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How does society influence identity
How does society influence identity
Definition of identity in literature
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In the novel, Sula by Toni Morrison, there is not one single main character. The story revolves around two girls, Sula Peace and Nel Wright, and how they interact and contribute to each other's identity and the identity of Bottom. In the beginning, the friendship is a positive aspect to both the girls' identity and the identity of Bottom, but after an unfortunate betrayal by Sula, Nel's identity is affected, and the town bands together against the cause of their misfortunes.
In the first part of the novel, Nel is constricted to little communication with anyone other than her mother. Her mother, Helene, is very strict, and Nel is under constant supervision and direction. Her identity is not able to grow because her mother is constantly guiding her down the path she wants her daughter to go. When Nel and Sula become friends, she is able to be herself. Helene is not as strict when Sula is around, so Nel is more comfortable in her own house and is able to develop an identity that is not her mother's idea. Sula lives in a much different environment. Her household does not hold much structure. Her mother is always with a different man, and new people are in and out every week. The two friends are raised in opposite backgrounds when it comes to family life, but that is what helps them contribute to each other's identity.
The friendship between Nel and Sula features two girls with different personalities that when combined bring to the relationship what the other lacks. Nel is the calm and controlled side which possesses maturity that Sula lacks. Sula is the wild and adventurous one that can also easily be scared. Each girl lends a characteristic that the other does not have which creates one identity between the two.
The two are ins...
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...o affected by the betrayal of Sula. She no longer has her husband or her friend to talk to, and becomes the woman who stays in her house and is afraid to have any personal connections with anyone other than her children. Nel does not attempt any other relationships, and maintains her status of calmness as she did the other half of her identity was not with her.
The two girls grow into one identity as they become adults, but tragedy forces them to once again return the individuals they were before the friendship grew. The town, who once referred to the two girls as one, now regard one as the girl who brings misfortunes, and the other as the one who experienced the betrayal from a wild and crazy outcast. The community grew together because of the severance of the single identity between the two girls which created a personality in Sula that Bottom disapproved of.
Finally, even though, for a long time, the roles of woman in a relationship have been established to be what I already explained, we see that these two protagonists broke that conception and established new ways of behaving in them. One did it by having an affair with another man and expressing freely her sexuality and the other by breaking free from the prison her marriage represented and discovering her true self. The idea that unites the both is that, in their own way, they defied many beliefs and started a new way of thinking and a new perception of life, love and relationships.
Her friend Nel has been married and has had children, just as she is expected to do. Sula quickly decides to live a life where she is unconcerned about these expectations. Living in a racist world and a sexist community, she defends herself by living on the edge. She refuses to settle for the traditional lifestyle, resulting in the women of the Bottom to despise her. After having an affair with Jude, Sula feels no remorse or guilt for actions. In the novel it says, “She had no thought at all of causing Nel pain when she bedded down with Jude. They had always shared the affection of other people...Marriage apparently, had changed all that... “ (119). Shown through this quote, Sula becomes puzzled about Nel’s feeling of betrayal. Throughout their entire lives Sula and Nel share everything, including boyfriends. Sula’s deepest affection is for her best friend and assumes that their friendship will trump everything. When this is not the case, she becomes saddened and confused. The Bottom's community despises Sula because she has an independence that contrasts the community's own small-mindedness. In the novel it says “She was a pariah, then, and knew it” (Morrison 122). Sula accepted the fact that she was an outsider and embraced it wholeheartedly. Even Sula’s birthmark is perceived differently by several characters. Ultimately, the birthmark is represented as a rose. This rose is a
The homosocial relationship between the main character and their best friend connects these two novels by showing how the main character has the same purpose of taking revenge against the one who killed their loved ones, and the best friend who is always there to help and take care of the main character so he can complete his goal. The differences between them make the relationship closer and stronger, and it is proven by the authors through out the novels that no other person can take the place of their best friend.
In the novel Sula, there were other important characters besides Sula. The character in this book I would like to focus on most is Eva Peace. Eva is a woman who has a disability but remains strong, and this will be the focus of this paper since it wasn’t focused on so much in the book.
In the opening sequence, Nea describes their move to ‘real America’ from “...the hot sweaty America where we lived packed together in an apartment with bars on the windows on a street where angry boys in cars played loud music and shot guns at each other in the night” (281). Despite already living in America, she has this idolistic dream of America influenced by the talks of running away when they are older between her and Sourdi. Their dream is never fulfilled due to Sourdi’s arranged marriage, furthering the physical and metaphorical distance between the two sisters. However, when she receives a phone call from her distraught sister, thinking the worst has happened, Nea goes to Sourdi’s house to convince her to run away. Nea describes Sourdi’s house as, “The lace under curtains before the cheerful flowered draperies, the flourishing plants in the windows, next to little trinkets, figurines in glass that caught the light. Every space crammed with something sweet” (292). However, the inside of the house is a mess: “Baby toys on the carpet, shoes in a pile by the door, old newspapers scattered on an end table anchored by a bowl of peanut shells. The TV was blaring somewhere, and a baby was crying” (292). These contrasting descriptions of the Sourdi’s house echos Nea’s confusion of fantasy with reality. Her idolistic dream of having a close relationship with her sister clouds her from seeing that has her sister has matured and no longer needs their relationship like she
Although, he tries to better himself, Yunior’s awful treatment to women prohibit him from attaining a significant connection with them. His dishonesty erodes his strength, health, and his relationships with not only women, but his family and friends. Yunior realizes that his own heartbreak was his own fault due to betraying his fiance. His language of objectifying women only makes the reader see how disrespectful he is towards females. His words and actions towards his past lovers make him regretful and guilty for the hurt he put them though. He becomes aware of the fact that he lost someone precious which leads him to feel remorse for himself. His chaotic love life forces him to understand that he is horrible in the way he treats and views women, the relationship with his ex fiance was a real learning experience for him, and cheaters never
Conformity and defying social norms were a common theme this week. In Toni Morrison’s book Sula, Sula Peace actively opposes gender roles. She does this by doing what she would like to do without the burden of her town’s expectations. Sula enjoyed sex and disregarded all of the opinions of the townspeople around committing adultery. Eli commented that it was even more unacceptable in that time period, but Sula’s main priority is being authentic. Even though she urged men to cheat she was still a risk taker and lived spontaneously, which was even more forbidden for a black woman and like Lauren said, the men were also to blame, not just Sula. Not many people in the Bottom share that trait because they are afraid of social isolation. For example, Nel didn’t stray far from the status quo due to her upbringing. Nel’s mother taught her to be proper and follow the set of rules given to her. Her mother often reminded her to “pull her nose” (28) so Nel could have a more appealing nose. On the other hand, Sula lived in an unconventional household with a constant flow of different people coming and going out of the house. Since she was not exposed to a father figure, she was not tainted by patriarchal expectations of the genders. She didn’t witness
influence all her life and struggles to accept her true identity. Through the story you can
In order to understand what changes happen to twist the views of the 2 main characters in both novels, it is important to see the outlook of the two at the beginning of the novels in comparison ...
The relationship between Nel and Sula begins during their adolescent years. Though they are complete opposites, they seem to work well with each other, depending on one another for comfort and support. The two spend almost all of their time together, learning from one another and growing as a result. They take solace in the presence of one another, finding comfort in what the other finds bothersome and using the lifestyle of the one another to compensate for their shortcomings. When Sula first visits Nel's home, "Nel, who regarded the oppressive neatness of her home with dread, felt comf...
Sula by Toni Morrison is a very complex novel with many underlying themes. Some of the themes that exist are good and evil, friendship and love, survival and community, and death. In Marie Nigro's article, "In Search of Self: Frustration and Denial in Toni Morrison's Sula" Nigro deals with the themes of survival and community. According to Nigro, "Sula celebrates many lives: It is the story of the friendship of two African-American women; it is the story of growing up black and female; but most of all, it is the story of a community" (1). Sula contains so many important themes that it is hard to say which one is the most important. I agree with Marie Nigro when she says that Sula is a story about community. I believe that community and how the community of Bottom survives is an important theme of the story. But I do not believe that it is a central theme of the story. When I think back on the novel Sula in twenty years, I will remember the relationship and friendship between Nel and Sula. I will not remember the dynamics of the community.
Nel is able to express her feelings and emotions when she is with Sula, which is good because she can’t do that at home because she has to be the obedient one. They understand each other completely, they never argue or compete with each other. Their relationship is invaluable; they met each other at the time where they both needed it the most. Their friendship is not dependent on obligation, compassion, or love, but on their conjuction of sameness and autonomy. At this point they are together because they want to, not because they have to or need to be. When Sula and Nel meet it’s the time when they realize that their spot in society is disadvantage, “because each had discovered years before that they were neither white nor male, and that all freedom and triumph was forbidden to them, they had set about creating something else to be” (Morrison, 50). They are best friends mainly because they grew up in the same neighborhood, they are the same race, gender, and age. They understand the needs of each other and each other’s problems. They experience the intimacy they were looking for in each
In Toni Morrison’s novel Sula, the theme of the story is good versus evil. It’s embodied into the story in various forms to question what defines right and wrong. Good versus evil is presented in forms that are understood on the surface and beneath the surface which gives it multiple meanings. The relationship between Sula and Nel is the main expression of this theme, however, there are also many other contributors such as color schemes, gender and race differences, and life and death. This theme sheds light on the significance and interpretation of issues of everyday reality which includes controversies related to identity struggles, super natural forces, the impact and relevance of upbringing on development, family structure, and racism. Morrison demonstrates the importance of good versus evil with her writing in the way that she overlaps them and interprets them as products of one another. The friendship of Sula and Nel creates a presence of good and evil within their relationship to each other and their community.
Racism and sexism are both themes that are developed throughout the novel Sula, by Toni Morrison. The book is based around the black community of "The Bottom," which itself was established on a racist act. Later the characters in this town become racist as well. This internalized racism that develops may well be a survival tactic developed by the people over years, which still exists even at the end of the novel. The two main characters of this novel are Nel Wright and Sula Peace. They are both female characters and are often disadvantaged due to their gender. Nel and Sula are depicted as complete opposites that come together to almost complete one another through their once balanced friendship. Nel is shown to be a good character because she plays a socially acceptable role as a woman, submissive wife and mother, while Sula conforms to no social stereotypes and lets almost nothing hold her back, thus she is viewed as evil by the people in her community. Both women are judged by how well they fit into the preconceived social conventions and stereotypes that exist in "the Bottom."
There are many aspects of story that come together to create a complete narrative. A lot of the tools used by writers are intentional and serve the purpose of driving home certain aspects of the story or creating and engaging, and entertaining narrative. Toni Morrison—the author of Sula—is no different. Morrison employs many writing techniques and tools in her narrative Sula. It is important for the reader to be aware of and understand some of these narrative tools that the author uses because it allows the reader to gain a better understanding and appreciation for the narrative. In Sula a few narrative techniques that allow for the argument of women experiences to shine through are the use of a third person narrator, and gaps; throughout the story these tools allow the reader to become interested in and focus in on women experiences.