Consistently throughout Faulkner’s As I Lay Dying, death is a prevalent and primary concern. Certainly, the death and burial of the matriarch, Addie Bundren, is what centres the novel, but there are many other cases of death throughout the modernist text. Dewey Dell, the only daughter of the Bundren family, longs for the death of her pregnancy, and also suffers from the death of her self-worth through sexual violence. Vardaman, the youngest of the Bundrens, experiences the death of his youth following his mother’s demise, and Darl’s sanity deteriorates along the family’s journey.
While the children mourn the loss of their mother, Anse, the Bundren patriarch, does not appear to have felt the loss of his wife in a similar way. Instead, Anse works toward advancement in his personal life through acquiring new teeth and a new Mrs. Bundren. The motley crew that is the Bundren family goes through tribulations that no family should have to endure, and throughout these trials, death is at the epicentre. Although this death manifests in many ways throughout the text, the Bundren family appears to have grown stronger and more unified throughout their odyssey to Jefferson.
Elizabeth M. Kerr writes, “Addie alive was not a redemptive figure. Dead, she was a peril and an offense” (8). Faulkner’s audience is not introduced to Addie’s private stream-of-consciousness prior to her death but, in her life, she does not gain much sympathy from the reader. Although it is not completely clear, it appears that Addie’s final word is “Cash!” While this could be construed as an act of love for her eldest child, it surfaces negatively; an admonishment toward the child that is carefully constructing a coffin for her. Deeper sympathy for Cash aris...
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...e he feels shame that Darl would not be at home to enjoy the new graphophone but justifies it by stating “but it is better so for him. This world is not his world; this life his life” (Faulkner, 261).
Although death presides throughout Faulkner’s As I Lay Dying, the book is not depressing. Death humor centres much of the plot and the characters achieve satisfaction when they complete their journey. Dewey Dell and Vardaman are given a second chance through a new Mrs. Bundren. Cash has assumed the patriarchal role that Anse had lacked prior to the story’s beginning. Although Darl has been placed in an institution, his role within the Bundren family is irreplaceable. His omniscience has united the family and despite not returning home from Jefferson, he remains in the world with his mother since they both are no longer of the world, Addie in body and Darl in mind.
Yoknapatawpha County is a fictional county made up by William Faulkner in which As I Lay Dying takes place in; this is now the third novel to take place here. As I Lay Dying was one of the last novels written in the 1920’s by William Faulkner and within fifty-nine chapters, this novel features a unique narration of fifteen different first person narrators. Each chapter is written from that particular character’s perspective telling their version of what is happening in the novel, making this not only an interesting take on narration but a compelling read as well. Faulkner uses the characters use of language to help us identify and see glimpses into the lives of the Bundren family; through this we can understand the revenge and secrets from within the characters that is blind to the most if not all-remaining characters within the novel.
In William Faulkner's As I Lay Dying, Moseley provides the reader an escape from the delusional world of the Bundrens and a glimpse of society, as it should be. Appearing only once in the novel, the elderly pharmacist is essential in emphasizing Faulkner's theme of moral values over self-seeking voracity in that he defends what he knows is right at all costs. Moseley is introduced in the small town of Mottson, where Dewey Dell wanders into his drugstore store with ten dollars from Lafe, and the intention of eliminating "the female trouble." (200) After much confusion, it is made clear that Dewey Dell wants an abortion, treatment that Moseley repeatedly refuses, despite her persistency. Discouraged, Dewey Dell eventually leaves, after a stern lecture from Moseley and advice to take the money and buy a marriage license. Moseley's morals, contrasting to the other characters' in the novel, may provide support for Faulkner's religious beliefs while adding a sense of righteousness to a world of iniquity.
Addie causes all the painful actions around her family either directly or indirectly. Addie is foremost the prominent abuser of her upcoming death in As I Lay Dying. She predetermines her time to die, and she makes sure that the people in her family whom she dislikes must experience her wrath before she moves on to the next life. "Addie is the one who is dying, but she makes revenges run throughout the family and extend beyond" (Wadlington 35). Inflicting pain mostly on Anse, Addie enjoys herself. Anse, a lazy man, is forced by his wife to take her to Jefferson to be buried as her final request. Addie's revenge on Anse was payback for all the times when he just sat around while Addie, her children, and sometimes neighbors do all the hard work for him. Also "Addie reacts to Anse's arid conventionality by having a clandestine affair with minister Whitfield" (Wadlington 31). Addie also indirectly hurts one of her favorite sons, Cash. Cash is hurt indirectly when he helps ! his kinfolk carry his mother's coffin to Jefferson, where along the path, he breaks his leg while crossing a flooded river. Although Cash is one of Addie's favorites besides Jewel, Addie's cruel revenge carries over to Cash's broken leg, which later becomes infected. Besides her indirect action on Cash's leg, Cash is the most favorite of Addie. As Wadlington states, "He is very much his mother's son in expressing his feelings through physical action rather than through words by building a coffin for the mother he loves" (Wadlington 41).
In As I Lay Dying, William Faulkner comments on how death affects individuals differently and how sanity is not defined by a mental state but rather by a community of people. Varying viewpoints in narratives, allow the reader to gain insight into the character's thoughts. However, he uses perspectives outside of the Bundren family in order for the reader to create some sort of truth.
Anse Bundren is one of the most exceptional characters in “As I Lay Dying”. He was the husband of Addie Bunden. In the Story, he portrayed himself as being a very selfish individual.
“As I Lay Dying, read as the dramatic confrontation of words and actions, presents Faulkner’s allegory of the limits of talent” (Jacobi). William Faulkner uses many different themes that make this novel a great book. Faulkner shows his talent by uses different scenarios, which makes the book not only comedic but informational on the human mind. As I Lay Dying by William Faulkner is a great book that illustrates great themes and examples. Faulkner illustrates different character and theme dynamics throughout the entire novel, which makes the book a humorous yet emotional roller coaster. Faulkner illustrates the sense of identity, alienation, and the results of physical and mental death to show what he thinks of the human mind.
Faulkner, William. As I lay Dying. First Vintage International Edition. Toronto, Canada: Random House of Canada Limited, 1990. Print.
In As I Lay Dying, William Faulkner uses the characters Anse and Cash, and a motif/symbol in "My mother is a fish," to reveal the psychological and societal problems of the twenties and thirties. Written as soon as the panic surrounding the stock market in 1929 started, Faulkner is reported as having, “took one of these [onion] sheets, unscrewed the cap from his fountain pen, and wrote at the top in blue ink, 'As I Lay Dying.' Then he underlined it twice and wrote the date in the upper right-hand corner"(Atkinson 15) We must take care to recognize Faulkner not as a man of apathy, but one of great compassion and indignation at the collapse of the economic foundation of the U.S. This is central in appreciating the great care with which he describes the desolation and poor landscape of Yoknapatawpha County, which is where As I Lay Dying takes place.
Addie Bundren of William Faulkner's As I Lay Dying has often been characterized as an unnatural, loveless, cold mother whose demands drive her family on a miserable trek to bury her body in Jefferson. For a feminist understanding of Addie, we have to move outside the traditional patriarchal definitions of "womanhood" or "motherhood" that demand selflessness from others, blame mothers for all familial dysfunction, and only lead to negative readings of Addie. She also has been characterized as yet another Faulkner character who is unable to express herself using language. This modernist view of the inexpressiblility of the creative spirit does not apply to Addie simply because she is not an artist; she is a woman and a mother, a person who feminist theorists would desribe as "traditionally mute." To characterize her using universalizing, humanist terms erases the way that her character is marked by her biological sex and by the gender roles she is forced to play. Addie is not a representative of humankind, or even of womankind, but an individual woman trapped in a partriarchal world that represses her desires and silences her; a woman who longs to find an identity of her own that is outside patriarchal constructions and not always definable in relation to the men and the children in her life. Most importantly, Addie is a character who is acutely aware of the linguistic and social oppression that traps her into a life she does not want.
The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether it's on television or newspaper, you'll probably hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death affects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.
In As I Lay Dying (1930), Faulkner creates the deceitful, insensitive character, Anse Bundren, who will do anything to get what he wants, even if it means stealing and injuring his own children, symbolizing the avarice and apathy that can result from a world of non education, poverty, and overall suffering.
A horrific aspect of life that many people have a difficult time dealing with is death. The thought of death scares people because as humans we do not have a way to comprehend something that we cannot test, see or even have a grasp of. When a person loses a loved one they get scared by this reality of that they do not know where they are going and when they make it there how will it be for them. In William Faulkner's book, As I Lay Dying, we go through the process at which a family loses a “loved” one and we follow the family all the way until the deceased, Addie Burden, is buried in Jefferson. In As I Lay Dying you see the steps of grieving are different for many people and some of the people will come out destroyed and others without a scratch. The character Cash goes through a process of grief, odd to most in his way of grief we do not see pain because of the pressure he puts on himself to finish the journey for the family. Cash’s brother, Jewel, seems to snap from the pain of losing his mother and he let the pain ingulf his life. Finally, the last
Darl Darl, the second child of Anse and Addie Bundren is the most prolific voice in the novel As I Lay Dying, by William Faulkner. Darl Bundren, the next eldest of the Bundren children, delivers the largest number of interior monologues in the novel. An extremely sensitive and articulate young man, he is heartbroken by the death of his mother and the plight of his family's burial journey. Darl seemed to possess a gift of clairvoyance, which allowed him to narrate; for instance, the scene of Addie's death. Even though he and Jewel were away at the time.
Common among classic literature, the theme of mortality engages readers on a quest of coping with one of the certainties of life. Katherine Anne Porter masterfully embraces the theme of mortality both directly and indirectly in her story, “The Jilting of Granny Weatherall.” Understanding that all mankind ultimately becomes subject to death unleashes feelings of dread and anxiety in most people; however, Granny Weatherall transitions from rushing to meet her demise in her sixties to completely denying she is on her deathbed when she is eighty. Readers have seen this theme of mortality reverberated over and over in literature, but what makes this story stand the test of time is the author’s complexity. In Katherine Anne Porter’s
Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie Bundren and Cora Tull. The first person narrative acts as an important literary technique because it allows the reader to experience the opposing views of Addie and Cora; they are both mothers who act as foils to each other because of their diverse opinions and outlooks on motherhood, religion and life.