Life of Pi, the story by Yann Martel begins with a religious boy that has two distinguishing personalities and one of them is symbolized through the character Richard Parker. Richard Parker is represented as a tiger to convey the salvage side of Pi, and to display the dual nature of humanity. In addition to Pi having the two conflicting personalities the article of “Id” presents the Freudian psychoanalytic theory in which explains “the three agencies of the human personality”(Id). To conclude, through the use of the article “Id” and Martel use of imagery to represent Richard parker as Pi’s other personality, one can see both how humans can have clashing personalities and how Pi has a clashing personality.
Likewise Martel’s use of ambiguous imagery validates how Richard Parker in the beginning of the book is going to be Pi’s survival side. When Richard Parker was first introduced in a black and white photo Martel gives Richard parker an ambiguous appearance by giving the animal a human name and by saying “Richard Parker, can you believe what has happened to us”(Martel 97) . Giving a human image to the readers mind early on conveys that Richard Parker is in fact a human an human that us reader’s want to “extract personality from appearance”(Martel 87), but the appearance that Martel wants the people to extract from is Pi himself. For Pi has this survival side that he does not need at the time and that is why Richard Parker is not described in great detail so that the people can know from the beginning that Pi has another side to himself. Alternatively when being stuck on the boat with this tiger Pi begins to distance himself, because of the overwhelming side of himself in which makes him say “Let go, I don’t want you here”(Ma...
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...and making himself "carve out my territory"(Martel 202) for Pi realized what he has become and how he cannot do anything about it. In so Pi becomes blind from the fact that he cannot see anything through his eyes anymore, but the fact he looks through the eyes of Richard Parker.
Finally through the end of the book Martel uses imagery to conclude how Pi still has Richard Parker, but does not need him. Through the end of the book Pi happens to stumble on an algae island that a plethora of food. As exploring the island and getting use to the island Richard Parker was said to “killed beyond his need” (Martel 269). The salvage side of Pi is now at ease with Pi as Pi watches himself be this beast. As going by day by day Richard Parker fill’s his stomach with all that it can eat to insure that Pi will live, as Pi himself eats mostly algae to go back to his morals.
...o face our fears, looking them dead in the eye. He notes that tigers only attack when you are not looking straight in the eye. When Pi tries to tame Richard Parker by blowing the whistle, while Richard Parker is seasick. Pi faces his fears instead of letting it sit there and control him. We need to ‘blow the whistle’ on our own fears and admit we do have a fear, so they become easier to control in our lives. Richard Parker also teaches Pi his inner strength even though Pi does not display it himself. "This was the terrible cost of Richard Parker. He gave me a life, my own, but at the expense of taking one. He ripped the flesh off the man's frame and cracked his bones. The smell of blood filled my nose. Something in me died then that has never come back to life. (Martel 139)”
Pi was afraid and surprised that Richard Parker was in the boat once he had lifted the blanket. Then Richard Parker had roared at him and tried to attack by his claws ,but pi had gotten away as soon as he did. Pi and Richard Parker started to roamed slowly around the boat in the middle of the ocean. Pi didn't trust Richard Parker because he knows that he only wanted to kill and eat pi. Pi tried to get rid of the tiger and then he tried avoiding the tiger, but as time goes on he got tired of trying get rid of Richard Parker. So then he began tame the tiger by using his whistle he had gotten from his locker. As he and Richard Parker started to get along through the past days,they have become really close friends.
Prendick and Pi are sickened when they display bestiality despite the fact that the animal tendencies of both protagonists were present from the beginning of both novels. Chapter Eight of Life of Pi establishes that the mirror in the zoo is a physical representation of the potential threat humans pose, and the savagery to which humans can descend. This is substantiated in the ensuing events when Pi, who does not appear to be in his right mind, rescues Richard Parker from a watery death and allows him in the lifeboat. As Parker is shown to be an embodiment of Pi, this suggests that Pi is inviting the bestial traits Parker represents into cohabitation with him. Furthermore, Pi “tears flowing down [his] cheeks” (Martel 203) breaks the neck of a flying fish. Yet, not a long while later he can “gleefully bludgeon to death a dorado” (Martel 205) or suck the blood out of a freshly decapitated sea turtle. Pi comments “a person can get used to anything, even to killing” (Martel 205). He further notices with shame his animal-like habits and compares himself to Parker stating he “ate like an animal, that this noisy frantic, unchewing wolfing-down of [his] was exactly the way Richard Parker ate” (Martel 249). He eventually resorts to cannibalism to satisfy his hunger, “descending to a level
...knowledge his shadow self. He was able to survive his plight on the lifeboat because of the characteristics of his shadow self, Richard Parker. Even at the loss of his shadow self, Pi remains connected and constantly misses this part of his persona. After his ordeal on the lifeboat, Pi becomes rational and humane; however his experiences has scarred him, and will forever remain with him. Readers can definitely learn from Pi’s experience with his shadow self. The more we refute our shadow, the more it weighs us down. However, if we are willing to come to terms with the reality of our shadow, learn how it works, “tame” it so that it does not control us, we would be more literate and enlightened.
The Life of Pi, written by Yann Martel, is the story of a young man, Piscine, or Pi for short, who experiences unbelievable and unrealistic events, which are so unrealistic ambiguity is aroused amongst the reader. Duality reoccurs over the course of the novel through every aspect of Pi’s world view and is particularly seen in the two contradictory stories, which displays the brutal nature of the world. Martel wonderfully crafts and image of duality and skepticism though each story incorporated in this novel.
Imagination played a large role behind the scenes in the book Life of Pi. “This was the terrible cost of Richard Parker” As the reader, this passage makes you think that Richard Parker was a burden for Pi, that there was nothing positive that came from this tremendous creature. Richard Parker was more than just an idea that Pi thought up, Richard Parker was Pi’s Conscience/himself. The first line of this passage represents imagination, since Richard Parker is Pi’s imagination it would translate to this was the terrible cost of my imagination. When Pi witnesses Richard Parker attack the cannibal he says “Something in me died then that has never come back to life” This has a more spiritual meaning than a literal meaning in the way Pi says it. This means that when he “imagines” this man being killed this shows how cruel life can be even when he looks to god for answers. The reason that Richard Parker is Pi’s imagination is because during the course of this book Richard Parker mimicked exactly what Pi did. For example the moment that they bot...
It is said the a person’s process of discovery is shaped by their personality, culture, history and values, however the opposite is also true, someone’s personal, cultural, historical and social contexts and values, their personal aspects, can also be shaped by the discoveries they make, with discovery acting as the journey towards a change in one’s personal aspects. This is true of the film, “Life of Pi,” directed by Ang Lee and the illustration, “Self Help,” by Michael Leunig. The most striking features of the film is Pi’s faith to God and his connection with religion. His discovery and spirituality rely on each other, depicted as a gradual progression that spans his life, his childhood all the way to his time with Richard Parker on the life
Society is known to put everyone and everything into roles that, if or when the role assigned is changed, all hell breaks loose. Through Freud’s theory, he explains the behaviors that are associated with the id, the ego, and the superego. Being that Pi was someone who had been relatively well-off prior to embarking on his trip to Canada and then thrown into a new scenario that involves him becoming a starving survivor of a boat wreck stuck in a boat with a tiger that is threatening to eat him, it can be seen that Freud’s theory is displayed. When observing the events that take place throughout Yann Martel’s Life of Pi, it is observable that he creates an impressive relationship between Freud’s theory of the id, ego, and superego and Pi’s mental facade while using a paradox within the specific animals, as well as his strive for survival.
A quick glance at Life of Pi and a reader may take away the idea that it is an easy read and a novel full of imagination, but take a Freudian view on the work and it transforms into a representation of the human psyche. Martel’s novel takes the reader on a journey with Pi as he struggles for his own survival. Pi experiences a breakdown of each component that makes up ones personality according to Freud throughout the novel. One by one id, ego and super ego both express a huge factor in Pi’s choices and emotions throughout his story. The readers are also introduced to an alternate ending to choose from. This alternate ending plays a key role in understanding how to view the novel through Freudian lenses. Freud’s theory of psychoanalysis clarifies many troubling issues raised in the novel Life of Pi.
He lives in a zoo, and is surrounded and influenced by animals daily. His knowledge of animals grows as he does, and he learns and sees new things year after year at the zoo. One peculiar, yet crucial thing that Pi learns while living in the zoo, is the concept of zoomorphism. Zoomorphism, “is where an animal takes a human being or another animal, to be one of its kind”(84). He explains that within the zoo that he spent his childhood, there were many cases of zoomorphism, from the strange friendly relationship between the goats and the rhinoceroses, to the even stranger friendly predator-prey relationship between a viper and a mouse. Pi then says that the only explanation for zoomorphism is that the “measure of madness moves life in strange but saving ways”(85). The rhinoceros and goats get along because the rhinoceros, “[is] in need of companionship”(85), and without the goats, the rhinoceros would become depressed and die. This explanation of zoomorphism is major foreshadowing and background on why Richard Parker and Pi can live together on the lifeboat. Like the rhinoceros, both Pi and Richard Parker would have died without the company of another being. The “madness” that is the relationship between Richard Parker and Pi, scares Pi and causes him stress. However, this stress and fear keeps Pi alive, and ultimately saves his life. Therefore, the story with the animals is true, because
In drastic situations, human psychology uses coping mechanisms to help them through it. In the novel, Life of Pi by Yann Martel, Pi’s coping mechanism is his religions and his projection of Richard Parker. Martel’s Life of Pi shows how the projection of Richard Parker played a greater role in keeping Pi alive in comparison to his beliefs in his religions. During the period in which Pi was stranded on the lifeboat, Richard Parker kept Pi aware, helped Pi make the right decisions, and was Pi’s sub-consciousness.
...creates the character of Richard Parker to justify his actions that he considers to be savage. He even separates parts of the boat to use as a boundary between his idea of humanity and savagery. “It was time to impose myself and carve out my territory” (Martel 202). This part of the text implies to me that Pi is making the boundary between his humanity and his actions that he sees as savage. Richard Parker’s territory in the story is the bottom of the boat and under the tarpaulin. I see Richard Parker’s territory metaphorically as Pi’s savage side. Pi’s territory in his story is on top of the tarpaulin and on the raft, which I see metaphorically as the humane side of his personality. By making this separation, Pi is addressing the issue of what is savage and what is not within himself.
Having just experienced the sinking of his family’s ship, and being put onto a life boat with only a hyena, Pi felt completely lost and alone. When he sees Richard Parker, the Bengal tiger from his family’s zoo, it is a familiar face to him. His initial reaction is to save the life of his familiar friend so that he may have a companion, and a protector aboard the lifeboat. Suddenly Pi realizes just what he is doing. He is saving the life of Richard Parker, by welcoming him, a 450 pound Bengal tiger, onto the small lifeboat. He experiences a change of heart when helping the tiger onto the boat. Pi realizes that he is now posing a threat on his own life. With Richard Parker on the boat, Pi is faced with not only the fight to survive stranded in the middle of the Pacific Ocean, but the fight to survive living with a meat eating tiger. The change of heart that Pi experiences might possibly mean that he is an impulsive thinker. It may mean that he often does something on impulse without thinking it through, and then later regrets his actions.
Yann Martel’s Life of Pi, is a fictional novel written in 2001 that explores the primacy of survival by employing symbolism, foreshadowing and motifs. This story follows the life of the protagonist, Piscine Molitor “Pi” Patel, as he embarks on his journey as a castaway. After boarding the Tsimtsum which carries Pi and his family along with a menagerie of animals, an abysmal storm capsizes the ship leaving Pi as the only survivor, though he is not alone. The great Bengal tiger, Richard Parker, also survives the shipwreck and during the 227 days that Pi and Richard Parker are stranded at sea together, the two must learn to coexist and trust one another for survival. Through Pi and Richard Parker’s struggles to remain alive, Martel explores the primal idea of survival by employing literary techniques.
We, as humans, often underestimate the fragility of our morals and “humanity”. In Life of Pi, author Yann Martel tells the story of a young boy named Pi who, after being shipwrecked and losing his entire family, must somehow survive in the middle of the Pacific Ocean with a grown tiger for days on end by abandoning all the morals he once valued. Through Pi’s story, Martel shows how easily humans can become akin to animals when finding themselves in a desperate situation.