The Fate of a Victim
William Shakespeare once said “It is not in the stars to hold our destiny but in ourselves.” Is this always the case though? Is it possible that one’s destiny is in the hands of another person? Their fate decided by another person? Shakespeare contradicted his quote with his play, Hamlet. In this play, Shakespeare put a young Danish prince’s fate into the hands of the prince’s uncle. Hamlet became a victim of the uncontrollable greed his uncle possessed. His entire life turned upside down and it affected everyone he loved. The selfishness of Hamlet’s uncle caused Hamlet to go into a domino effect of undeserved pain. Hamlet tried used procrastination and sarcasm as a way to escape his trials but his indecisiveness helped
What does this word represent? Does it express held up emotions, aim to hurt one’s feelings, or is it simply a way to poke fun of friends and then laugh along together? In Hamlet, the young Denmark prince uses sarcasm as a way to express his feelings about the death of his father in both bitter and humorous manners. When Claudius, Hamlet’s uncle, asked him, “How is it that the clouds still hang on you?” (I.ii.66), Hamlet bitterly replied, “Not so my lord. I am too much i’ the sun” (I.ii.67). This quote shows sarcasm in two different occasions, the first being anger. The Prince was astonished with his uncle’s indifference towards the death of the Prince’s father. Hamlet’s quote also stands as a pun that spins off of the marriage between his uncle and mother. The use of sun also stands for son in Hamlet’s pun. It explains that Hamlet feels betrayed and disgusted with the fact that he has ‘two’ dads now. Though Hamlet was in a bitter mood, he found a way to use humor as an expression of his
Could his odd behavior be medically diagnosed through the analysis of an illness’s symptoms? When Hamlet first encountered the ghost of his father, Horatio and the castle guards were able to see the mystical being, yet in Hamlet’s second encounter with the ghost, his mother’s eyes were unable to comprehend the ghost’s image. After Gertrude asked Hamlet who he was talking to, Hamlet incredulously replied, “Do you see thing there?.../ Nor did you nothing here” (III.iv.134-36)? Though Hamlet’s mind may have been mentally intact during the first act, his mother’s inability to see the ghost shows that Hamlet is hallucinating. Multiple occurrences within the third act of the play proves that Hamlet is suffering from
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
By many accounts of Williams Shakespeare’s Hamlet the main character, Hamlet, is considered to be the classic tragic hero, but in fact Hamlet is not a hero at all. There are many accounts of heroes in earlier writings such as The Odyssey and Beowulf. These heroes had confidence, careful thought, and thought clearly in their times of trial. Hamlet was not any of these things. His inability to think clearly through his anger leads to indecisiveness which inevitably puts him in a situation that costs him his own life. Hamlet is a victim to himself in this play. Throughout the entire play Hamlet is very confused, indecisive, and blinded by his mission for vengeance. It also seems that while he is angry about the murder of his father he
Hamlet as Victim of a Corrupt World Troubled by royal treason, ruthless scheming, and a ghost, Denmark is on the verge of destruction. Directly following King Hamlet's death, the widowed Queen Gertrude remarried Claudius, the King's brother. Prince Hamlet sees the union of his mother and uncle as a "hasty and incestuous" act (Charles Boyce, 232). He then finds out that Claudius is responsible for his father's treacherous murder. His father's ghost asks Hamlet to avenge his death, and Hamlet agrees.
for a person of lowly rank that loses his or her fortune or rank than
rotten in the state of Denmark." The characters of the play know that there are
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
Despite Hamlet being a tragic play, Shakespeare incorporates numerous extensions of Hamlet’s character throughout it, including the element of sarcasm. His sarcasm is most often sparked by his contempt of either a certain subject or person, and is usually spoken in such a way that his remarks seem innocent. Hamlet’s sarcasm is first seen during his interaction with Horatio when the topic of the Queen’s remarriage following so closely behind King Hamlet’s funeral is brought up. He makes the statement, “The funeral baked meats, did coldly furnish forth the marriage tables” (Act 1, Scene 2, lines 180-181). While it is true that the food they had for the funeral was most likely used during the wedding, Hamlet knows the real reason for their quick
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
William Shakespeare's Hamlet presents the generic elements found in Renaissance revenge tragedies ("Revenge Tragedy"). However, although Hamlet is a revenge tragedy by definition, Shakespeare complicates the basic revenge plot by creating three revenge plots out of one. By adding significant innovations, Shakespeare creates "three concentric rings of revenge" (Frye 90), depicting an indecisive protagonist who is an intellectual rather than a physical hero, an ambiguous ghost, and several problematic aspects of the play, such as the reason for Hamlet's delay, the confusion of time, and the truth behind Hamlet's apparent madness.
The only characters to soliloquize in Shakespeare’s tragedy Hamlet are King Claudius and Prince Hamlet, the latter delivering seven notable soliloquies with much psychological content. However, the psychological dimension of others is presented.
Hamlet as a Revenge Tragedy Revenge tragedy was a brief sub genre of tragedy at the end of the sixteenth century, despite some clashes with the teachings of the church. In a revenge tragedy a crime, normally murder, has gone unpunished, because the criminal has too much power and cannot be reached by the law. This fact is revealed by a ghost to someone closely connected with the victim, laying on him the responsibility to revenge the crime. The revenger is usually an outsider who lacks access to the criminal, who is at the centre of a completely corrupt court. Poison plays a large part and methods of killing are intricate, insidious and imaginative.
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
In writing Hamlet, William Shakespeare plumbed the depths of the mind of the protagonist, Prince Hamlet, to such an extent that this play can rightfully be considered a psychological drama.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.