F. Scott Fitzgerald 's The Great Gatsby Essay

F. Scott Fitzgerald 's The Great Gatsby Essay

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According to Dennis Cutchins, films are not just a filler of time. Films represent important interpretations and analyses of various forms of literature and written work (Cutchins 295). “The Sweet Hereafter” film by Atom Egoyan is considered by critics to be a “hypnotic” version of Russel Banks original novel. While Egoyan interprets the novel’s multiple first person narrative’s “gorgeously”, he could not have done so without thoroughly thinking through each and every angle in the film. Similar credit is due to Baz Lurhmann and his film interpretation of F. Scott Fitzgerald’s novel The Great Gatsby. More credit is due to these two men as they are the ones with the artistic vision for the films, the directors are the ones who decide whether or not to include certain angles such as aerial shots or close-ups, or if they want to have specific angles such as eye-level or high angles (Dziedzic 70). When films are as striking as the two mentioned above, it is imperative to delve further into the ways in which they are filmed. It becomes necessary to observe every camera movement to see the reasons why directors chose to portray the film in such a fashion.
One of the camera angles in which both Egoyan and Lurhmann utilize in their respective films is the aerial shot. This angle is one that is filmed from “very high above” a scene (Nickolichuk). The use of aerial shots is not just to have it look nice, there are actually a few intended purposes or aerial shots. The first of these is to use the aerial shot as an establishing shot. This means that the shot is used as a silent way to show the setting of the upcoming plot event. A second use is to depict scale using an aerial shot. A third and final way to use an aerial shot is as a dramati...


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...he reader that such and such character is rich, or sad, or self-loathing.
Baz Lurhmann’s technique with camera angles is to either highlight the grandiosity of his characters lifestyles, or to emphasize their rather, different set of personalities. While he does go a little further than just showing that his characters are rich and living lavish lifestyles it is notable that Lurhmann differs from Atom Egoyan in that Egoyan does a better job at using camera angles to further develop his characters, rather than their lifestyles.
In sum, no matter what type of film it is, the camera angles will be important to establishing a character base and expanding on that character without the written word.(O’Rourke). Egoyan and Lurhmann’s varying uses of the close-up and the aerial shot display what effect camera can have on a film, and the director’s interpretations of novels.

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