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Developmental stages of narrative development
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A Drunken Fool
1. INT. A BAR – NIGHT
Sitting at a run-down smoky bar, TOM, a middle-aged photographer, while drunk tells a story to a off-screen character.
TOM
(Mumbling loudly)
What’s my problem? I’ll tell you my problem. See, I work my ass off all day, I’m a photographer and a really shitty one. I can’t seem to do anything right even if I try my hardest. I let my nephew and his friends down.
Tom takes a first shot, starting a line of empty shot glasses. Takes a long pause and starts talking again. Looks up and thinks.
2. INT. 16th BIRTHDAY PARTY - DAY
Camera changes to a dream state to our first glimpse of Tom talking to Brian at Brian’s Birthday party.
TOM
(Narration)
See, I was at my nephews 16th birthday party and I was trying to impress him and his friends. I told them about my job, that I meet a lot of famous people and how good I have it. I told them I’ve met people like Madonna, Steve Gutenberg, Ol Dirty Bastard, and Arnold Schwarzennegger…….ah fuck you know what I mean.
Shot changes to Tom and Brian sitting at the party.
TOM
(talking to Brian)
…..So you see, that’s what I do. I meet all sorts of people.
BRIAN
(impressed by story)
So can my friend’s film you and me for our project.
TOM
Huh, yeah sure. But you have to get your uncle another beer.
3. EXT. CLOSES HIS TRUNK – DAY
Tom takes a second shot and adds it beside the first empty shot glass.
TOM
(Narrating)
Brian and his little friends decided to follow me around for the day filming my job and what I do. I got my first tip of the day from my friend Chuck, he told me the great batman himself Adam West was to be having lunch downtown. It was a great tip and was totally hush-hush. So I was on my way.
Shot fades to Tom packing his truck and then closing it. The kids are playing around with the camera. Kids become disinterested with Tom and spot a hot woman walking by. The camera quickly pans to the woman walking by.
BRIAN
(to his friend)
Quit it man.. pay attention. We need to be serious.
The team arrives at a park. They get out of the car and grab their gear. Tom gets dressed in an outrageous costume. Having a hollow garbage can suspended around him and leaves in his hair he begins to wait.
TOM
(trying to regain their attention)
I fast forward to after practice JC Caroline has to have a meeting with Gale. He notifies Gale the him and Brian will be rooming together. T...
Teenage drink driving is typically an overlooked social issue which is cleverly depicted in ‘The story of Tom Brennan’. The National Council on Drugs statistics have shown that “almost one in eight deaths of people aged under 25 is due to alcohol”. This statistic highlights the commonality of drink driving amongst adolescents, thus, allowing further resonation for readers. Burke intentionally places frequent flashbacks throughout the novel to ignite curiosity in the readers. The novel soon reveals that not only did Daniel’s illegal action cause him to “lose his spirited outlook on life” (Burke, pg 123), but also uprooted everything Tom once had. Nevertheless, lesson by lesson, the tragic incident succeeds admirably in teaching Tom to overcome
Raymond Carver's short story “What We Talk About When We Talk About Love” leaves the reader feeling as if they have sat down at the table with a bottle of Gin and experienced first hand the effects of alcoholism and depression. In the original version of this story the “Beginners” Carver carefully crafts the many sides of an alcoholic personality developing strong knowable characters. The fundamental personalities are left fairly intact from the original version. It should be noted that the feelings that the reader are left with are due at least partially to the severe editing of the “Beginners” done by his editor and friend Gordon Lish. With this collaboration Carvers personal struggles still shine through but his intent of hope and recover from alcoholism were left mostly on the chopping block. Through many interviews and articles Raymond Carver make clear his personal struggles with alcoholism and how it has had an effect on his writing. INTERVIEWER: Where do your stories come from, then? I'm especially asking about the stories that have something to do with drinking. Carver: “At the very least it's referential. Stories long or short don't just come out of thin air.” (The Paris Review) The inner dialog and downward spiral of an alcoholic is experienced through the interaction between these personalities while discussing the topic of love. JA: I noticed recently you're using cliches in your characterizations, and I wonder if you're just observing, or recording the way a mind works. RC: It's there for a purpose; it's working for me, I think, not against me. Or at least I hope and assume this is the case!
the scene. Moving to the different shot types used in this ending scene, the recovery
The movie starts with a slow shot of a gas station. A car drives up, and the cashier working there is shoved in the store as three gunshots ring out. It then goes to a shot of Rico and Joe in a diner talking about a successful gangster named Pete Montana. They decide to move to the city. There, Rico wants to be like Pete, and Joe wants find a girl he loves and be a dancer after his time with the gang. Rico doesn’t like this idea of Joe’s and dismisses it saying tit wasn’t important.
"One whiskey for me 'an my friend" he muttered, sliding his glass across the counter towards the bartender.
Throughout the first five minutes the shot changes from long to medium within this time frame when the men get out of the shed and walk to the car were there is a elegant looking man waiting for them. The worke...
Have you ever been bullied around by an older brother or sister, but at the same time get along with them? Did it make you want to stand up for yourself? The Blackfoot Indians encountered the very same problem with the white people who had recently begun to migrate into the Indians land and territories. The Napikwans, as the Indians called them, were initially thought to be nice and friendly. They possessed many sought after items by the Blackfoot. Contacts with the Napikwans have changed the lives of the Blackfoot Indians in more then one way: The Blackfoot Indians were being forced from there homeland, created conflicts between the Blackfeet and the Napikwans, and were strongly influenced by the white men.
music changes to show that she is sad. We then get a close up of
The camera then goes to 50 Cent in the driveway with his car, a place where he is in control. Back inside he enters a room to see a women seemingly enticing him into bed with her. She is seen as in control of the situation as 50 Cent does not much more than lie in bed.
question his anger grows, and finally, Will pops the cork and downs the whiskey from the bottle.
That shot starts with a band commencing their next song, and Lisa and Lieutenant Leopold enters the frame, where the camera starts tracking them. In the foreground, the band continues to march while Lieutenant Leopold breaks the news to his uncle in the background. At this point, the audience do not get to hear what Lieutenant Leopold said to his uncle. Lieutenant Leopold and his uncle then leave the frame, as the last band member does the same. Only now do the audience hear what the characters say, and as Lisa and her parents are talking, the camera tracks in from a wide shot to a mid close up of the three of them. The shot then ends with a dissolve, back to Stefan Brands (Louis Jourdan) reading the letter.
The first scene we are going to look at is the party at the beginning
10. Next the shot changes to a full shot of Devlin and Alicia where she continues to stand. The camera follows them up as they now both fully rise, thus revealing more than just there faces in over 9 shots. Alicia states that they should go outside, while Devlin has a drink in hand. She then asks if Devlin is going to finish his drink. Devlin says that he is and takes down the rest of the drink leaving only a few drops, as Alicia gazes into his eyes.
The film starts with the shot of the courthouse from outside and slowly going inside the building to a room where a trial for an 19-year-old slum