Madness is the device that Shakespeare employs in order to fully develop his characters in Hamlet. Madness is, by definition, “a state of frenzied or chaotic activity,” this definition perfectly describes the actions of many of the characters in Hamlet. However, this madness is better represented as insanity, which is both real and feigned depending on what character is being represented in the film.
In Hamlet the quality of sanity is hard to come by. Horatio, Polonius and Hamlet all exemplify this quality. They act intelligently, thinking through their actions unlike the insane characters. The major difference between the insane and sane characters is those who are truly mad do not think through their actions. For example, Ophelia, who picks flowers on the side of a cliff, which leads to her death. Sane characters such as Hamlet know what the result of their actions would bring, such as him writing a new play for the actors in order to discover if what the ghost had said was true. This difference between thought processes is what separates the sane from the mad. Hamlet’s madness i...
In William Shakespeare’s tragedy, Hamlet, Prince of Denmark, we, as readers, increasingly question the sanity of the protagonist, Hamlet, as the play continues. His seemingly psychotic banter with the other characters in the play begins to convince us that Hamlet is, indeed, insane. Hamlet, however, states, “How strange or odd soe’er I bear myself, as I perchance hereafter shall think meet to put an antic disposition on” (1.5.171). He specifically tells Horatio and Marcellus that he will be acting mad, as a front. Hamlet has an exceptional grasp on mental philosophy and the uses and effects of logic, more so than the other characters in the play.
Throughout William Shakespeare’s play, Hamlet, Hamlet undergoes a transformation from sane to insane while fighting madness to avenge his father’s death. The material that Shakespeare appropriated in writing Hamlet is the story of a Danish prince whose uncle murders the prince’s father, marries his mother, and claims the throne. The prince pretends to be feeble-minded to throw his uncle off guard, then manages to kill his uncle in revenge. Shakespeare changed the emphasis of this story entirely, making Hamlet a philosophically minded prince who delays taking action because his knowledge of his uncle’s crime is so uncertain. To begin with, Hamlet portrays himself as sane.
In Shakespeare’s play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.
In William Shakespeare’s Hamlet, the title character is insane. He kills a person, sends two more to their doom, plans another’s death, and is both suddenly active and haltingly inactive at various points in Shakespeare’s play. Yes, in certain circumstances all of these may be enacted by a person of sane character, but any examination of the play will show that Hamlet is not a sane character.
Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his father's murder. As the play progresses, the reader may start to believe Hamlet’s “insane” act, but throughout the scenes, Hamlet shows that he knows right from wrong, good from bad, and his friends from his enemies. Hamlet shows that he still has power and control over his actions. As Elliot says “Hamlet madness is less than madness and more feigned”. Hamlet portrays a mad man, in order to be free from questioning, thus allowing him to have an easier path towards revenge.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
Shakespeare 's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his
By the time Hamlet was written, “madness” was already a popular element within revenge tragedies in the Elizabethan period. But, the role of madness in Hamlet was deeply ambiguous, which set it apart from the other revenge tragedies of its time. Whereas other revenge tragedy protagonists were the complete opposite and just simply insane. Hamlet fiddles with the idea of being insane, which is where it all began. Hamlet states, “How strange or odd so'er I bear myself, / As I perchance hereafter shall think meet/
Even Polonius catches on to his act and mentions “Though this be madness, yet there is method in’t.” (Act 2, Scene 2, Line 205-6). Polonius feels as though Hamlet’s insanity is nothing more than possibly rudeness and sarcasm, instead of genuine loss of mind. Perhaps Hamlet truly is sane and has little fits of hysteria as the world seems to stack up against him. His anger and feelings of betrayal overload with explosive outbursts that can be interpreted as real madness.
Hamlet throughout the play seems insane but in reality it is only an act to achieve his goal of killing his father's murderer. Hamlet chooses to go mad so he has an advantage over his opponent and since he is the Prince of Denmark certain behavior is unacceptable, so by faking madness he is able to get away with inappropriate sayings and actions. We can see this when he talks to Claudius, Polonius, Ophelia and his mother. When Hamlet talks to Horatio in the first act he says how he is going to "feign madness" and that:
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
In the play Hamlet by William Shakespeare, the main character, Hamlet, is often perceived by the other characters in the play as being mentally unbalanced because he acts in ways that drive them to think he is mad. Hamlet may very well be psychotic; however, there are times when he “feigns insanity” in order to unearth the truth surrounding his father's death. This plan seems to be going well until Hamlet's mental state slowly begins to deteriorate. What began as an act of insanity or antic disposition transitions from an act to a tragic reality. After studying Hamlet's actions, one will notice that as the play progresses, his feigned insanity becomes less and less intentional and devolves into true mental illness.
Madness is a condition that is difficult to distinguish between true and false. As in the encounter of the ghost of Hamlet's father with Hamlet, Hamlet is asked to avenge his father's death. To accomplish this task in a less apparent manner, Hamlet decides to feign madness. In the long run, Hamlet truly does go insane. Consequently, his behavior thereafter is frequently unfathomable.
...ing madness to sanity are reminiscent of a bi-polar disorder such as manic depression. It is possible that Hamlet put on his antic disposition to allow himself freedom from the usual constraints and etiquette of the court so that he could use different means to discover Claudius' guilt without being discovered himself. Or his feigned madness may have been a reaction to the stress of his predicament, because in doing so he frees himself from having to make decisions on courses of action and he effectively becomes a spectator in the running of his own life.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.