With relevance to the most qualitative of the Aristotelian rules, that which dictates the necessity of continuing cathartic elements throughout the action, Medea is doubtlessly an epitome. Aristotle (Poetics 7.2) wrote that a fitting tragedy ?should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation.?
These focus elements, of pity and fear are essentially what formulate the action within Medea, and in turn, reflect upon the characters creating a relevance to the audience, and the cathartic response for which Aristotle was so passionate. A key point within the text of Medea, which represents the perpetuation of these emotive elements, is when she is informed by Kreon, [Lord of Corinth] that she is to be exiled, as the following excerpt details.
MEDEA: Aiai. Utterly destroyed. Dead.
... middle of paper ...
... survived the bastardization which comes with any translation.
NURSE: If only the Argo hadn?t crashed through the waves
To distant and dangerous Colchis!
If only the pine trees on Pelion Mountain had never
been felled, for the heroes who went in pursuit of
the golden fleece for Pelias.
(Act 1, sc i. Lines 1-6
The speech is poetry in itself, and if such a verse can be created in translation, what beauty could be found in the original text.
If nothing else, this essay has proven the synthesis of Aristotelian and unconventional tragic elements, through the use of the tragic hero, the three unities and the support of a cathartic response from the audience. Also though, with disregard to many Aristotelian rules, to create perhaps not a dramatic success by Aristotle?s ideals, but undoubtedly an effective and challenging text which is Medea.
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