H is for Heritage of Irish cuisine which has over the centuries metamorphosed along with the political and social changes in the country. A major in influence in the later have of the 16th century was Ireland’s introduction of the potato crop.
Since that time it has been has incorporated in many traditional Irish dishes such as Irish stew, bacon and cabbage, boxty-a traditional potato pancake, coddle-a dish of leftover including sausage, bacon, potatoes and onions, and colcannon- a potato and kale dish.
From the time of Irish mythology and early Irish literature, references to food and drink are made throughout, often with mention to banquets. It is known that honey was used in the making of mead and as well as eaten my many. There are stories of cooking deer by making holes in the ground, filling it with water, adding the meat and adding hot stones to cook the meat. As the 21st century, progressed, foods common to the Western culture such has pizza, curry, Chinese food have been adopted by Ireland subsequently their ingredients have become more readily available over time. During the last 25 year so of the 20th century, new Irish cuisine has employed new ways of using traditional ingredients bring about exciting new dishes. Also during this time traditional dishes, such as Irish stew, coddle, the Irish breakfast, and potato bread have enjoyed a renaissance in popularity.
Pot of Colcannon, an Irish Potato and Kale Dish nn I is for Ireland’s most Important Symbols, dearly cherished by all the Irish people.
Shamrocks once thought to have magical powers and the number 3 was considered a powerful number.
St. Patrick used the Shamrock to symbolize the meaning of the church's teaching on the Trinity.
The Legend of St. Patrick says when ...
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... king of Ulster, a great hero, their friends, lovers, and enemies; the stories center round the royal court in North-Eastern Ireland and has close connections to Scotland and recounts Ireland’s Heroic Age.
The Fenian Cycle arising from the third century is centered in the provinces of Leinster and Munster and primarily told in verse in the romantic epic tradition. They appear to have strong links to the Irish speaking in Scotland and also focus on Irish heroes and their many deeds and they are many surviving Fenian text. The newest
Historical Cycles originated as it was part of the duty of the medieval Irish bards, or court poets, to record the history of the family and the genealogy of the king they served. This they did in poems that blended the mythological and the historical to a greater or lesser degree and formed new myths.
Finn McCool Comes to
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Cahill begins his discussion of the Irish people in an extensive reference to Medh, the Queen of Connacht. Through her story we are first shown the aggressive spirit and strength of the Irish people. As Cahill relays, no barbarian tribe or nation was feared like the Irish when it came to the slave trade, and it is through this vein of interaction- the slave trade- that a young man by the name of Patricius is introduced to the realm of Unholy Ireland. Taken from his home in Romanized Briton, he is subject to several years of slavery in the most unsavory of conditions. These conditions serve as a catalyst for his spiritual enlightenment and ultimately that of the Irish peoples (38).
Stade, George, and Karen Karbiener. “Heaney Seamus.” Bloom’s Literature. Facts on File, Inc. Web. 30 Mar. 2014
The following is a list of explications pointing towards British and Celtic myths and figures. While pursuing the Celtic influences of Middleton's novel, I found myself searching for the meaning of other present mysteries. This author's twist of two cultures creates a spectrum for possible explication. It seems that the Celtic material melds into British society throughout this novel. In search of specific markers I found myself concentrating mostly on Haydn Middleton's use of names.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Ó Cathasaigh, Tomás. 'Myth and saga: 'The Wooing of Étaín'', in B. Ó Conchubhair (ed.), Why Irish? Irish language and literature in Academia (Galway, 2008), pg. 55-69.
Heaney, Seamus. Introduction. Beowulf: a New Verse Translation. New York: Farrar, Straus, and Giroux, 2000. Xvii. Print.
The tales were rediscovered around 1880 inspiring the Irish literary revival in romantic fiction by writers such as Lady Augusta Gregory and the poetry and dramatic works of W.B. Yeats. These works wer...
Macbeth is one of William Shakespeare's most famous plays-a story of murder, betrayal, and uninhibited ambition. After proving himself in war, the titular character is rewarded by Duncan and given the title Thane of Cawdor. Unsatisfied with his new position, Macbeth (partially due to temptations from the witches and his wife) decides to assassinate King Duncan and claim the throne for himself.
Due to the relative ease of growing the potato it became the major staple in the diet of the people in Ireland. An Irish legend wrecked of the Irish coast in 1558, were carrying potatoes and some of them washed ashore (Stradley, 2004). The potato was cultivated by the Inca Indians from Peru in about 8,000 B.C. to 5,000 B.C. (Potatoes Goodness Unearthed, 2014). It is believed that the potato arrived in Northern Europe because of Spanish exploration (Mann, 2011). Forty percent of the Irish ate no solid food other than potatoes. In fact, according to Cecil Woodham-Smith, "That cooking any food other than a potato had become a lost art. Women hardly boiled anything but potatoes. The oven had become unknown after the introduction of the potato prior to the Great Starvation." Small land holders could grow potatoes easily ...
Being German-American is a very personal thing. We want and we find external independence here, a free middle-class way of life, uninhibited progress in industrial development, in short, political freedom. To this extent we are completely American. We build our houses the way Americans do, but inside there is a German hearth that glows. We wear an American hat, but under its brim German eyes peer forth from a German face. We love our wives with German fidelity. . . We live according to what is customary in America, but we hold dear our German customs and traditions. We speak English, but we think and feel in German. Our reason speaks with the words of an Anglo-American, but our hearts understand only our mother tongue. While our eyes are fixed on an American horizon, in our souls the dear old German sky arches upward. Our entire emotional lives are, in a word, German, and anything that would satisfy our inner longing must appear in German attire [Cincinnati Volksfreund, Nov. 13, 1 848]. (Adams)
Throughout the myths of the Celtic and Germanic peoples of northern Europe tales of epic heroes and their extraordinary deeds abound. These tales depict heroes performing a variety of incredible feats; many of which appear to be magical, superhuman, and, quite honestly, utterly impossible (e.g., wading across oceans, defeating armies virtually single-handedly, and other astounding exploits). Since the Celtic and Germanic tribes of antiquity inhabited neighboring lands and lived in close proximity to one another (as many of their modern descendants continue to do: i.e., in Great Britain), it is not surprising that they often established intimate relationships with each other via commerce, conquest, and the spread of religious beliefs. In light of this intimate association, it is not astonishing that the cultural and consequent poetic traditions of these ethnic groups were often remarkably analogous.
The Mabinogion is a collection of eleven tales from the Welsh myths, preserved in two manuscripts, the White Book of Rhydderch and Red Book of Hergest. The tales from the Mabinogion are divided into three categories: the first four tales belong to the Four Branches; the next four are the Independent tales; and the last three are called the Three Romances, which show strong association to the French romances written by Chretien de Troyes. Historia Peredur ab Efrawg shares significant material in common with Chretien’s Perceval or Le Conte du Graal; the Welsh romance of Owain, subtitled Chwedl Iarlles Y Fynawn is clearly related to Yvain, Le Chevalier du Lion; and the chwedl (Welsh tale) Geraint ab Erbin follows the plot-line of Chretien’s Erec et Enid perfectly. These similarities immediately call into question the origin, history, and influences of the tales – or so called mabinogionfrage. Through examining the work of Chretien de Troyes and historical and thematic evidence, we will elucidate the relationship between these parallel stories and attempt to explain the mabinogionfrage.
of farming and feeding ourselves. The potato was also a godsend for the Irish who were unable
Macbeth is a courageous and honourable general in Scotland. His success in the battle against the