In Cat on a Hot Tin Roof, playwright Tennessee Williams develops the character Margret (Maggie) in such a way enticingly identifiable for the audience. Maggie is the gorgeous heroine of the story. A desperate woman tied to a man who does not want her. A woman who is strangely enough made more beautiful through her spite, desire, and dispossession as the play goes on. Although her interests are selfish in nature, she is also kind hearted and loving. Williams wrote the entire play to take place in the bedroom and sitting room of Big Daddy's Mississippi plantation home. These tight quarters cause already heightened tensions between the characters to rise further and also become blatantly obvious to the audience. In a single dialogue between Maggie and Brick, Maggie starts off in a monologue where she is merely talking at an aloof Brick, not to him. This then turns into an intense, angry, and violent moment of truth. But, every time the couple climbs to this this dangerous breaking point, Williams writes them interrupted by a family member. This interruption causes a break in their argum...
In many of her stories, Williams focuses on a flawed female character for which the reader generally dislikes. These women try to have control in their lives but fail due to bad decisions or bad attitudes.
Distinctively visual language and cinematic techniques highlight to the responder the particular literal and metaphorical experiences characters are faced with, within a text. Peter Goldsworthy’s novel Maestro, Don McLean’s song ‘Vincent’ and the intriguing film Australia by Baz Luhrrman, explore the ways in which the human experiences of an individual’s connection to landscape is fundamental in shaping one’s sense of identity, personal growth and development. Composers further explore the realisation that our lives can be enriched by an understanding and appreciation of art as well as a deeper understanding of the importance of love and lust. The depiction of characters is conveyed through distinctively visual images to highlight the subsequent development of courage and resilience leads responders to a deeper understanding of how human experiences can create a sense of individuality.
One friend kills another. Speeches are presented. A war breaks out. This is the story of Julius Caesar, the emperor of Rome who was killed by Brutus and a group of conspirators. Many argue that Brutus was a patriot, and many argue that he was a betrayer. People argue that he was a betrayer because he betrayed Caesar’s trust and gave a speech against him. However, when you think of Caesar’s personality, arrogant and slightly reckless, he could’ve made bad decisions and caused Rome a great deal of trouble. Brutus was a patriot to Rome since he did what was best for the country and even took his own life instead of running away. He put his own feelings aside to do what was right.
World War II ended in 1945, but America could not rest. “Serious discussion about reorganization began in Congress and the military department in 1944 and aroused much public interest” (Trask 1997). Because the Air Force played such a large role, discussion of separating the Air Force from the Army Air Forces (AAF) began. A proposal was created to establish one department for the United States Armed Forces, combining all the military branches under one department. “On 19 December 1945, President Truman sent a message to Congress recommending a single department of national defense with three coordinate branches – land, sea, and air.” (Trask 1997). Management of Military and foreign policies were needed during peacetime as they were during wartime. The United States need for a national defense department, and a need to prevent any future attacks like Pearl Harbor, led to President Truman signing the National Security Act of 1947.
Many people, all throughout history, have aspired to create a perfect life for themselves. However, this dream is not often very easily available. The Great Gatsby, by F. Scott Fitzgerald, is a novel about the decay of society, the blindness of love, and the pointless pursuit of the now non-existent American dream. In The Great Gatsby, Fitzgerald shows the United States not in the glittering golden light that many claimed, but rather cast in a dark gloomy haze, polluted by crime, corruption, and moral decay. Fitzgerald also strikes down the notion that foolish love is harmless. Additionally, the author illustrates that the American dream is a now no-longer existent, and foolish pursuit. Many thought the roaring twenties were the height of American society, but they were actually just the beginning of a downward spiral.
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
Our belief states are determined by the external factors, for example, perceived complexity and priming ethics is an interesting subject and everyone lives by their thoughts and their ways. Everyone lives by a different code. The difference between morality and ethics is that morality is about primary making the right choices and ethics is proper reasoning. In the essay “The ethics of belief” by W. K. Clifford, he argues that if anything on insufficient evidence, then it’s unethical. In this essay I will remain undecided with what Clifford is trying to say. I agree and disagree with some of his viewpoints. Some I do have to say are unethical and some are reasonable. What Clifford is trying to portray is interesting. Especially since he comes from a religious background. And reading about his new discovery, is quite interesting.
Jo G. Holland’s article, The Feminization of the Community Corrections Work Force, was published in Corrections Magazine (Holland, 2008, pp. 44-47). It discusses issues related to women in the corrections profession, including historical male domination, barriers for women, and the challenges ahead.
Parenting may be said as an experiment, because every parent has different views and ways of raising their own children. Parents raise their child in such ways in which they believe is beneficial and healthy for the child. A story that came across media news about a baby, Storm, being raised as “genderless” fueled a controversy in defiance of gender stereotyping. The Witterick family in Canada believed that by acknowledging this practice it would, “tribute to freedom and choice in place of limitation, a standup to what the world could become in Storm’s lifetime” (Davis and James). However, in terms of raising a genderless child, this can cause the child to be unprepared to face the conventional norms or society. This practice may be causing the child a disservice.
Hesiod’s Theogony and the Babylonian Enuma Elish are both myths that begin as creation myths, explaining how the universe and, later on, humans came to be. These types of myths exist in every culture and, while the account of creation in Hesiod’s Theogony and the Enuma Elish share many similarities, the two myths differ in many ways as well. Both myths begin creation from where the universe is a formless state, from which the primordial gods emerge. The idea of the earth and sky beginning as one and then being separated is also expressed in both myths.
Big Mama, Maggie and Mae all have very different roles within the family as well as in their respective relationships. Big Mama is, in both literal and metaphorical terms, the mother of the family but her most important role is being Big Daddy’s wife. Through all the years her and Big Daddy have been married, she’s been hopelessly devoted the entire time. Even after all the treatment she’s received from Big Daddy and even the cancer scare, it’s obvious she is very much in love with Big Daddy: “And I did, I did so much. I did love you. I even loved your hate an’ your hardness, Big Daddy!” (II.39). In everything she does, she only looks to please Big Daddy as housewives were supposed to please their husbands even through her outspoken ways. Big Mama’s personal identity is a mixture of society’s norms and her love for Big Daddy. Maggie doesn’t necessarily have a positive role in the Pollitt family. She’s supposed to be pleasing her husband and having children, but she’s doing neither of these things and it’s clear the rest of the family is concerned or looking down upon her for it. Maggie is not fulfilling a woman’s typical role in her relationship with Brick, which to the family means something is wrong with her. Even Big Mama says, “Some single men stop drinkin’ when they get married and others start! Brick never touched liquor…” (I.22), showing how even she
The entire family is involved with lies to Big Daddy and Big Momma, as are the doctors. They tell them that Big Daddy does not have cancer, but only a spastic colon. Brick lies to himself about his feelings for Skipper until Big Daddy forces him to face it. He then understands that he is upset about the way his clean friendship has been misinterpreted. Gooper and Mae pretend to be loving and doting children, when in fact all they want is money and land. Big Mama lies to herself, think all the cruel things Big Daddy says are just jokes. She also lies to herself by thinking that a child from Maggie and Brick would turn Brick into a non-drinking, family man qualified to take over the family place. Big Daddy is even wrapped up in the mendacity. He admits to Brick that he is tired of letting all the lies. He has lied for years about his feelings for his wife, his son Gooper and his daughter-in-law Mae, he says he loves them, when in fact he can't stand any of them. Maggie, who seems to tell close to the truth the entire play, breaks down and lies about her pregnancy.
Do not end up in situations that can be avoided. Lord of the Flies by William Golding, a novel set on a tropical island, explores the idea of mind control. In this story there are a group of schoolboys that get into a plane crash and are left without adults. As adolescents they decide who gets the power to be leader and out of them. Ralph is picked because of his appearance. Throughout the book a character Jack abuses his power and then because his influence on the others it leads to the death of two schoolboys. In Lord of the Flies Golding’s point is to demonstrate that people react to bad stimulus without realizing it,which results in an emotional breakdown.
During the Great Depression, while the competitors were cutting costs and reusing outdated designs, Kress was expanding and building more elaborate stores than their previous ones. The architecture was referred to as an “emporium” evoking an elegant atmosphere more suited to a fine cloth or furniture store in New York rather than the five & dime stores dotting small town America. Many wonder what the driving force was behind these design decisions, especially during a national time of economic recession. Perhaps simply to outpace the competition, but perhaps more importantly Samuel Kress was an avid art collector and a proponent of public art enhancing a community. In this way the Kress legacy of the brand became more than a retail business, it became a symbol of small town civic pride.
The action seen in Cat on a Hot Tin Roof all occurs in a hot bedroom in a wealthy home on the Mississippi Delta, and, as such, the southern flair that was characteristic of the 1950s—which is when the play is set—acts as a constant backdrop for the onstage events. The curtain first opens on Margaret complaining and nagging her drunken and apathetic husband, Brick. She dislikes her rowdy nieces and nephews sharing the house with them. She wails about the fluctuating prospects of inheritance that may or may not be provided by her near-dead father-in-law. She whines about not having a baby of her own, which she wholeheartedly blames on the fact that Brick has been refusing to sleep with her. The entire first act really reads as a long, extended monologue being given by Margaret with short interruptions by mainly Brick and two other characters who peek their heads in for a moment: Margaret and Brick’s sister-in-law, Mae, and Brick’s mother, Big Mama. Over the course of her diatribe, we learn that the family has gathered together for Big Daddy’s birthday, that Big Daddy is dying of cancer—though both Big Mama and Bid Daddy himself have yet to know this fact—that Margaret is terribly insecure about her inability to have a c...