the means in which the deception is very different. Unlike these three stories however, Paradise Lost by John Milton does not depict women as being deceptive or manipulative, nor men as being easily tricked or deceived. John Milton’s depiction of men and women is portrayed very differently in comparison to Fantomina, Sir Gawain and the Green Knight, and Phyllis and Aristotle.
When it comes to post-colonial literature, most initially think about the colonization of other countries and how it has affected the natives. Though it is the most well known form of post-colonial literature, it is not the most wide-spread. By slightly altering the framing in which one looks at it, the idea that feminist literature by women from a patriarchal society is post-colonial literature begins to make sense.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Throughout history western culture has operated under the idea that women were inferior creatures and lesser beings. Women have been called “a foe to friendship, an inescapable punishment, a necessary evil, and the gateway to the Devil.” Feminism has been around for hundreds years because of the way women have been treated and from that, came the feminist approach. The feminist approach aims to understand gender difference, gender inequality and focus on gender politics and sexuality. When looking through the eyes of a feminist, readers must resist the andocentric point of view and think about the female’s point of view, whether male or female. In 1850 one of the most popular, classic feminist books was published; this book is called The Scarlet Letter. Applying the feminist approach to The Scarlet Letter is ideal because it is written by a man by the name of Nathaniel Hawthorne and is about a woman that commits adultery and lives a very harsh life. As a feminist reader interpreting this book could be taken in a few directions which allows this approach to be appropriate. A feminist reader could look at why Hawthorne made the main character, Hester the way she is, why he had the other characters treat Hester in a particular way, how Hawthorne portrayed the women in this book, or even how and why Hester and the other women acted the way they did. By using the feminist approach Hawthorne portrays that women are the bad guys in situations, but are also a lot stronger than many may think.
Throughout history women have always been considered lesser than men. Women were portrayed as property to men, nothing more. They were supposed to be seen and not heard, and were basically servants to their husbands and fathers. In order for women to even be considered more than property their father or spouse had to be established in the community or a man of high rank. Despite their subservient roles women in British literature have always been depicted as obedient or unruly, from William Shakespeare’s play Macbeth, to Beowulf, to Christina Rossetti’s “Goblin Market.” For example, women have always been portrayed as being housewives, and care takers. Women were supposed to tend to the men and all of the house hold duties and chores; however some women broke away from that stereotype. They became more and curious and aware of their worth, so they were viewed as temptresses or “rebels” against the social norm. Despite the fact that women have evolved throughout history, British literature has always characterized women in two different lights, one being obedient and submissive and another being powerful and strong willed.
Moglen, Helene. The Trauma of Gender: A Feminist Theory of the English Novel. Los Angeles, CA: U of California P, 2001.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
As we all know, gender inequality is a social issue that has been addressed over the years and has however, given rise to other issues such as misogyny, feminism, male sovereignty, female oppression and criticism, and the list goes on. Most times, especially during the Elizabethan era, before feminists began to fight for their rights as women, women were viewed as substandard when compared to men and they were classified more as possessions rather than as people. These gender biased opinions were developed under the reign of Queen Elizabeth and Shakespeare’s explicit exhibition of this fact in his plays can be traced to the circumstances at which the society was at that time. Shakespeare shared this opinion and had few female characters in his works and even when he did have them, he portrays them as either “deceivers”, for example Cleopatra in “Anthony and Cleopatra” and Cressida in “Troilus and Cressida” or better still, he just cuts off the female role in the plays. Even if it appears as though Shakespeare exhibited a form of short shrift towards women in his works, we are however in no position to judge his beliefs concerning whether or not he had a hatred for women because it might just appear so because of the occurrences in the time at which he made his works, a time where the unsympathetic treatment of women was just a customary trend. We are however, uncertain as to whether Shakespeare’s display of sexism in The Tempest is intentional or not. However, I personally think most times it is unintentional, because sometimes he presents his female characters very outstanding roles, just like Miranda.
Throughout history literary works have forced political ideologies to evolve and expand, sometimes even breaking boundaries that would not have been broken otherwise. The works of women in literature have produced new ways of thought and introspective outlooks on life that have introduced many people in the world to the ideas of feminism. The writings of Gilman and Woolf allow readers to take a look into the lives of hard working women who have to deal with the everyday oppression of being a woman in times of inequality and political injustice.
... If one is to read this literature in a way which will shed some light on the postcolonial condition, one must understand and adopt the theory that we are all walking amalgamations of our own unique cultures and traditions. We are all always struggling with our own identities, personal and national. We must understand that there is no "one true voice" representing an easily identifiable postcolonial condition, but, instead, each author is his or her own voice and must be read as such.