growaw Metamorphosis of Edna Pontellier in Kate Chopin's The Awakening

582 Words2 Pages
bulb-icon

Recommended: The portrayal of women in literature

The Metamorphosis of Edna Pontellier in The Awakening

The Awakening, written by Kate Chopin, tells the story of a woman, Edna Pontellier, who transforms herself from an obedient housewife to a person who is alive with strength of character and emotions which she no longer has to repress. This metamorphosis is shaped by her surroundings. Just as her behavior is more shocking and horrifying because of her position in society, it is that very position which causes her to feel restrained and makes her yearn to rebel.

Adele Ratignolle is Edna's close friend and confidante, but the two women are nothing alike. Adele is the perfect housewife and mother; she is the epitome of what a Creole woman and mother ought to be. She lives her life for her children, always being sure that they are properly cared for, clothed, and educated. Unlike Adele whose life is fulfilled through loving and caring for her children, Edna is "fond of her children in an uneven, impulsive way" (Chopin, p. 18). They are not enough to justify her life.

Adele could not understand how Edna could say that she "would never sacrifice herself for her children, or for anyone" (Chopin, p. 47). Edna's being is taking on a new importance in her life. She is starting to realize just how important it is to be true to herself. She has never done that before. She went along with the way things were supposed to be, holding her socials and tending to her house until she became aware that she needs more from her life.

Edna's marriage to Leonce is safe, but there is no passion or excitement. "She grew fond of her husband, realizing with some unaccountable satisfaction that no trace of passion or excessive and fictitious warmth colored her affection, thereby threatening its dissolution" (Chopin, p. 18). While this lack of emotion is enough to satisfy Edna for the majority of her marriage, after she begins to allow her true self to come forth, she feels trapped and seeks a way to escape. She realizes that she needs intrigue and flavor in her marriage, especially, in her life. Leonce cannot understand that she does not fit the mold of the typical Creole woman. Her lifestyle is suffocating her.

The person whom Edna truly admires is Mademoiselle Reiz, who is a brilliant pianist.

Show More
Related

  • Siddhartha’s Influences

    431 Words  | 1 Pages

    Vasudeva, the ferryboat captain, was the most important person in Siddhartha’s life. If he hadn’t allowed Siddhartha to live with him and share the beauty of the river, Siddhartha may have never reached Nirvana. Sitting with his pupil by the water and forcing him to listen and look into the depths led Siddhartha to his place of peacefulness.

    Read More

  • Theme Of Birth In Kate Chopin's The Awakening

    2916 Words  | 6 Pages

    ...oroform, a sensation-deadening stupor, the ecstasy of pain, and an awakening—mark Edna’s self-discovery throughout The Awakening. Still, in the end, Edna follows through with what she told Madame Ratignolle she would and would not be willing to do: “I would give up my life for my children; but I wouldn’t give myself” (69). She gives up her life because she is unwilling to give up her self—her desires, her cravings, and her passions to do what she wants selfishly and without regard for any other being’s wishes. She cannot escape motherhood, nor can she ever hope to find her idealized lover. Thus, she leaves these dissatisfactions behind her as she enjoys her final moments of empowerment and solitude wrapped in the folds of the sea, the hum of bees, and the smell of pinks’ musk.

    Read More

  • The True Identity In Kate Chopin's The Awakening

    1882 Words  | 4 Pages

    She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored

    Read More

  • Comparing Edna And Chopin's The Awakening

    1935 Words  | 4 Pages

    The novels parallel each other in interesting ways. Edna, in The Awakening, begins as a character of submission. Margaret, in North and South, meanwhile, begins the novel by attending what could be called an act of submission, at least in her opinion. Both authors develop their novels according to the development of their female characters. As Chopin continues with the growth of the independent and defiant nature of Edna, the mood and atmosphere of the novel becomes more spiritual. Gaskell, meanwhile, is interested in the psychology of her characters and uses language to reflect the settings in which she throws Margaret.

    Read More

  • The Feminist Movement In Kate Chopin's The Awakening

    806 Words  | 2 Pages

    In The Awakening, Kate Chopin tells a story during the upbringing of the feminist movement, the movement was masked by the social attitudes entering into the 1900’s. She tells this story in the form of a novel, in which is told in a third person view, that is very sympathetic for Edna Pontellier, the protagonist. This is a review of the journey Edna takes in her awakening and evaluate the effectiveness this novel takes in introducing, continuing, and ending Edna’s awakening.

    Read More

  • What Is Edna Pontellier's Sacrifice In The Awakening

    905 Words  | 2 Pages

    When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.

    Read More

  • Comparing and Contrasting Juror 3 and Juror 8 from Twelve Angry Men

    1056 Words  | 3 Pages

    These two jurors are almost the plain opposite of each other. Juror 3 appears to be a very intolerant man accustomed of forcing his wishes and views upon others. On the other hand, Juror 8 is an honest man who keeps an open mind for both evidence and reasonable doubt. Since these two people are indeed very different, they both have singular thoughts relating to the murder case. Juror 8 is a man who is loyal to justice. In the beginning of the play, he was the only one to vote ‘not guilty’ the first time the twelve men called a vote. Although his personality is reflected on being a quiet, thoughtful, gentle man, he is still a very persistent person who will fight for justice to be done. Juror 8 is a convincing man who presents his arguments well, but can also be seen as manipulative. An example would be when he kept provoking Juror 3 until he finally said “I’m going to kill you" to Juror 8. He did this because he wanted to prove that saying "I’ll kill you" doesn’t necessarily mean that Juror 3 was actually going to kill him. Juror 3 is a totally different character. He is a stubborn man who can be detected with a streak of sad...

    Read More

  • Charlotte Perkins Gilman's The Yellow Wallpaper

    1386 Words  | 3 Pages

    “The Yellow Wallpaper” was written around the time period when women’s main role, “was as wife and mother, keeper of the household, guardian of the moral purity of all who lived therein” (Hartman). Women were told what to do by their husbands and their thoughts were not so important in the 1800s. Women were sort of in an “imprisonment” controlled by all men. In “The Yellow Wallpaper,” Jane, the main character, is a woman suffering from postpartum. Jane’s husband is a Physician who thinks there is nothing wrong with her and because of the time period Jane could not get through to her husband that there really was something wrong with her. “John laughs at me, of course, but one expects that in marriage” (Gilman). John was putting a mental strain on Jane by isolating her and thinking that there is nothing wrong with her. Although feminism fit almost perfectly for Gilman’s story, it does not complete the modern day criticism of, “The Yellow Wallpaper.” Today, women have a bigger role in life as a whole. Women have high paid jobs, work on farms, have their husbands’ cook for the family, and lead other men. The women who have never known about the way women were once treated in the past may not view Gilman’s novella in a feminist way. If the...

    Read More

  • Analysis of the Jurors in 12 Angry Men

    617 Words  | 2 Pages

    Juror #3 is very biased against the 19-year-old boy that is being tried, and this affects all of his thoughts and actions regarding the case. He has this bias because his own son hit him in the jaw and ran away from home at the age of 15: “I’ve got a kid…when he was fifteen he hit me in the face…I haven’t seen him in three years. Rotten kid! I hate tough kids! You work your heart out [but it’s no use] (21).”According to this quote from the text, this juror condemns all teenagers and feels resentment towards them. He especially feels strongly about the boy being tried, because the boy grew up in the slums, and this juror is also biased against these people who grew up there. It is because of these feelings that he is strongly cemented in his vote of guilty.

    Read More

  • The Awakening

    711 Words  | 2 Pages

    Similarly to Edna's relationship with her children is that with her husband, Leonce. The Grand Isle society defines the role of wife as full devotion and self-sacrifice for your husband. Edna never adhered to societies definitions. For example, the other ladies at Grand Isle "all declared that Mr.'Pontellier was the best husband in the world" (689). And "Mrs. Pontellier was forced to admit she knew of none better"(689). By using words like "forced" and "admit", Edna has to acknowledge her true feelings towards Leonce. Edna's leaving Leonce's mansion is another important detail when considering the process of her awakening. By moving to her own residence, Edna takes a big step towards her independence. Throughout The Awakening, Edna increasingly distances herself from the image of the mother-woman, until her suicide, which serves as the total opposite of the mother-woman image.

    Read More

  • Foils to Edna in The Awakening by Kate Chopin

    360 Words  | 1 Pages

    In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.

    Read More

  • Comparing Edna Pontellier and Adele in Kate Chopin's The Awakening

    846 Words  | 2 Pages

    Edna Pontellier is not a Creole, so her relationship with her husband is difficult. In her husband's eyes she has failed in her duties as a wife and as a mother to her own children. What Enda's husband expects from her is never what she does. Leonce comes home in the middle of the night and talks to Edna while she is sleeping. Then he tells her that Raoul one of their sons is sick and tells her to get up and check on him. Edna had never really had the desire to have children but she did anyway. She was not a "mother-woman" because she would rather be alone sometimes; she did not feel she had to be with her children twenty-four hours a day. If one Edna's boys "....took a tumble whilst at play, he would not apt rush crying to his mother's arms for comfort; he would more likely pick himself up"(16). Enda never felt that she fit in with Creole society because she "...most forcibly was their entire absence of prudery"(19). The Creoles' would talk about things such as childbirth and would flirt with others and not mean anything. Yet Edna would never dream of talking about her childbirth's with anyone or flirting unless she meant it. Creole women devoted their whole lives to their husbands where Enda was carefree and did as she pleased. She was carefree because she would go out onto the beach with only a sundress and a little hat on when she was suppose to be all covered up so she would not become sun burnt.

    Read More

  • Selfish Edna Pontellier in Kate Chopin's The Awakening

    1370 Words  | 3 Pages

    A typically assumed reason for having an affair is that the person's spouse is, in some way, unsatisfactory. Perhaps by their affair, they are searching for a better source of love. This, however, was not a justifiable cause for Edna's adultery. Mr. Pontellier was a loving husband who tried to show his love for Edna in all of the ways he was able. Léonce showered his wife with valuable gifts. His life revolved around money, and he knew no other way to show his wife how much he loved her. He attempted to compensate Mrs. Pontellier materialistically for the lack of emotional support. While this may not be an ideal solution to the problem, it cannot be denied that Mr. Pontellier was trying to diminish the problems between them. Yet, even though it is understandable that she is upset that her husband lacks family skills, getting married was solely Edna's fault. The history of their relationship is far from perfect. Chopin states "her marriage to Léonce Pontellier was purely an accident... He fell in love...and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her" (18). Edna was not fair to him when she married him without loving him. She "grew fond of her husband" (18), but fondness is not a good reason for marriage.

    Read More

  • Edna, the Anti-Mother-Woman in Chopin’s The Awakening

    568 Words  | 2 Pages

    In the first passage, Edna is clearly set apart from what appears to be the status quo of female behavior in her society. She is not a mother-woman. The term, mother-woman is a reductive one which implies a singular purpose or value. The mother-woman is a mother; being one defines and regulates every aspect of her life. They “…esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels.” Chopin’s use of religious words and imagery is interesting; it certainly alludes to Victorian ideals of womanhood in which the woman is a vessel of purity and piousness. Viewing women as angels or pure, infallible beings elevates them, but also robs them somewhat of their humanity. In addition to this, it places restraining and unnecessary imperatives on their behavior, and encourages them to strive for the unattainable-a pursuit that will probably leave them feeling inadequate. The mother-women are described generally, however, in this passage, and seem entirely one-dimensional. Also, they possess an almost absurd and quality, “fluttering” about after their children, perceiving “imaginary” dangers everywhere. Chopin deals with the mother-women more complexly later through the character of Madame Ratignolle.

    Read More

  • Madness And Madness In Kate Chopin's The Awakening

    872 Words  | 2 Pages

    Her memory of running away from her Father and church when she was a young girl living in Kentucky shows how desperate she is to be free. However, Edna gives up her hopes of freedom for marriage in the hopes that all will fall into place afterwards. Edna’s expectation that marriage and children is proven false when she still is not happy with her life afterwards. She feels that life is worthless and that there should be more to what she is. Edna is not like the other creole mothers; she holds an affection for her children, but it comes and goes. Occasionally she will hold them fiercely to her chest and yet others she will forget them. Her husband disapproves of her lack of maternal instinct and rebukes her when he discovers one of their children, Raoul, sick in his bed. Edna is not alarmed by it, but his harsh words make her burst into tears on the front porch, after he has fallen asleep. Mr. Pontellier does not care about his wife much as a person, only as something he owns. He views everything this way, new lace curtains, glassware, furniture. He is disappointed in his wife because, in his view, she does not function well as a mother. Edna’s lack of

    Read More

More about growaw Metamorphosis of Edna Pontellier in Kate Chopin's The Awakening

Open Document