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A christmas carol character analysis essay
Analysis novel christmas carol
Literary analysis of Christmas Carol
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The icy flakes of snow fell from the dark night time sky like dots of white dust that had been thrown from the clouds of heaven, while the Christmas carolers voices traveled through the air, and into the ears of passers by. The snow covered trees swayed in the gentle breeze, and the Christmas lights from the houses surrounding the church illuminated a small part of the street while Edward's blood slowly dripped from his nose onto the snow mixing with the flakes to bring a sharp, crimson color into view.
As Edward sat back into the cold wood of the public bench that sat outside of the stone wall that surrounded the church, he realized that he was not alone. The stranger next to him was sipping from a small metallic hip flask while staring at Edward with a cheap plastic smile.
"Are you going to finally acknowledge me, sweetheart? Or are you just going to carry on feeling sorry for yourself"? asked the stranger with a thick Irish accent. Edwards freshly trimmed suit could not hide the fact that he was broken, beaten, and very bruised. He stared at the well dressed stranger and sighed with exhaustion before turning his head to stare at the icy road.
"Listen, Buddy". Replied Edward. "I don't know if you have noticed but, I'm not in the mood for conversation, and I would also like to mention that if you are looking to score, then you will be deeply disappointed to know that I'm not gay. So please, just let me get on with my night".
The stranger took no offense to Edwards presumption. However, he could tell from the quiver in Edwards voice that he had told a small lie along the way.
"I'm too old for you, aren't I"? questioned the Irish man. If Edward had more energy in his beaten body, then he would have cur...
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...? And I'm the supposed to be the bad guy"?
Marley released a small chuckle as he kept the gun aimed at Edward.
"Now is not the time to grow a spine, Mr. Cruise". Marley looked into the eyes of his victim, and began to lower the corners of his mouth so that his smile gradually vanished.
"I know more about you than you care to believe". A short pause of silence filled the cold air.
"You have already caused me enough anguish, but I can be quite a forgiving person, believe it or not...However, it is Christmas eve, and you are about to give some one the best fucking Christmas present they could ever wish for". Marley waved the barrel of the gun slightly to indicate to Edward that there journey was about to begin. Edward held his broken ribs together with one hand, and his bloodied nose with the other as he began his unknown journey with Marley McBride.
His demeanor lifted for a brief moment as he recalled something, before shifting back to his previously interrupted, confrontational speech. “Worse still, you don’t even have a day’s experience in patrol, and you’re looking to
Co. and the dead moon," reinforces the description of winter once again, because there is no life during winter as opposed to a harvest moon in fall when it is warm, life is good, and food is plenty. "The filaments of cold light bulbs tremble," gives a very cold image and it is like music, but he can not listen to it.
The night was so still that they heard the frozen snow crackle under their feet. The crash of a loaded branch falling far off in the woods reverberated like a musket-shot, and once a fox barked, and Mattie shrank closer to Ethan, and quickened her steps.
“Pardon me?” Miss Allen asked, finally putting an end to the creepy ass moment of deadly silence. The perplexed expression on her face grew more confound with each passing second, but the gentleness in her eyes remained the same.
The narrator started off with him telling himself to act calm ,believing he can totally get away with it, giving him a mellow attitude “I went down to open it with a light heart,-for what had I now to fear?” He is given this cocky attitude throughout the whole passage until the point that he
“He raised up and stood with weeping eyes. On the gray snow a fine mist of blood” (p. 30).
The snow floats down from the heavens on to earth painting it glistening white. Just like the named implies whitechapel is covered in a blanket of white snow. Catherine Eddowes walks home then she spots the local newspaper boy “Hey Missus, care for this morning's paper?” “Yes, boy, how many pounds will this be?” ”Just one pound, Missus.” “Thank you, boy,” she throws a coin to the young boy. The boy hides the coin in his hat and scurries off into the shadows of a dark alleyway. Catherine sits down on a bench nearby. One of the articles state that a woman’s body has been found on Bucks Row in Whitechapel. Her throat had been slit twice from left to right, her abdomen mutilated with one deep wound. A chill runs down Catherine's spine, she is not sure if it is from the cold or from the article she just read. She puts down the newspaper and rushes off to her quarters. She takes out a bottle of whiskey when she gets home to calm herself from the stressful day at work and the article she just read. She sits down at the counter taking out a glass to pour the whiskey in she drinks glass after glass. Her hands start to shake rapidly she taps the table repeatedly the melody of her fingernail hitting the wood echos throughout the house like a ticking clock. Tick, tick, tick the sound echos until it finally stops. The whiskey is starting to take effect on her. She feels dizzy. She decides to take her medication to stop the throbbing pain in her head. Catherine makes haste towards the restroom but, upon opening the medicine cabinet she finds that her pill bottle is lacking the pills. Clutching her head and moaning in pain she decides to go to the pharmacy. She walks through the crowd of people swaying side to side through the waves of pedestr...
Chronic illness in children is a major source of stress and potential distress for the whole family. The disease is considered by many authors as chronic due to the length and complexity of the treatment and recovery period, danger to life or injury, a high probability of relapse (Rehm, 2013). When a child has a chronic disease, the severity of the experiences of all family members about the diagnosis is compounded by the numerous challenges that every family faces when interacting with the disease. Studies of families that had a child with chronic illness revealed universal problems directly affecting family functioning. Situation is worsened by lack of social, moral, and psychological support to these families. Parents are more often the primary caregivers for children with chronic illness, and so these people need an optimal professional support from health care professionals to maintain the care for their children and themselves. Because nurses take an intermediate role between a family and a doctor, they are the ones who will have a responsibility to empower parents (Rehm, 2013).
The Epic of Gilgamesh and Fight Club (a novel by Chuck Palhaniuk) show mentally unstable main characters with very strong, animalistic second halves to them. The psychic apparatus consists of the more animalistic part of the conscious (the id), the organized moderator of desires (the ego), and the part of the conscious that aims for perfection (the superego). Tyler Durden is the Narrator’s id whereas the Narrator himself is his ego and superego. It is known that Tyler is the Narrator’s subconscious creation to store his id. The Epic of Gilgamesh is also about the id, ego, and superego of the main character. Enkidu represents the id of Gilgamesh while Gilgamesh himself represents his ego and superego. Both Enkidu and Tyler Durden are physical presences in each story, but they are really the psychosomatic manifestations of Gilgamesh and the Narrator meant to contain Gilgamesh’s and the Narrator’s animalistic ids separately from the rest of their minds..
Lachlan sighed. "You're too gay for your own good Jason." He started picking at the crab.
”I caught a glimpse of his face. Saw the resignation in it. It was a look I had seen before. It was the look of the lamb...I stopped watching turned away from the alley… I had one last chance to make a decision. One final opportunity to decide who I was going to be. I could step into that alley stand up for Hassen - the way he’d stood up ...
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
“You don’t know me.” My voice sounded as unsteady as his stance. He shrugged as he chuckled; the laughter turned my blood cold. He seemed to know something I did not.
Neil Gaiman’s “Snow, Glass, Apples” is far from the modern day fairy tale. It is a dark and twisted version of the classic tale, Snow White. His retelling is intriguing and unexpected, coming from the point of view of the stepmother rather than Snow White. By doing this, Gaiman changes the entire meaning of the story by switching perspectives and motivations of the characters. This sinister tale has more purpose than to frighten its readers, but to convey a deeper, hidden message. His message in “Snow, Glass, Apples” is that villains may not always be villains, but rather victims.