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2. Why should a choral director not introduce a new choral work to a choir by saying, “This is a great work and you’re going to love it?
Students should be given the opportunity to form their own opinions of the music instead of being told what your opinion of the music is. Students can then form opinions on the value of the music and whether they like it or not. When teachers start off by telling the students that they love the music, then they are almost causing the song to be a failure. For me, when a conductor tells me that I will love a piece then I almost have a higher expectation for the piece. Instead of me finding a reason to love the piece, I am trying to figure out what is so “cool” about it. I usually end up never finding it and not wanting to sing the song. Students need to also be given the opportunity to put their own translation and meaning to a piece. This will help students portray the music better and they will make a deeper connection with the music.
7. How can audio tapes be used in the choral rehearsal?
Audio tapes can be used in many ways in a choral rehearsal. When a choir is first beginning a piece of music, the conductor may decide to let them listen to a recording of the piece before sight reading the piece. This would allow the choir to get a feeling for the mood, tempo and style of the piece before reading the first note. This could also be a great opportunity to have singers follow along in their music with the recording. This could help singers pick up on dynamic changes or the general melody heard over several parts. A conductor may also decide to allow the choir to listen to several different choirs recordings of the same piece. This can almost be used as an ear training exercise whe...

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...will not be able to do everything on your own. You will need to enlist a crew to help you with the everyday chores. This can also help the students feel connected to the group along with giving them a sense of responsibility. The conductor has a great deal to worry about with the music and teaching the choir, they do not need to be worried about setting up chairs.
Last, conductors should not talk too much, while rehearsing. As teachers I feel like we don’t do this one enough but I feel it is a very important aspect to the choral rehearsal. At times we over explain a concept to our students or we say it in to many words. As Dr. MacPherson say while we rehearse in conducting, “how can you make that correction in three to five words.” The shorter of a “command” you are giving the choir the more likely they will be to remember the correction and follow through.

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