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An Oscar Wilde Original Coming to Life
Oscar Wilde’s, The Importance of Being Earnest: A Trivial Comedy for Serious People is a brilliant piece that is filled to the brim with wit and irony. In 2002, the satirical play that mocks the victorian era came to life and was developed into a film, written and directed by Oliver Parker. This extremely well casted film reflects on the characters personal and public lives in which the major conflict of identity builds up into an exciting and unexpected ending that I will not dare to spoil for you.
The protagonist and main character Jack Worthing (Colin Firth) owns a very large estate in the country of Hertfordshire, England and holds many responsibilities such as looking after his ward, Cecily Cardew (Reese Witherspoon), a childish but beautiful eighteen year old girl with a wild imagination. When he grows bored of his life in the country, Jack pretends to have a brother named Earnest in London, who is always looking for pleasure and causing trouble which gives him excuses to make many visits. However, Jack, who is a discontent man and utterly confused about his identity ends up leading a double life as Jack in Hertfordshire and Earnest in London. In acting as Earnest, he met his good friend Algernon Moncrieff (Rupert Everett), a very privileged and clever man, and falls in love with Algernon's cousin Gwendolen Fairfax (Frances O’connor), a composed, sophisticated women who is trapped by her mother. When Algernon finds out the truth about Jack’s double life as Earnest, he finds perfect sense of it because he has an alter ego as well, Bunbury. This compels him to sneak away to Jack’s Hertfordshire estate to see where he is from. He introduces him self as at the estate as brother Earnest...

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If you are a serious person looking for a trivial comedy or just someone looking for an entertaining film with an intriguing plot, I would highly recommend making a bowl of popcorn and watching The Importance of Being Earnest. Oscar Wilde’s famous dialogue remains intact and is delivered almost flawlessly by the actors. However, in this Oliver Parker film, the setting does not portray the classic Victorian feel. It seems like it is set more in the 1900’s than in the 1890’s due to the costumes and decor. There was also a great amount of audio and visuals which caught my attention and made it more exciting to watch but, over the top additives such as hot air balloons and the reenactment of Cecily’s journal entries were unnecessary. When the play's dilemmas have all been solved in an unexpected way, the film ends abruptly which leaves you wanting more.

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