dante

554 Words2 Pages
bulb-icon

Recommended: literary analysis on the inferno

While St. Augustine’s autobiography is not comparable to the poetic dream vision of Inferno, the theological background of the two works is nearly identical. Dante the character of Inferno, like Augustine in Confessions, is a homo viator, a spiritual wanderer on earth; Dante the poet believes that the soul’s sinful state leads to retribution in Hell. The significance of both works benefit in understanding the journeys of man in his quest for a more spiritual association, the faults Dante and Augustine encountered and the precise path to be chosen between depths of misapprehension. The perspectives of these works are communicated the way they are anticipated. In Saint Augustine’s Confessions, his story of transformation is written in the first person perspective. The readers experience the long and difficult journey Saint Augustine encounters through the first person narrative. Similarly Dante in Inferno, conveys what he experiences through his journey through Hell in the first person perspective. Both works through their first person narrative give a distinct understanding of what ...

Show More
Related

  • Francesca's Style in Canto V of Dante's Inferno

    5050 Words  | 11 Pages

    Canto V of Dante's Inferno begins and ends with confession. The frightening image of Minos who «confesses» the damned sinners and then hurls them down to their eternal punishment contrasts with the almost familial image of Francesca and Dante, who confess to one another. In a real sense confession seems to be defective or inadequate in Hell. The huddled masses who declare their sins to Minos do so because they are compelled to declare or make manifest in speech the character of their offenses and although they confess everything (each soul «tutta si confessa», v. 8) it is not an admission of guilt prompted by true contrition or the timely desire to reform their lives. In Hell confession is a formal ritual that is not especially «good» for the soul. This is a confession that serves only as a sign that identifies and seals their eternal fates. The brief and compressed description of Minos and his «offizio» would suggest that this confession of the sinners is largely a formal requirement full of sound and fury signifying only the level of their eternal degradation. Minos is not caught up in the sinners' confessions, and, indeed, Dante's concise description of the entire process of confession and judgment («dicono e odono e poi son giù volte», v. 15) is accomplished with dispatch and aesthetic distancing.1 Unlike Dante the wayfarer who will be moved to pity by Francesca's confession, Minos, the brutish judge, is not captivated by the texts provided by the sinners and seems to represent a fierce but orderly administration of justice. Within the moral architecture of the Commedia Francesca's own words identify and confirm the justice of her punishment, but as the structure a...

    Read More

  • Summary Of Dante's Vita Nuova And Purgatorio

    516 Words  | 2 Pages

    Dante’s works Vita Nuova and Purgatorio includes his own experiences with many dreams throughout the course of his journey. These dreams are not simply just extensions of his experiences, but rather they pose important symbolism of his works. Although the content and the actual symbolism of each dream are different, there are parallel allegorical aspects between them. The main symbolic similarity of each dream is that they foreshadows and bridges Dante’s current situation and upcoming undertakings.

    Read More

  • Essay on Morality in Dante’s Inferno, Hamlet, The Trial, and Joyce’s The Dead

    2804 Words  | 6 Pages

    In analyzing this gradient of morality, it is useful first to examine a work from early literature whose strong purity of morality is unwavering; for the purposes of this discussion, Dante’s Inferno provides this model. It is fairly straightforward to discover Dante’s dualistic construction of morality in his winding caverns of Hell; each stern, finite circle of Hell is associated with a clear sin that is both definable and directly punishable. As Dante moves downwards in this moral machination, he notes that

    Read More

  • The Separation Of Hell In Dante's Inferno

    783 Words  | 2 Pages

    In Dante’s Inferno hell is divided into nine “circles” of hell; the higher the number correlates to the grimmer the sin and the pain you will endure. However, I do not completely agree with Dante’s version of hell, perhaps due to the difference in time periods. In this essay I will be pointing out my concerns with Dante’s description of hell and how I would recreate hell if I were Dante.

    Read More

  • Journey to Affliction: Analysis of Alighieri's Flame

    576 Words  | 2 Pages

    In Augustine’s Biography, Augustine tells coronet story newcomer disabuse of a tricky defy in conformity. He gives the notebook an up accustom oneself to and distinguishable admonition of monarch struggles and fulfil throb yachting trip to alteration . Dante uses this identical map in Inferno, tall the copybook an up close and rare admonition of jurisdiction happenstance circumstances and throbbing voyage thumb Pandemonium. Both of these N are an autobiographical paper money of their lives and their unexpected cruise to awareness one’s vital spirit on their course to truth. Augustine’s deportment on Dante is in addition to evident in the confidence wind both of their travel begins with their entrance of animal spiritually buried. Distance distance outlander the birth and round Paper, Augustine recounts the tales of circlet flagitious minor through surmount “rage”as an spoil, to sovereign villainy as an youth as he “burned for all about the satisfactions of hel systematically examining nevertheless offend he was from Author. Dante’s Inferno opens climax journey by majuscule the copybook anyhow he had “strayed, evacuation the path of truth a reference to rude slap in the face from

    Read More

  • Dante’s Inferno - The Evolving Relationship between Dante the Pilgrim and Virgil the Guide

    2166 Words  | 5 Pages

    In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet.  At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.

    Read More

  • dante

    1224 Words  | 3 Pages

    The Garden of Earthly Delights painted by Hieronymus Bosch, depicts many vivid fictional scenes in triptych style. The right wing of the triptych depicts Hell and the causes of man's downfall, which Dante wrote about in the Inferno. Dante tries to convey to all humanity the consequences of human actions and the levels of hell that he believes exist for different levels of sins. Dante divides Hell up into ten different circles, and there is an upper and a lower level of Hell. Dante and Bosch have similar views on the evil within people and this evil is represented in their works, whether it transpires in a painting or in a book.

    Read More

  • The Allegory of the Cave and Dante

    1237 Words  | 3 Pages

    “If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.

    Read More

  • Divine Love In Dante's Inferno

    1273 Words  | 3 Pages

    Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent

    Read More

  • Literary Analysis: Dante's Inferno

    822 Words  | 2 Pages

    Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.

    Read More

  • The Structure and Content of Dante's Inferno

    1106 Words  | 3 Pages

    In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.

    Read More

  • Dante's Divine Comedy - Close Reading of Canto V of the Inferno

    917 Words  | 2 Pages

    Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.

    Read More

  • The Role and Function of the Major Monsters in Dante’s Inferno

    1944 Words  | 4 Pages

    Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.

    Read More

  • Divine Comedy - St.Augustine in Dante’s Inferno

    1160 Words  | 3 Pages

    It is hard to place St. Augustine within just one of the levels of Dante’s hell for his sins were varied and not great. Today many of his sins are commonplace. For example, most people attempt to better their own lives without regard of others. They attempt to increase their standard of living and gain more worldly possessions. They are neither good nor evil but are just trying to make a living and keep up in today’s fend-for-yourself society. Before Augustine’s conversion, this was his goal. He was continually searching for “honors, money, (and) marriage” (Confessions, 991). This allows Augustine to be placed in the first area of hell, the Vestibule. It is a place for opportunists such as Augustine was before his conversion. It is a place for the “nearly soulless. . . who were neither for God nor Satan, but only for themselves” (Inferno, 1295). Augustine never intentionally hurt anyone, but his actions were led by his instincts to succeed and gain praise. These actions included kissing up to the Emperor, his study of law and the art of persuasion, and the mocking of newcomers to his profession. Since each of these sins also falls within a different realm of Dante’s hell, they will be discussed later in this paper.

    Read More

  • Dante's Inferno Research Paper

    884 Words  | 2 Pages

    Justice is one of the major building block that society is built upon. It gives people a sense of retribution when they have been wronged. In Dante’s Inferno, justice is served in the supernatural realm. Throughout this play, the reader is exposed to the inner working of hell and the nine circles of specialized punishment it is composed of. Justice, in Dante’s Inferno, differs from justice in the mortal world in that it is decided, not by humans, but by God. However, it is not God’s justice that is portrayed in this divine comedy. While this divine comedy depicts justice coming from God, the justice in the Inferno is based on Dante’s personal views of the severity of the sin and the sinner. This paper will examine this issue by looking into the life of Dante and the potential reasons for his rankings of the sin pertaining to specific circles of hell.

    Read More

More about dante

Open Document