The heroines of literature need not be perfect specimens of humanity to gain a reader’s sympathy. Literary technique often involves the creation of flawed and even repellent personages, evoking either reluctant sympathy or horror in the reader. Gone With the Wind’s Scarlett O’Hara—an icon of feminist literature (and later film)—exemplifies a woman of undesirable character, representing the “Southern Belle.” Scarlett O’Hara is a study of this stock chara...
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...r messages about equality as seen in action and worldview.
Bloom, Harold, ed. Henrik Ibsen. Philadelphia: Chelsea House, 1999. Questia. Web. 24 Mar. 2011.
Ibsen, Henrik. “A Doll’s House.” Prestwick House, Inc.:Clayton, 2005.
Lisman, C. David. The Curricular Integration of Ethics: Theory and Practice. Westport, CT: Praeger Publishers, 1996. Questia. Web. 24 Mar. 2011.
Mitchell, Margaret. Gone With the Wind. Scribner: New York, 2007.
O’Connor, Flannery. The Complete Stories. Farrar, Strauss, & Giroux: New York, 1971.
Shinn, Thelma J. Radiant Daughters: Fictional American Women. New York: Greenwood Press, 1986. Questia. Web. 24 Mar. 2011.
Singh, Amritjit, and Peter Schmidt, eds. Postcolonial Theory and the United States: Race, Ethnicity, and Literature. Jackson, MS: University Press of Mississippi, 2000. Questia. Web. 24 Mar. 2011.
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