A tragic hero is usually a person of high esteem or social ranking cursed with a flaw or obsession that will eventually lead to their demise. Macbeth is a tragic hero. Examining the events that occur as Macbeth travels the typical path of a tragic hero easily supports this claim.
The William Shakespeare play ³Macbeth,² depicted Macbeth as a loyal subject of King Duncan and his homeland of Scotland. Duncan was so pleased with Macbeth¹s actions during the war that he was named the Thane of Cawdor, a title not far from king. Soon after, he wrote a letter to his wife that would make his future blood stained. Macbeth told her about the possibility of becoming king and in-turn hooked her on the idea. She then did everything in her power to give Macbeth the crown of Scotland.
Shakespeare draws an amazing psychological portrait of a man who became a villain by means of ambition, desire and an imbalance of good and evil. “Macbeth” is a play composed of the disintegration of a noble man’s world. The play begins by offering the audience Macbeth, a war hero, with a high regard from Duncan, the king of Scotland. By the end of the play Macbeth transforms into a universally despised man without a place in the social community. Shakespeare draws an amazing face of a man made to be a villain by ambition, desire and an imbalance of good and evil.
Firstly, he defeats his enemies. Next he is praised by the other soldiers and King Duncan appoints him as the Thane. For example, if a person desires for a manager title, the person will work hard to earn it, and it is possible that other workers will see this and boost the chief individual’s desire. It is from here that the person might think they deserve the title and look for more power. Similarly, Macbeth must have thought somewhere in his mind to be king. In the book Witches’ Caldron: a study of motive in Shakespeare’s Macbeth Dr. K.C. Mathur says that although the witches did prophesy he would be king and even boosted his desire “They did not create the thought of murder of King Duncan. It was Macbeth’s own latent ambition embodying his power drive and seeking affirmation that invites the witches.” (Witches Caldron, 6) Dr. Mathur also says “Macbeth had acquired this status and it is not surprising that he thinks of achieving higher status by being aggressive and domineering. It is this psychological impulse that is projected in his ambition for the crown and not any criminal instinct or latent evil.” (6) There was a negative environment of witches and the association of Lady Macbeth around Macbeth which influenced him to murder. The environment creates a huge part in the play and if he had a good environment it is possible that he would have remained loyal to King
Throughout the play Macbeth, Macbeth goes from a brave, honored soldier to a crazed tyrant. How does one make such a drastic change? Why did Macbeth come to accept his role as a murderer? Macbeth has come to be known as a tragic hero in today’s terms. A tragic hero is a main character who, throughout the story, realizes his flaw and accepts that he cannot control the outcome of his actions. In William Shakespeare’s Macbeth, Macbeth has a lot of situations that ultimately lead to his demise and tragic conclusion.
Macbeth, whom initially was a very reasonable and moral man, could not hold off the lure of ambition. This idea is stated in the following passage: "One of the most significant reasons for the enduring critical interest in Macbeth's character is that he represents humankind's universal propensity to temptation and sin. Macbeth's excessive ambition motivates him to murder Duncan, and once the evil act is accomplished, he sets into motion a series of sinister events that ultimately lead to his downfall." (Scott; 236). Macbeth is told by three witches, in a seemingly random and isolated area, that he will become Thank of Cawdor and eventually king. Only before his ambition overpowers his reasoning does he question their motives. One place this questioning takes place is in the following passage:
In the beginning, Macbeth is a strong, brave and noble soldier. He is considered brave by all the people he was fighting around. When the captain is relaying the events of the battle, we find him saying to the king "For brave Macbeth- well he deserves that name" (1.2.16). As a result of Macbeth's actions on the battlefield, Duncan names him Thane of Cawdor in Act one Scene two. From this, we can see that Macbeth is a good soldier. He has no intention of doing anything other than serving the king.
Macbeth begins to defer from his original character when he learns of the witches’ prophecies, which leads him to believe he is fated to be king and to pursue that “destiny.” After the witches make the prophecies, he merely views the thought of himself becoming king as something that “Stands not within the prospect of belief” (I. iii. 77). Macbeth’s disbelief of their claim of him obtaining the crown reveals how Macbeth does not trust the witches’ words and has no true ambition to become king. However soon after Banquo’s and Macbeth’s encounter with the witches, a messenger of the King greets him with the title of Thane of Cawdor as well as the title of Thane of Glamis as the witches had also done. These two titles are seen from Macbeth as “Two truths [that] are told/ As happy prologues to the swelling act/ Of the imperial theme” (I. iii. 140-142). Having one of the two prophecies become reality validates the witches’ words and makes Macbeth take their words seriously to be the truth, sparking his desire for power to fulfill the last prophecy. He now believes that what the witches have made it his destiny to become king, and it is his duty to fulfill it. Through Duncan and Macbeth’s dialogue, Macbeth hears about Malcolm b...
Shakespeare’s Macbeth is not the first play we’ve read where women are portrayed as malicious. Starting from Lady Macbeth to the witches and their prophecies. Lady Macbeth is Macbeth’s wife, but she acts as though she was the man in the relationship. However, Lady Macbeth is a leading ambitious woman that we are not used to seeing who really wants her husband to become king, and in order to obtain she think it’s fine for him to commit murder.
Within the pages of the play Macbeth, one can find the five distinct literary devices of symbolism, allusion, alliteration, personification, and repetition used throughout. These three devices aid the story along and help develop the plot and characters each in a different way.