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The magic of film music essay
Importance of music in film
Importance of music in film
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Mamma Mia
Q1) PLOT
The story was based on a young lady named Sophie who would be getting married in a few weeks. She lives with her mother on a small island where they run a small hostel. Before her wedding, Sophie finds one of her mother’s old diaries that give her clues about her unknown father. There is a bit of difficulty however because there are three possible candidates that fit the role of her father so she invites them all to her wedding without her mother’s knowledge in hope of finding out whom her father really is. I believe that there were no subplots because it was a basic story with more of a musical theme than one about a story.
Q2) THEMES AND IDEAS
I think that the main themes consisted of the different types of love between Sophie’s family and friends, relationships as well as a bit of an identity crisis because Sophie doesn’t know who her father is therefore she is missing a part of herself that makes her who she is.
Q3) CHARACTERS
Sophie Sheridan
Q4) PRODUCTION VALUES
I believe that the costumes were very effective because they portrayed the mood and they were the best when they were singing at the end because they were so bright and make you feel excited although I don’t quite approve of men wearing six-inch heels.
The lights and the quality of sound were fabulous and I believe that it made the play enjoyable since the play was based on all of ABBA’s music. Besides all of the music, I think that the visual effects were very important because it had t...
The music has rather suspenseful and at times over intensified the overtone of the moment instead of accessing the undertones of the moment. The acts were extremely exaggerated including Irene Papas who played Clytemnestra. During her acting at times it felt as though she was being extra exaggerated making it awkward to watch. That being considered there was never a moment that occurred when you felt as though she did not genuinely care about every moment. The actor for Agamemnon Kostas Kazakos there were times that it would have been more appropriate to add more feeling into his scene. Often was a viewer it felt as if he would not make a decision for himself but instead was constantly waiting for someone to react. The setting was incredible. It seemed as if it was truly taped in ancient Greece. It was beautiful and embodied what I would image ancient Greece would look like. The soundtrack was over exaggerate. It would be nice if there was not as much drums. Often times it made the scene have an increased moment of anticipation when nothing major was really
basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and
The costumes, who were designed by Emilio Sosa, were relative to the time period the play was set in, (1938-1983). They started out very simple and I did notice the outfits starting to evolve as the years went on to more sparkly and extravagant looks. The men’s costumes were warm, earthy colors with the exception of a few red, gold, and blue suits while the women’s costumes were colder and brightly colored in shades of pink, gold, and red. I remember one specific costume that the Supremes wore early in the musical. They were knee length, body hugging, and solid gold dresses. They really shined in the lights, making them memorable. To me, these dresses signified the Supremes evolving in their fame. The sound, designed by Peter Hylenski, was really impressive. The music was played by a live orchestra. They played loud enough so that even people in the back, like me, could hear them clearly. The actors’ vocals were live as well and was amplified with small lapel microphones. The sound was well designed and constantly thriving. There never once were any awkward moments during the musical because the sound kept it all
Throughout the musical, the prowess of each individual performer was on display. Every performer, with the exception of Kristine, expressed a power and vibrato that was breathtaking; the highest notes lilting and the lowest notes thundering. I was in awe during a majority of the performances because of the commanding singing in each performer.
In 1749 Bach started a new composition called “The Art of Fugue”, but he did not complete it. Bach tried fixing his sight with a surgery but something devastating happened, he lost his eye sight completely and a year later he suffered a stroke and died. During his life time, Bach was better known as an organist than a composer, “Curiously, Bach refrained from calling himself a composer…” (Wolff 2000, p.3). Bach was able to give different emotions to others with music. Bach died a respected man and having an important position in the world of music.
Bach was born in 1685 in Germany amongst the turmoil of national reconstruction. He lived a quiet life with little musical influence, until the death of his parents at age ten. After their death, Bach’s older brother, who taught the very young Bach to play clavichord and harpsichord, raised Bach. Now, his life had the musical influence that is associated with Bach’s greatness. At the age of eighteen, he joined an orchestra where he learned to play the violin and organ. During this time the musical genius of Bach began to emerge (Jackson 15).
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
... new dimensions in virtually every department of creative work to which he turned, in format, musical quality and technical demands (p. 22, Classical Music, the Rough Guide). His music was so complex that many analysts have uncovered layers of religious and numerological significance that is rarely found in the music of other composers. Bach’s chorale harmonizations and fugal works were soon adopted as models for new generations of musicians. Bach was the last great representative of the Baroque era in an age which was already rejecting the Baroque aesthetic in favor of a new, enlightened one (www.sfsymphony.org/templates/composer).
There are many themes that occur and can be interpreted differently throughout the novel. The three main themes that stand out most are healing, communication, and relationships.
The connection is made when Dracula sees a picture of Mina while Jonathan is held up in Dracula’s castle in Transylvania. With Jonathan trapped Dracula and Mina become quite close and go as far as to fall in love with each other. Throughout the novel, there is no love connection between Dracula and Mina and the only relation they encounter is as he attempts to seduce her to her death in spite of the men meddling with his plans of destruction. In the novel Mina resented Dracula for what he had done to her good friend Lucy Westenra. (Stoker Dracula) (Coppola "Bram Stoker 's Dracula")
...rease in popularity during the Baroque Age. The listeners enjoyed hearing the keyboard pieces that were often grouped into suites and played in the same key. Organ music was also very important during this era, mainly being played in church services. The major forms of keyboard music were preludes, chorals, variations, and fugues. Each of the three musicians used these forms of keyboard music in their pieces. Through these forms, Bach was able to take on every genre of music, creating his own which was the keyboard concerto. The works that Handel composed were often forgotten unless they were an oratorio. Telemann’s music was generally complex containing French, Italian, and Polish styles. Though the styles of music between these three men vary, they were able to leave a positive lasting impression causing people to reproduce and listen to their music regularly.
One of Bach’s many popular compositions is the Fugue. A fugue, defined by Smith (2001), “[is a] polyphonic procedure involving a specified number of voices in which a motive subject is exposed, in each voice in an initial dominant relationship, then developed by contrapuntal means. A fugue consists of one exposition followed...
Johann Sebastian Bach was, is, and will forever be one of the most infamous and genius contributors to the world of Baroque music. His work in defining the various styles within the Baroque genres and composing has had a very pervading impact. As a pianist who has been studying classical music for over fourteen years, I, along with countless others, would certainly say that Bach holds a very highly regarded reputation as a composer.
the source of some of Bach’s greatness. It is the expressiveness of his music, particularly