The Paradox Of Censorship In Fahrenheit 451 By Ray Bradbury

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Often, dystopian novels are written by an author to convey a world that doesn’t exist, but criticizes aspects of the present that could lead to this future. Ray Bradbury wrote Fahrenheit 451 in 1951 but discusses issues that have only increased over time. The encompassing issue that leads to the dystopic nature of this novel is censorship of books. The government creates a world in which it is illegal to have any books. Firemen are enforcers of this law by being the ones to burn the books and burn the buildings where the books were found. By censoring the knowledge found in books, the government attempts to rid the society of corruption caused by “the lies” books are filled with in hopes the people will never question. In Fahrenheit 451, censorship is a paradox. The right of the While much of the society believes the censorship is what provides for a successful society, Montag is one of a few that believe the opposite. This theme is expressed literally in that way, but there is deeper meaning to Bradbury’s discussion of government involvement in censorship. Fahrenheit 451 was first written in 1951, a time when television was becoming a viral piece of mass communication. As a writer, Bradbury had to make a choice that in his eyes, allowed readers to be captivated by a literal story but be able to read between the lines as if reading through eyes that aren’t their own (Foster 226). Bradbury chose to use the main and dynamic character to be the one who is realizing the true nature of what censorship is doing to the society to open the eyes of Americans. Everything that happens in the novel is a metaphor alerting readers of the future Bradbury is worried

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