Gabriela, Clove and Cinnamon is a novel which is deeply rooted around the act of gossiping. Gossiping acts as a foreground to exhibit the themes taken place in the novel. The text is depicting to different themes that become interconnected with one another, a love story between Nacib and Gabriella and the struggle between tradition and progress. As the novel progresses the reader is able to witness the political struggles in the town of Ilhéus, a town that is beginning to prosper. Simultaneously, Amado explores the social issues, which have taken place in Brazil during the 1950’s. These social aspects are also changing parallel to the progression of the novel.
Through these gossips the reader is able to relate to the novel, this is because the information is being passed around through means that the readers are able to imagine in their head. Additionally, gossiping allows the reader to grasp the socially relevant information about ones character without having to directly experience their triumphs or misadventures. Gossiping is an act, which is present in the everyday lives of the people of Ilhéus, it acts as a central theme in the everyday conversations of the people of Ilhéus. It acts as a cause for the social issues, which are explored upon in the novel, social issues such as the arguments in the bar to an extent to which the offended party would draw out a gun. Hence, a chain of events is often triggered due to the act of gossiping. The gossiping that takes place in the town of Ilhéus presents attitudes prevailing in the society at that time. The way Jorge Amado has presented these gossips through his writing in terms of the tone and style gives the reader an idea of the sociocultural society of Brazil in a way, which Jorge ...
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...briela, Clove, and Cinnamon a reader can encounter gossip in the dialogues and correlation of the characters. The notion also provides the basic interpretation of characters based on their ways of treating gossip. Thus, the readers are able to identify either the typical characters, who gossip for entertainment, on the other hand there are the purposeful gossipers who make use gossip as a strategy for their personal gain and social enhancement. Gossip has also proven to play a note worthy role in the plot dynamics. Gossip thus drives the course of events towards the climax of the narrative thus making the novel full of anticipation. It logically follows that without gossip the characters in the novel would be deprived their liveliness and diversity, as well as Amado’s narratives would be limited of the climax, the effect of suspense, and the narrator’s unique voice.
This book was written by Machado de Assis in 1908, the same year as the death of the author. Aires Memorial is considered an autobiographical work. It notes a relationship between the novel and the old age of the writer. Without presenting a single plot, the story is divided into several entries from a diary of sorts, featuring anecdotes and episodes that permeate throughout the chapters. The work has the theme amorous idylls and the futility of characters belonging to the Brazilian elite of the late nineteenth century. The author was the brilliant writer more exposed their subjective values, fleeing some of its most striking feature: the narrative exemption.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
The purpose of this paper is to recognize, study and analyze the race relations in Brazil. Race relations are relations between two groups of different races; it is how these two different races connect to each other in their environment. Since Brazil is racially diverse, this study is focused on how Brazilians relate to each other. Throughout the essay, it will become clear that there exists a conflict between two race groups. Afro-Brazilians and White-Brazilians are not connected and though these two groups converse with each other, discrimination still lies within the society. This discrimination has created inequality within the society for Afro-Brazilians. Thus, this paper will not only focus on racism and discrimination that Afro-Brazilians experience because of White-Brazilian, but also on the history of Brazil, the types if discrimination that Afro-Brazilian must endure today and how the media creates discrimination.
The opening lines of the novel shows the motive of passion. In the novel, later, Mme. de Clèves asks for further explanation for the love between a woman and the king with “several other lovers” (1039). This passion forms the “political and social effects” (1039) that change the norms in the court. The court mixes this false “event into its own structure, so that the implausible now becomes the n...
Honor is a concept that is held true and dear to the residents of the Columbian town depicted in Chronicle of a Death Foretold. Honor can represent the status of one’s family, it can determine whether a person is fit for marriage and, if stolen, can resort to violent consequences. In the Gabriel Garcia Marquez’s novel Chronicle of a Death Foretold honor is a prominent theme that is underscored through a major symbol as well as various characters throughout the novel. Each character displays their respect towards honor in different ways.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
With assertive shouts and short tempers, the prominent character, Ricardo, is characterized as a feisty townsman, doing nothing except trying to protect his town and its members from the judgments of the western world. For example, the characterization of the “‘…quaint’” man is exemplified through the simplicity of his life and the fact that he is “‘…employed’” and is full of knowledge, not a “‘cow in the forest’” (55, 29, 32). Ricardo desperately wants to establish the notion that he is not a heartless, feebleminded man, only an indigent, simple man striving to protect his friends and family from the criticisms of callous cultures. Incessantly Ricardo attempts to make it clear to the photographer the irritation elicited by his prese...
The Cask of Amontillado is a short tale of revenge, written by Edgar Allan Poe. The two main characters in the story are Montresor, who is the murderer, and Fortunato who plays a wine connoisseur and the victim. In this dark story, we can see a lot of irony, hate and revenge coming from the main character who has been planning this all along. In this essay I will analyze, examples of irony and foreshadowing used by the writer, symbols and themes, among other things. (Hasanbelliu)
The author connects Antonio’s anxieties about change in his life to the culture in which he lives. Ultima’s intrusion into Antonio’s life marks a crazy time of change for Antonio. Anaya reiterates Antonio’s position on the threshold of change by showing his nerves about beginning school, moving away from his mother, and facing his unusual future. The vaquero lifestyle preferred by his father renews the values of freedom, independence and mobility, all of which are rules in the vaqueros’ love of the llano. The Luna family lifestyle preferred by Antonio’s mother, but emphasizes family and productivity,
Several literary devices are implemented in the novel to convey the author’s experiences and feelings, thus contributing to the overall appeal of the writing. In his younger years
The trial was used to paint Abina as a complainer since there were other young girls who worked for Quamina Eddoo who did not report him or his sister. Another way Abina’s was silenced was the fact that her perspective was not recorded. Even though the court case was documented by an observer in the court, Abina’s personal narrative was not. It is probable to assume that Abina was illiterate since she was a slave from a young age and would not have been provided the opportunity of education. Due to this fact, the audience is unaware if the represented story of Abina is an accurate depiction of her story. The documented court hearing provides the reader with a strong sense of who the powerful men are in the room since the dialog was dominated by the men. Another reason why Abina’s story was quieted was because of her
Arredondo exposed Luisa as a dynamic character because during the story the readers can see the changes that her personality had over the time. At the beginning of the story the reader can see how Luisa takes care of her uncle with devotion and love, but after they married she considered it as a disgusting duty. Ines Arredondo described Luisa as woman who has the power of “purify everything” (81), but after suffering the physical abuse of her uncle, all her innocence disappear. She was an innocent girl that was reserving herself for marriage. However, after married her uncle, she started seen the things in a different way. Now, she thinks of herself as “the vilest of harlot” (87). The way that the author exposes Luisa is like happy young lady that thanks to the circumstances enter to a deep depression that changes her life and she “was not able to go back to who I [she] was”
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
José Maria Eça de Queirós, though not worldly renowned, is arguably the greatest Portuguese novelist of his time. In 1877, he wrote a novel titled “The Tragedy of the Street of Flowers” (“The Tragedy”); however, it was not published until many years following his death. The novel is a tragic love story about a cocotte (prostitute) named Genoveva de Molineux and a lawyer named Vítor da Silva. The story follows the love between these two individuals which ultimately leads to the death of Genoveva. When first appearing in the orchestra audience in Lisbon, every man was attached to her beauty and wanted to know her. Vítor falls in love with Genoveva at first sight without previous knowledge that she is a high-class prostitute. However, the tragedy begins when Genoveva is told by Vítor’s uncle, Timóteo, that Vítor is her son. Unable to cope with what she had just learned, Genoveva commits suicide; neither herself nor Timóteo disclose the truth to Vítor. When asked about the novel, Eça had stated that it is a cruel story, one of the best he had yet written (at that time) and “a real literary and moral bombshell” (Queiroz, preface, ¶ 3-4). “...nineteenth century writers knew that incest in Greek Tragedy represented the protagonist’s hopeless fight against fate. Finding a close correspondence with contemporary Lisbon society, aimlessly debating political, economic and social problems, unable to control the nation’s destiny, does not require a great stretch of the imagination” (Ponte 79).
Clarice Lispector, a Brazilian female writer of Jewish descent, tied her writing with her very life, for her writing reflects her viewpoint on many aspects of her life. She was well-known for her existentialist writing involving themes revolving around women’s roles. Through the characters and their interactions in her works, Lispector explores the societal status of women. The male subjugation of women influences many of the themes found in her works and a better understanding of women’s social status ultimately leads to a better understanding of the relationship between the characters in her works and actions by those characters. Thus, the evaluation of women in the society contemporary to the era Lispector lived in influences the overall existentialist ideas and the motif of women’s roles in her work.