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roles of women in chinese culture
roles of women in chinese culture
roles of women in chinese culture
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Nothing is more enduring than a mother- daughter relationship. This bond is specifically explored in the books, The Battle Hymn of a Tiger Mother by Amy Chua and The Joy Luck Club by Amy Tan. Authors of these books precisely show the complexity of this type of relationship. Chua and Tan show the reader how a mother and daughter can hurt one other but ultimately forgiveness finds its way through. The similarities in these books include the difficulty of communication between the mother and daughter and their sacrifices for love. The difference between these books is the mothers’ outlooks of the role women play in society.
The Battle Hymn of a Tiger Mother and The Joy Luck Club both demonstrate the barriers that exist between the mothers and the daughters of the Chinese culture. These barriers are often caused by the inability to communicate with each other. In both books, the daughters believed that they could never make their mothers proud. In The Battle Hymn of a Tiger Mother, the mother, Amy Chua, was never satisfied with Lulu’s or Sophia’s roles with their instruments. These two daughters believed that their mother was out to get them when in fact Chua had high hopes and pure intentions for them to become successes and prodigies. Chua never believed that there was a task that her daughters couldn’t conquer. She made Lulu practice this very intense piano piece and for a long time Lulu was stumbling over it. It came to a point where the father, Jed, pleaded for Chua to let Lulu take a break. This went against Chua’s beliefs and as a result, Lulu was not allowed to give up. Later that night, Lulu had mastered the piano piece and was thankful that she was pushed as hard as she was by her mother. Lulu’s success over this piece did ...
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...control over anything while the other believes that women are equal to men.
Both books center on mother and daughter conflict. Mothers are continuously shown to have high hopes for their daughters in these books. Though their daughters fail many times, a lesson is learned from each experience. The daughters are noted to feel equivalent to a failure in their mothers’ eyes, but this is only due to the lack of communication between them. In The Joy Luck Club, generational roles that women play help establish the pattern of relationships between a mother and a daughter. To explain the relationship, this book is divided into mother stories in the first two halves and daughter stories in the last two halves while Amy Chua models her book in chronological order of occurrences. In the end of it all, mothers and daughters learn to accept each other for what they are.
No relationship is ever perfect no matter how great it seems. In the novel The Joy Luck Club, written by Amy Tan, she tells the story of a few mother daughter pairs that are in a group named the Joy Luck Club. The Joy Luck Club is a group of women who come together once a week to play mahjong. The founder of the Joy Luck Club, Suyuan Woo, dies, leaving her daughter Jing-mei to take her place in the club. Her daughter, Jing-mei, receives money from the other members of the club to travel to China in order to find her mother's twin daughters who were left many years ago. In this book you get more of the details of this family and a few more. Amy Tan uses the stories of Jing-mei and Suyuan, Waverly and Jindo, and An-mei and Rose to portray her theme of, mother daughter relationships can be hard at times but they are always worth it in the end.
Mothers always want the best for their daughters, it’s a given feeling for a mother. Amy Chua’s Battle Hymn of the Tiger Mom is written in her perspective as the mother. In The Joy Luck Club, Amy tan writes the novel through her eyes as the daughter of the relationship. Both passages portray the harsh emotions between the mother and her daughter. These emotions are caused by the mother pressuring her daughter to achieve expectations. The two excerpts have similar stressful tones but Amy Tan’s novel is much more intense and displays a uglier relationship.
"The Joy Luck Club" is a sage about several Chinese mothers and their American-born daughters. It is also about the mothers' experiences with immigrating, and/or their upbringing. It depicts the relationship between the mothers' and their daughters and how this relationship affects the daughters lives. Emphasis is placed on historical references and the struggle of women. All of the mothers were born between the mid 1920's and the late 1940's. The political and social histories of China were important factors in the character building youth of these women. Between 1931 and 1945 China was occupied by the Japanese, which led to their immigration to the United States. Chinese cultural traditions such as arranged marriages, different religions, and superstitious notions, all which repress women, also influenced their character. A great deal of importance is placed on the variety of traditions that were placed on them. The theme of tradition being passed down from mother to daughter is also stressed. This particular tradition is not explicitly expressed. In order for it to be preserved and handed down it is to be observed, absorbed, and understood. Yet one of the main (ideas) points of the novel is to show that these traditions were not imposed on the American-born daughters as they were on their mothers. In turn, this leads to the vast differences and conflicts between the mothers and their daughters. Some of the differences and conflicts are good while others are not.
In life, the bond between a mother and her daughter is highly complex, and, often, this relationship is stressed by generational divides and a lack of mutual understanding. In the case of both a cultural and generational divide, such as the one in The Joy Luck Club, the mother-daughter relationship has the potential to be stressed further. However, for this particular set of women, this is not the case. In The Joy Luck Club, by Amy Tan, while the environments of each generation are different, the sacrifices, methods, and wisdom used by each generation to protect their kin are similar, connected by a common culture and set of experiences across generations.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
No two mother and daughter relationships are alike. After reading “Everyday Use” by Alice Walker and “Two Kinds” by Amy Tan I realized that the two stories had the same subject matter: mother and daughter relationships. These two stories show different cultures, generations and parenting methods. Although the two mothers act differently, they are both ultimately motivated by the same desire: to be a good parent. In addition, while researching related articles, I realized that there were two recurring themes of mothers and daughters: respect and diverse ways of parenting.
In Amy Tan’s novel, The Joy Luck Club, the character of An-mei learns to love and respect her mother. This essay will focus on the precise moment of the transformation of An-mei to a strong, self-confident woman.
The Joy Luck Club is an emotional tale about four women who saw life as they had seen it back in China. Because the Chinese were very stereotypic, women were treated as second class citizens and were often abused. Through sad and painful experiences, these four women had tried to raise their daughters to live the American dream by giving them love and support, such things which were not available to them when they were young. These women revealed their individual accounts in narrative form as they relived it in their memories. These flashbacks transport us to the minds of these women and we see the events occur through their eyes. There were many conflicts and misunderstandings between the two generations due to their differences in upbringing and childhood. In the end, however, these conflicts would bring mother and daughter together to form a bond that would last forever.
Parents play a crucial role in the development of children, varying from culture to culture. Although imperative, the mother and daughter relationship can be trivial. Many women writers have exercised their knowledge and shared their feelings in their works to depict the importance and influence of mothers upon daughters. Jamaica Kincaid, Maxine Hong Kingston, and Kiana Davenport are only three of the many women writers who have included mother and daughter themes in their texts. These writers explore the journeys of women in search of spiritual, mental and individual knowledge. As explained by these authors, their mothers' words and actions often influence women both negatively and positively. These writers also show the effects of a mother's lesson on a daughter, while following women's paths to discovery of their own voice or identity. In Kincaid's poem, Girl; Hong Kingston's novel, Woman Warrior; and Davenport's short story, The Lipstick Tree, various themes are presented in contrasting views and contexts, including the influence of mothers upon daughters.
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
Anna Quindlen’s short story Mothers reflects on the very powerful bond between a mother and a daughter. A bond that she lost at the age of nineteen, when her mother died from ovarian cancer. She focuses her attention on mothers and daughters sharing a stage of life together that she will never know, seeing each other through the eyes of womanhood. Quindlen’s story seems very cathartic, a way of working out the immense hole left in her life, what was, what might have been and what is. As she navigates her way through a labyrinth of observations and questions, I am carried back in time to an event in my life and forced to inspect it all over again.
The women in the novel, The Joy Luck Club, deal with all of the good and the bad that their history and culture have to offer. At times they experience difficulties because the mothers and daughters, although they are as one, share different cultures, while their history is the same. Ying-Ying St.Claire is the mother of Lena, who is a Chinese-American women. Lena and her mother don’t see eye to eye at all times because of the fact that they were raised in different cultures. Ying-Ying grew up in China in a very well-to-do family. At first she had very few worries, other than being obedient. Her Amah once told her, “You don’t need to understand. Just behave, follow your mothers example (Tan,66)”. As she grew older, she had to prepare for her future; a life of following future husbands orders and taking care of her husbands family. Chinese women would do this because it was expected of them. They would care for their husbands parents so that when they were old they would be taken care of as well.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
The rifts between mothers and daughters continue to separate them, but as the daughters get older they become more tolerant of their mothers. They learn they do not know everything about their mothers, and the courage their mothers showed during their lives is astounding. As they get older they learn they do not know everything, and that their mothers can still teach them much about life. They grow closer to their mothers and learn to be proud of their heritage and their culture. They acquire the wisdom of understanding, and that is the finest feeling to have in the world.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.