Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
how dose the media influences our lifestyle essay
medias negative influence on body image
how are gender roles shaped by the media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: how dose the media influences our lifestyle essay
Fashion media constantly and consistently create, and promote a lifestyle to its viewers. More often than not, it is concerned with the selling of an idea of an ‘ideal life’ and creating an image of a desired lifestyle in the viewer’s minds. It plays a vital role in shaping the viewers’ identities, notions and norms about ethnicity and race, sexuality, class distinction, and self-image amongst other things. In their work, Rhodes and Zuloaga (2012) have pointed out that fashion media describes a spectrum of identity, unified in a general type of signifiers—young women, high status, high sexuality—and through the constant repetition and variation of images on these themes serve to create this identity spectrum. "It is important to remember that the fashion media is not concerned with the sale of clothes, but rather with the sale of images and the projection of fantasies that can be incorporated into the lifestyle aspirations and dreams of readers" (Bryson et al, 2013, p.171). This essay aims to critically evaluate the above quote with a specific example – a series of still images from the 2013-fall winter Michael Kors campaign shot in New York by Mario Testino featuring Simon Nessman and Karmen Pedaru. This essay examines the work of various theorists in relation to the theories of representation, publicity, ideologies, class and social status. Demographics, self-image, youth, beauty ideals and the myth of the American dream are also discussed in this essay.
Michael Kors – the designer brand catering to the high-end, premium market segment has become synonymous with luxury that is both timeless and elegant. This is evident in their recent campaigns, with scenes being shot on plush yachts, swanky cars, and private jets. The 2013...
... middle of paper ...
... 12 Mar 2014].
Travis, A. 2009. More young adults in 20s and 30s living with parents than in past 20 years. [online] 8th December. Available at: More young adults in 20s and 30s living with parents than in past 20 years [Accessed: 4 Mar 2014].
Tungate, M. 2011. Branded beauty. Philadelphia, PA: Kogan Page.
Wahba, P. 2012. Michael Kors expects sales to keep soaring. [online] Available at: http://uk.mobile.reuters.com/article/gc07/idUKBRE85B0IM20120612 [Accessed: 10 Mar 2014].
Who.int. n.d. WHO | World Health Organization. [online] Available at: http://www.who.int/en/ [Accessed: 13 Mar 2014].
Worldhealth.net. 2009. Global Anti-Aging Products Market to Reach $291.9 Billion by 2015, According to New Report by Global Industry Analysts. [online] Available at: http://www.worldhealth.net/news/global_anti-aging_products_market_to_rea/# [Accessed: 14 Mar 2014].
World Health Organization. (2003). The world health report 2003 shaping the future. Geneva: World Health Organization. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=102453
World Health Organisation. (2002) The world health report 2002 - Reducing Risks, Promoting Healthy Life. [Online] Available from: http://www.who.int/whr/2002/en/whr02_en.pdf?ua=1 [accessed 19 May 2014]
This phenomenon suggests that all women are required to remain loyal wives and stay at home mothers who aspire to achieve perfection. In “Mirrors of Masculinity: Representation and Identity in Advertising Images,” Jonathon E. Schroeder and Detlev Zwick claim that “highly abstract connections are made between the models, a lifestyle, and the brand” resulting in a need to associate these products with a specific way of living (25). Instead of simply displaying these luxurious bracelets and handbags, the ad creates an elegant environment through the incorporation of sophisticated items. The women are dressed elegantly in dresses and blouses, adding a conservative element to the ad. The ad presents a rather stereotypical image of the very successful heads-of-household type mothers who have brunch with other elite women in an exclusive circle. Everything from the merchandise they sport to the champagne glasses down to the neatly manicured fingernails provides insight into the class of women presented in this ad. The body language of the women strips the image of the reality element and instead appears to be staged or frozen in time. This directly contributes to the concept of the gendered American dream that urges women to put up a picture-perfect image for the world to see. Instead of embracing individual struggle and realities, the American dream encourages women to live out a fabricated
When flipping through Vogue, a well-known high fashion magazine, one can see that almost all the advertisement scream wealth and status. The magazine’s beautiful models as well as its expensive brands are major characteristics of the famous magazine. Members of the middle class skim through the magazine thinking, “Wow, if only I could look like this!” In Gregory Mantsios’ article “Class in America,” he says, “We are, on occasion, presented...
The models and celebrities in the media that set the standard for what women should look like are thinner than 90-95 percent of the American female population (Seid p.6). This is an unrealistic portrayal of what the human body should look like when compared to most women’s genetic makeup. Women’s self-image, their social and economic success, and even their survival can still be determined largely by their beauty (Seid p.5). Men on the other hand seem to have it a little easier when it comes to looks. Their self-image is largely determined by what they accomplish in life and not by whether or not they meet the social standard for looks. Modern clothing and fashion require women to show off their bodies more in tight clothes and by showing more skin than in the past. According to Roberta Seid ...
Wallerstein, K (1998) Thinness and Other Refusals in Contemporary Fashion Advertisements in Fashion Theory, Volume 2, Issue 2, pp.129–150. London: Berg. Williamson, J. (1978). Decoding Advertisements: Ideology and Meaning in Advertising. London: Marion Boyars.
Within the beauty industry there are numerous examples of media propaganda that can be investigated, but the television and magazine industry privdes a very specific representation of what women experience daily through the media. According to the Hollywood Reporter, the ...
Advertising in American culture has taken on the very interesting character of representing our culture as a whole. Take this Calvin Klein ad for example. It shows the sexualization of not only the Calvin Klein clothing, but the female gender overall. It displays the socially constructed body, or the ideal body for women and girls in America. Using celebrities in the upper class to sell clothing, this advertisement makes owning a product an indication of your class in the American class system. In addition to this, feminism, and how that impacts potential consumer’s perception of the product, is also implicated. Advertisements are powerful things that can convey specific messages without using words or printed text, and can be conveyed in the split-second that it takes to see the image. In this way, the public underestimates how much they are influenced by what they see on television, in magazines, or online.
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
World Health Organization, 3 September 2007. Web. The Web. The Web. 4 Apr 2011.
World Health Organisation (2003) [online] [Accessed 6th December 2013] Available from World Wide Web: < http://www.who.int/about/definition/en/print.html>
I can recall a time when the media was influencing my life and actions. The week after I graduated high school, my girlfriends and I took a trip to Cancun, Mexico, where the MTV beach house was located that summer. As I look back on the week of drunken partying and sexy guys, I can only wonder how I made it home alive. How could any young woman find this behavior acceptable? Every young woman there was flaunting their bodies to the young men around them. They were proud to be sexual objects. Where did they learn such debauchery? This is the kind of woman that is portrayed throughout MTV and various other aspects of the media. They have even coined the term “midriff”—the highly sexual character pitched at teenage girls that increasingly populates today’s television shows—in order to hook the teen customer. Teenage women increasingly look to the media to provide them with a ready-made identity predicated on today’s version of what’s “cool.” The media is always telling us that we are not thin enough, we’re not pretty enough, we don’t have the right friends, or we have the wrong friends… we’re losers unless we’re cool. We must follow their example and show as much skin as possible. The type of imagery depicted by MTV-- as well as people like Howard Stern, the famous “Girls Gone Wild” videos, and various Hip Hop songs—glorifies sex and the provocative woman.
Nowadays, the fashion industry is such a negative push on teenagers’ standard of beauty that it is now becoming an unsolved dilemma for our society. Firstly, Sarah Murdoch, the representative of Bonds underwear, is of the opinion that the fashion industry encourages “unhealthy body images” (Dunkerley, 2008) that are thought to be unrealistic and unhealthy for most women and girls. Besides, the fact that most designers prefer to choose thin models than bigger size ones (Bolger, 2007) shows us an astonishing phenomenon that there are series of clothes from size 0 to size 4 seen not only in the fashion shows but also even in the sale markets because they think that there will be “stigma attached” when doing something for “plus-size people” (Stevens, 2010). Naomi Crafti, representing Eating Disorders Victoria, thinks that teenagers are becoming obsessed with “the very skinny models on the catwalk” in the fashion shows (Stevens, 2010) which gradually leads to “eating disorders, mental health” and “negative body image in young people” (Stevens, 2010).
In this paper we will explore how advertisements cultivate a woman’s need for consumerism as a part of their own self image. George Gerbner, the founder of cultivation theory, argued that television has the ability to impact the way that people percieve certain message and influence their everyday life. In this study, we will conduct a content analysis of quantitative and qualitative measures that will study fashion advertisements. Each advertisement will be critiqued by a set of questions to help find any pattern or correlation between attributes that may have an impact on female consumers. A sample population will be drawn at random on three different occasions containing women from the ages of 18-30. In the first group each individual that is selected will be given a survey of questions. This set of questions will focus on the shaping of body image with the use of makeup, accessories, and clothing, and help identify trends between fashion and life style. The second sample group will participate in a focus group discussion that will be directed towards how women see themselves with regards to their own body image. The third group of women will complete a written survey before and after being exposed to television advertisements. This will test to see if advertisements entice woman to purchase products or change their personal portrayal.
In an advertisement published in Vogue Paris in February 2009, Steven Klein photographs fashion model Lara Stone in a manner that brought much controversy to the world about women and violence. In the photograph, a fashionably clad woman in lingerie is forcibly held down by a naked man, while a police officer poses suggestively on her legs and points a gun in her face. This advertisement seems excessively violent for a fashion magazine that young girls and the majority of the mainstream world idolize. By condoning and making the type of violence that is popular in fashion magazines ‘cool’, people begin to recreate the scenes in these photographs in real life because they are constantly exposed to it. Furthermore, this constant exposure to violence