On May 29, 1913 when Diaghilev’s masterpiece debuted at the Theatre des Champs-Elysees, the response of the audience was overwhelming in their shock at the erotic and unconventional nature of the dance. What made this performance different then what anyone in Western Europe had ever seen before was its jarring and sexual nature. Rather than the music and choreography be one, flowing, coherent unit, it was instead rather choppy and dissonant which most likely caught the naive audience off guard. The nature of this ballet is described many times t...
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...of militarism on so many levels. The radical changes in culture across the continent during this time period is what historians define as a turning point into the modern era. The old ways died out quickly as the modern ideas of Germany swept over Europe. This spread of these ideas was expedited by the new performances of Russian ballet in the western countries as shown through Diaghilev’s Rite of Spring. The masses of Europe had gone through a violent time of change and by the end of the war, they found themselves in the first years of the modern age.
"HISTORY ESSAY: ‘Caught Between Two Worlds’ – A Review Essay on Modris Eksteins’ ‘Rites of Spring’ « Aproposofwetsnow’s Weblog." Aproposofwetsnow’s Weblog. Web. 29 Apr. 2011.
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