From the heart of Enterprise, Alabama comes the first great rock n' roll album of 2002 - Course of Nature's electrifying Lava/Atlantic debut, "SUPERKALA." Highlighted by the extraordinary hit single "Caught In The Sun," the 10-track collection - produced by Course of Nature and Matt Martone (3 Doors Down, Breaking Point), and mixed by Randy Staub (P.O.D., Nickelback) - is an enthralling blend of passionate melodies, hard-edged riffs, and emotionally potent lyricism. Tracks such as the yearning "Someone Else To You" and the cathartic "Difference of Opinion" reveal Course of Nature to be a compelling and focused unit that will undoubtedly stake a substantial claim on the musical landscape. Packed with dynamic songs and exciting sonics, "SUPERKALA" is modern hard rock at its best and brightest.
Singer Mark Wilkerson and guitarist John Mildrum first hit the spotlight back in 2000 as part of their band, Cog. Inspired by a diverse spectrum of music - from Motown to metal - the group made their bones playing Alabama's cover band circuit, honing their musical chops with marathon sets that included songs by faves ranging from Duran Duran to Warrant to Metallica.
"We played covers five hours a night," Fish recalls, "sometimes three or four nights a week, all over Mississippi, Alabama, Georgia and Florida. We started to throw originals into the set, we just put our foot down and said, "We're not doing this anymore.' So we started advertising ourselves as an original band, and we'd go to these cover places and bring a cover band with us and have them open for us. And the shows just got better and better."
The group soon built a loyal local following, playing the region both as headliners and as support to such artists as Marvelous 3, Everything, and Starship. In March 2001, Cog self-released their debut album, "NO TIME AT ALL," but by July, Wilkerson and Mildrum had made the decision to set out on their own.
"We started writing," Mark says, " and it was coming along better and more professional. So we got on the Internet and looked for a studio to record in. We found Ardent Studios in Memphis. 3 Doors Down did their record there, and we were definitely into that, so we called up there, and we hooked up with Matt Martone, who engineered 3 Doors Down. He dug us, so we decided to do a four song demo together.
Over the years, Bryan made and grew friendships that would be essential in his walk towards musical legendry. His childhood best friend, Blue Note Records recording artist and jazz pianist, Robert Glasper, broadened his musical horizons further; introducing him to legendary jazz acts such as Herbie Hancock and Keith Jarrett. In high school, he met Greg Curtis, a producer who would become his mentor and give him his introduction to music technology. In college, he moved to Atlanta, GA and attended Clark-Atlanta University where he was discovered by Chris Hicks, a record executive and partner at Noontime Records would become his manager. It is through Hicks that Bryan was given an internship at Noontime Records, where he would go on to nurture his musical talents and in 1999 at the age of 21, earn his first production credit with the song "Get Done" by Houston based band, Ideal. While interning at Noontime, Bryan met two more people who forever shape him in his musical journey; Jermaine Dupri and Sam Thomas.
CCR sprang up in the San Francisco Bay area, the product of a music scene that was rife with talent. Creedence, however, never particularly sounded like that scene; indeed, the early efforts of the band caused many to question the group’s origin, believing that the foursome was a product of the “bayou regions of Louisiana”1 The musicians who made up the band - John Fogerty, Tom Fogerty, Stu Cook, and Doug Clifford - had been working on their style since the late 1950s under several different monikers. Primarily responsible for the Creedence sound was John Fogerty, the major creative force in the band, with vocals that “were to Creedence what Jim Morrison’s were to the Doors,”2 and a musical approach Fogerty himself described as a swamp thing:
The members included Angus Young, Malcolm Young, Larry Van Kriedt, Dave Evans, and Colin Burgess. The people who wanted the most success out of them were Australia’s legendary roadie Ray Arnold and his partner Alan Kissack. The two men convinced “Chequers” entertainment manager Gene Pierson to let the band play at the popular Sydney nightclub in 1973. Colin Burgess was the first member fired, and several bassists and drummers passed through the band the next year. The Young brothers decided that Evans was not a suitable frontman for the group, because they felt he was more of a glam rocker. It was Gene Pierson who arranged for Bon Scott from “Fraternity” to join them as the lead singer. (Paul Sutcliffe, Pg. 34, P.2)
When the band Rage Against the Machine spit, Zack de la Rocha wanted to go solo, while other members and even guitarist Tom Morello and frontman of Soundgarden, Chris Cornell, formed another big group called Audioslave (“ Without Rage, Just Music” 1). After Cobain’s death in Nirvana, they released some more albums, and even played some live shows for MTV. The death of Staley, of Alice in Chains, they began playing with a new singer, William Duvall. They continue to release albums and go on tours even today. Like Alice in Chains, Pearl Jam still play and release albums today. Despite all of the success all these bands had, they still stayed true to their fans, and fought for what they would want, good music with a reasonable price. Bands like Pearl Jam and Nirvana both wanted all their fans to be able to get their music and see them in shows. Pearl Jam took Ticketmaster to court and sued them for making their ticket prices so much and service charges. Ultimately Pearl Jam ended up paying for some of the service charges for each ticket sold so their fans get a little cheaper
Two more album releases followed in the next few years, but the band was unable to secure a national recording contract, and went on hiatus in 1996. During this time, Belew released solo albums and rejoined King Crimson. Belew's Inner Revolution album from 1992 featured Arduser on drums, and Fetters played in Belew's backing band for the tour supporting its release. On the tour for Belew's 1994 album Here, psychodots served dual roles as the opening band as well as the Belew's backing band, and they played a few Bears songs despite it not being billed as a reunion of the group. Fetters released a solo CD in 1998 on which Belew cowrote two songs, and he, Nyswonger and Arduser all performed on various cuts. Arduser's band the Graveblankets, which also featured Nyswonger, released a series of albums through the late '90s. Arduser and Nyswonger also played live with other local Cincinnati
1970 their contract with Capitol Records expired and they then were offered their own record label ‘ Brother Records’ through Warner-Reprise. They produced their first album with the new management called ‘Sunflower’ it was a critical success but a commercial disaster.
They were the first group to heavily tour the United States and sporadically tour the rest of the world. This occurred because there was a lack of interest in them Britain. Their success was due to their manager Peter Grant. Peter was able to keep the group moving from place to place and kept the people interested in them. Peter thought that they would work every other year so they would stay in demand. While they were working on their first movie featuring them. This movie was of the group playing their music, which was called, “The Song Remains Playing.”
1993 was a very busy year. They got a contract from Trent Reznor's new own label Nothing and got a spot on NIN's 94 tour. The making of their first album, "Portrait of an American Family", was underway. Trent Reznor was the producer of the album.
Another founding member of the band was Bev Bevan. He was born Beverly Bevan in Birmingham, U.K. on November 25, 1945. He formed his first professional band, called Denny Lain and the Diplomats, in 1963.He retired from music to become a furniture salesman, but then joined Carl Wayne and the Vikings. He then later joined The Move and helped create ELO. (Petersdorff 4)
... in Amityville in 2009 when they opened for Rise Against. Dan Campbell, the singer, gave everyone a free copy of their album just to get their name out there. They are now at the peak of the pop punk genre by selling thousands of albums, playing the main stage at Warped Tour and headlining a show at Best Buy Theater this April. Bands that make this sacrifice and eventually make it to a successful level deserve the natural rush music gives them.
Eddie Vedder at lead singer, bass player Jeff Ament, drummer Matt Cameron, and guitarists Mike McCready and Stone Gossard set off to start an unforgettable sound in punk rock which is known as the grunge era. Pearl Jam would start with their first album “Ten,” this album would then sell ten million copies. A lot of bands came out of
(Schwartz, 1) The name of their band was actually inspired by a Muddy Waters Song, “Rollin Stone”. Their first single was “Come On”, released in 1963. Andrew Loog Oldham was the band’s first official
Their musical stint as a band lasted just under a decade, but their musical prowess still echoes
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.