Updating for Today’s Audience: If I were re-writing the play, FASHION, I would mirror Mowatt in her analysis of middle class ‘wanna-bees.’ I would also take a look at how even those in the poorer economic classes have their versions of being “in fashion.” America’s system of capitalism provides a bottomless pit for those who seek wealth, status and belonging in their communities. People in today’s middle class are working anywhere from 40 to 80 hours a week trying to seek more wealth in order to provide a more “comfortable life” for themselves and their family. Many, even though they already possess all the needs to live a comfortable life, are always looking to gain a higher status in society, and have a strong desire to reach the next level of wealth. Even people in the poorer ...
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...nd in very different parts of the country. My experience points to the fact that one is not better than the other…simply different. Both the city and the country have great things to offer, and they both have disadvantages; it all depends on what a person is looking for in their life.
FASHION is a play that permeates throughout the centuries. Its themes about fashion and our treatment of it speak strongly to each subsequent generation in America. What is important to us? What matters most to us? How do we want others to see us? How do we want others to accept us? It would be just as easy to produce the play contemporarily today with just a few adjustments. The audience would certainly understand it, and many would see themselves within it.
Watt, Stephen and Richardson, Gary A. American Drama: Colonial to Contemporary. Mason: Centage Learning, 2003.
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