Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dance performance analysis paper essay
Analysis of dance
Dance performance analysis paper essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Having never experienced a show highlighting contemporary and modern dance I was not quite certain what to expect when I first took my seat at the Kshoy!/Decay! performance. What I was not anticipating was a spectacle that moved so quickly and fluidly rendering me unable to process the scenes moment-by-moment as they unfolded before me. It was a beautiful and moving experience that has afforded me many moments of self-reflection to decode and interpret what I was presented with.
There was one specific moment from the program that constantly replays over and over in my head. At this one given moment the stage is flooded with the diverse company of women, united in one rapid choreographed movement, when the mood is abruptly changed, the lighting dims to near-darkness, and the quick-footed women all flee, save one, which dramatically freezes in her position. It is silent. There she stands, this tall, statuesque woman. When you look upon her you cannot help but see her as the epitome of a strong black female, her posture suggests that she has labored very hard in her time and is all deserving of the respect that she has attained. She is fully in command of the audience and stage and has us all hinged on her impending movement. If you look closely you can see that from her pronounced forehead there is the tiniest droplets of perspiration as the result of her previous hypnotic gyrations, and you can see her breast breathing heavily trying to regain her breath and composure. Her garb is a bright magenta beacon in the dark room, and the slight shimmer of the cloth she wears can be likened to a dimly shining candle flame. At this moment you expect her to do nothing other than stand there in her immense pride and relish in the...
... middle of paper ...
...y:
Boraine, Alex. A Country Unmasked: Inside South Africa's Truth And Reconciliation Commission. 1st Ed. South Africa: Oxford University Press, 2000. 145-188. Print.
Davies, Rob, Dan O'Meara, and Sipho Dlamini. The Struggle for South Africa: A Reference Guide to Movements, Organizations, And Institutions. 1st Ed. 2 vols. London, United Kingdom: Zed Books LTD, 1984. 190-211. Print.
De Klerk, F.W. The Last Trek - A New Beginning. 1st Ed. New York, New York: St. Martin's Press, 1998. 378-385. Print
Meredith, Martin. Coming To Terms: South Africa's Search for Truth. 1. New York, New York: PublicAffairs, Perseus Books Group, 1999. 59-67. Print.
Gellhorn, Martha, Edward Murrow, Jessica Mitford, Seymour Hersh, and Eric Schlosser. Tell Me No Lies - Investigative Journalism That Changed The World. 1. New York, New York: Thunder's Mouth Press, 2005. 190-192. Print.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Alexander, N, (2002) “’Race’ and class in South Africa historiography: An overview”, An ordinary country, Scottvile: University of Natal Press.
Jaffrey, Zia. (1998, February). “Truth and Reconciliation Commission Interview.” Progressive, Vol. 62 Issue 11, p.18.
Rose, Howard Lester, "Edward R. Murrow: His Life, Legacy and Ethical Influence" (2010). Theses and Professional Projects from the College of Journalism and Mass Communications. Paper 2.
The performance sets up the scene with the female dancers dressed as prominent women throughout history such as Rosie the Riveter, Nillie Bly, Mother Teresa, Amelia Earhart, and Florence Nightingale. The women take turns in the spotlight, using their movements to tell their story and significance in history. The story of Amelia Earhart was told symbolically through the performer’s actions. The audience are introduced to Earhart’s love of flying and her aspirations to be a renown female pilot through the performer’s imitation as a graceful plane flying across the stage with glee. However, her story takes a dark turn when she embarks on a quest to prove herself as a capable pilot in spite of being a woman. We see her downfall when her character, as a plane, struggles to stay in flight and eventually tumbles and falls, exiting the stage soon after to show her mysterious disappearance during her quest. The performer playing as Earhart succeeded in portraying her story and her downfall. The dancer’s performance as Earhart was followed by another significant performance which was the dance of Mother Teresa, who took the spotlight with her reserved yet expressive dances. During her dance, Mother Teresa made a notable move where she wanders the stage and places a hand on each of the women in a caring way, like a mother would do to her child. This action she performed in her dance
It starts with remembering events where human rights were violated. Many people went missing while they in police detention. The stories would be that the people would commit suicide, which the black community did not believe. Steve Biko, who was the founder of black conscious movement, was said to have banged his head on the wall. They drove him to Pretoria when he was already near an emergency treatment and naked to make the matters worse. When people questioned it, it was completely ignored by the officers. The judicial system was corrupted and was unfair to the black community. The Nuremberg trial wasn’t helpful, it caused lost of being that could have gone to education and housing, evidence never survived, and cabinet minister and commissioner of police would lie. With Tutu being in the chair of commision, the people now tell their stories and not be afraid.
I had the pleasure of being in Western Kentucky University Dance Department’s concert, An Evening of Dance. The performance took place on April 29th through May 2nd in Russel Miller Theatre. It consisted of many works from faculty and guest artists. I felt like the concert was a success and that the choreography was all unique in its own way. I enjoyed the pieces that I performed, and the ones that my fellow company members were in. Through the analysis of “Petrichor”, I found that each production and chorographic element plays a large part in the successful outcome of a dance and emotional responses can be evoked by the simplest ideas.
"Movement towards Republic." The Union of South Africa: Movement towards Republic | South African History Online. South African History Online, Web. 04 May 2014.
Steve Paxton: Speaking of Dance – Conversations with Contemporary Masters of American Modern Dance. Academic Internet Video. Directed by Douglas Rosenberg. Oregon: Alexander Street Press, 1996.
Around the 1970s, due to South Africa’s internal contradictions with its economy and people, the Apartheid began its slow demise. Soon the united nation began to take notice of South Africa and began to get involved. With South Africa now in the spot light, Prime Minister P.W Botha left office due to his belief that he had failed to keep order in the country. After the reassignment of P.W Botha, F.W Klerk had taken office. The final stage of the demise of the Apartheid began when Klerk lifted the ban off the ANC and other African political parties. The last blow was the release of Nelson Mandela after 27 years in prison. Now that South Africa’s hope was out of prison he continued to ...
Atlebeker, A. (2005) The Dirty Work of Democracy: a year on the streets with the SAPS. Johannesburg : Johnathan Bell Publishers
Katzenellenbogen, Simon. “The 1945 Pan-African Congress and its Aftermath.” World History Archives. 2 May 1995. http://www.hartford-hwp.com/archives/30/058.html.
An array of contemporary dance actions performed by the two talented young dancers successfully made Michael’s piece world famous, now regarded as an effective example of contemporary dance. The stretching all over Kayla’s body by Kapono’s hands demonstrate sharp precise movements that are normally seen in this style of dance. This sequence of actions begins at 1:54minutes and ends at approximately 2:02minutes. The dancers are seen standing centre stage, facing towards the middle of the audience in a right diagonal. Male dancer Kupono is in a diagonal stance behind female dancer Kayla, hidden from the audience’s view, almost shadowing her while his left hand is positioned on her left shoulder. This ignites an uncomfortable feeling from the audience as his dominant characteristics are already beginning to be exposed to the audience. Kapono’s character has power and control over Kayla’s character in this segment. His right hand quickly comes straight across her mouth, while this action is in motion he begins to emerge from the darkness and into the audience’s view, leaving the audience with an uneasy feeling. Both of Kayla’s hands grab onto his hand in which is covering her mouth; in hopes of discarding his hand. This specific moment in the dance conveys a great deal of symbolism, linking the actions with the overall universal theme. The hand over her mouth symbolises the constant addiction that Kayla’s character is struggling with, it shows him as the drug; endeavouring to intoxicate her. This is then followed by his left hand running down against her hip in a pressed motion, causing her to react by fiercely pushing his hand off, leading to an aggressive movement from the male dancer as his hand grips her left hip. In contrast to this; she tirelessly flicks his hand off. As Kayla unostentatiously gets weaker, Kupono becomes stronger.
Bottaro, Visser and Nigel Worden. 2009. In Search of History Grade 12. South Africa Oxford University Press.
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and