Themes of Cervantes’ Don Quixote
Miguel de Cervantes’ greatest work, The Ingenious Gentleman, Don Quixote De
La Mancha, is a unique book of multiple dimensions. From the moment of its creation, it has amused readers, and its influence has vastly extended in literature throughout the world. Don Quixote is a county gentleman disillusioned by his reading of chivalric romances, who rides forth to defend the oppressed and to right wrongs. Cervantes presented the knight-errant so vividly that many languages have borrowed the name of the hero as the common term to designate a person inspired by magnificent and impractical ideals.
Cervantes’ theme throughout the novel is consistent and straightforward. Despite the lengthy digressions and numerous episodic adventures, the theme of the novel is clear- the values of the Golden Age have been lost over the centuries and must be restored for the good of society. Before the fall of man when the earth was still a paradise, Don Quixote explained to some goatherds, “all things were held in common, and to gain [man’s] daily sustenance no labor was required of any man save to reach forth his hand and take it from the sturdy oaks that stood liberally inviting him with their sweet and seasoned fruit (134),” making it needless to steal, cheat or lie. He went on, “fraud, deceit, malice had not yet come to mingle with truth and plain-speaking.” Because the world is no longer in such a state, however, “the order of knigh...
The fables “El Grillo y el Jaguar” and “The Hero in the Village” both contain similar messages of cleverness and justice. The former is a Mexican fable about an unkind jaguar who challenges a singing cricket to a race. On the other hand, the latter Bolivian fable is about a hard-working burro who is blamed for eating his master’s garden every night, but the true culprit is a group of sly foxes. Both the cricket and the burro cleverly defeat their antagonists, however. While each encloses differences, also, these fables have many resemblances in characters and themes.
In the Ingenious Hidalgo Don Quixote de la Mancha Don Quixote takes on many exploits and is often broken and beaten along the way. Whether he is fighting with imaginary giants or the knight of the White Moon, Don Quixote ends up defeated. In City Lights Chaplin’s tramp endeavors to make money in order to help the blind girl. After being fired from his recent job as a street cleaner, the tramp enters into a boxing contest for 50% of the winnings. However, things do not go as planned and the tramp finds himself in a predicament. Still, and similar to Don Quixote’s boldness, the tramp believes there is an actual chance that he could win the match. Instead, he finds himself knocked out and no closer to his goal of helping the blind girl.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Through jest of a game the Green knight enlightens Gawain the short sights of chivalry. He comes to realize within himself that the system which bore him values appearance over truth. Ultimately he understands that chivalry provides a valuable set of ideals toward which to strive, but a person must retain consciousness of his or her own mortality and weakness in order to live deeply. While it is chivalrous notions, which kept him, alive throughout the test of the Green Knight, only through acute awareness of the physical world surrounding him was he able to develop himself and understand the Knights message. From the onset of Sir Gawain and the Green Knight the author relies intensely upon descriptive language to create ambiance and tonality, but it is only later in the work, upon Sir Gawain’s development, that like Gawain, the reader is able to derive meaning from the descriptive physicality and understand the symbiotic relationship of nature and society.
Candide Wealth and great materialistic possession brings happiness and success to most people’s lives. Although wealth does not always bring happiness, El Dorado was one society where all it’s inhabitants lived lives full of success and happiness. In Candide, wealth proved to guarantee a person a step forward in life and some sense of freedom. Sometimes when one lives in an environment consisting of total equality, one may prefer to leave and go to a different place where they would be considered superior and everyone else inferior to them. The people of El Dorado were so wealthy that they abused the things that they possessed that others would cherish. The children proved this when they were playing at quoits covered with tattered garments of the richest brocade. It is obvious to see that they were so rich that the quoits did not have any significant meaning to them. We were able to see this when upon having to return back to school they left the quoits on the ground along with their other playthings. Candide was surprised to find out that an adult schoolmaster would do the exact same when given these quoits which consisted of gold and precious stones. Candide realized that these children must have been those of a king and he said, " The king’s children in this country must have an excellent education, since they are taught to show such a contempt for gold and precious stones." (49). Another way in which we saw that they were very wealthy was the fact that the common pebbles of their highways were large gold pieces, houses were built of silver and gold, the antechamber was incrusted with rubies and emeralds. I feel that this was not very appropriate. Just because they were wealthy does not mean that the money should be wasted in such a way as to build a highway of these expensive stones, when it could be substituted with a much less expensive material. El Dorado was a place where everyone was extremely happy and satisfied with what they possessed. This place was seen as heaven on earth. It represented a cultural wealth. Everyone here was a priest and priests were considered to be pleasant happy beings. We clearly saw that Cacambo and Candide were very satisfied with their stay here when they said, "Possibly this is that part of the globe where everything is right for there must certainly be some such place." (50). They ...
In the story of Don Quixote, a middle aged “gaunt” man sets off to become a knight-errant. Within the beginning chapters of the story, Quixote goes on a journey to prove himself as a knight. The narrator speaks sarcastically about Quixote’s and his adventures. On account of the voice of the narrator, perception is crucial relative to forming an opinion about Don Quixote and his journey of becoming a knight-errant. The constant opposition of the narrator in relation to Quixote’s goals and actions create a feeling of tension within the audience as the reader becomes perplexed in trying to figure out if Quixote’s journey can really be considered a knight’s errant. Still, despite the narrator’s sarcastic tone and Don’s idiotic actions, Don
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
While there are many themes that can be found in this novella, Benitez skillfully uses the Mexican culture and the beliefs to improve her story, giving it understanding beyond the traditional American thoughts that many foreign writers are unable to achieve.
Throughout his novel, Don Quixote, Miguel Cervantes effectively uses the transformation of reality to critique and reflect societal and literary norms. In three distinct scenes, Don Quixote or his partner, Sancho, transform reality. Often they are met with other’s discontent. It is through the innkeeper scene, the windmill scene, the Benedictine friar scene, and Quixote’s deathbed scene that Cervantes contemplates revolutionary philosophies and literary techniques. The theme of reality transformation does not even stop there. Sometimes the transformations of reality scenes act as mimetic devices. Ultimately, Miguel Cervantes’ use of transformative scenes acts as a creative backdrop for deeper observations and critiques on seventeenth-century Spanish society.
Gabriel García Márquez story, Big Mama's Funeral, is a story filled with fantastical scenes and events much in line with Don Quixote and Candide. The introductory paragraphs of Big Mama's Funeral and Candide sound so similar in voice the two authors could be mistaken for the same. In Candide, one finds a series of episodes that are so far from the truth and yet perfectly explainable. The story of the fate of Dr. Pangloss, the death and resurrection of Cunegund and of her Jesuit brother, and the story of the old woman with one buttock are farcical in the same way as the episodes in Big Mama's Funeral. In Don Quixote, we find a man, for the most part average, who wishes to become a knight-errant. In his quest is as series of happenings so ridiculous they are nothing short of tabloid-style sensationalism, or drug induced hallucinations.
In 1949, Dana Gioia reflected on the significance of Gabriel García Márquez’s narrative style when he accurately quoted, “[it] describes the matter-of-fact combination of the fantastic and everyday in Latin American literature” (Gioia). Today, García Márquez’s work is synonymous with magical realism. In “Un Señor Muy Viejo con Alas Enormes,” the tale begins with be dramatically bleak fairytale introduction:
Quimet’s attitude towards Natalia throughout their relationship enhances the man’s dominance in the Spanish culture. In the novel, Quimet, “delivered a long sermon about men and
Sandra Cisneros’s short story “Never Marry a Mexican” deals heavily with the concept of myth in literature, more specifically the myth La Malinche, which focuses on women, and how their lives are spun in the shadows on men (Fitts). Myths help power some of the beliefs of entire cultures or civilizations. She gives the reader the mind of a Mexican-American woman who seems traitorous to her friends, family and people she is close to. This causes destruction in her path in the form of love, power, heartbreak, hatred, and an intent to do harm to another, which are themes of myth in literature. The unreliable narrator of this story was created in this story with the purpose to show her confusion and what coming from two completely different cultures can do to a person, and what kind of confusion it can bring.
Don Quixote is one of the oldest forms of the modern novel. Written in the early 17th century it follows the adventures of Don Quixote and his sidekick Sancho Panza. In Don Quixote, Cervantes satirizes the idea of a hero. Don Quixote sees himself as a noble knight among the ignorant common folk, but everyone else sees him as a bumbling idiot who has gone mad. Therefore, the novel’s longevity in the western canon is due to the humorous power struggle and the quest of a hero Don Quixote faces throughout the story.
Miguel de Cervantes' greatest literary work, Don Quixote, maintains an enduring, if somewhat stereotypical image in the popular culture: the tale of the obsessed knight and his clownish squire who embark on a faith-driven, adventure-seeking quest. However, although this simple premise has survived since the novel's inception, and spawned such universally known concepts or images as quixotic idealism and charging headlong at a group of "giants" which are actually windmills, Cervantes' motivation for writing Don Quixote remains an untold story. Looking at late fifteenth- and early sixteenth-century Spain from the viewpoint of a Renaissance man, Cervantes came to dislike many aspects of the age in which he lived, and decided to satirize what he saw as its failings; however, throughout the writing of what would become his most famous work, Cervantes was torn by a philosophical conflict which pervaded the Renaissance and its intellectuals--the clash of faith and reason.