Ann Yearsley’s romantic poem The Indifferent Shepherdess to Colin, involves many link to relationships, as does Christopher Marlowe’s play Doctor Faustus, however they both do in different ways. Yearsley’s poem is about romance and love. The swain called Colin has proposed to her and she has rejected because she knows acceptance will relegate her to a more subordinate status. She also wants Colin to be embarrassed because seduction would rob her of her independence. The first relationship to notice is between Faustus and his student Wagner who represents someone who does not understand his master or what is happening to him. Wagner then tries to emulate Faustus in many things and tries to take it upon himself, to enable all the power his master displays. This can also be seen in Yearsley’s poem, where it is believed Colin, who is the swain, proposed to the character, which to the young lady is her giving away her freedom. ‘I’ll keep my liberty’ which shows she doesn’t want to loose her freedom and be controlled by anyone. This may be because of a past relationship, which has gone bad, and she therefore has trust issues or she may have fallen for someone to easily and quickly. This is similar to what has happened with Faustus and magic, and that has now come back to haunt him because he dies younger. Another comparison between these two passages is that they don’t want to be controlled and want to be dominating. However they both have ways of being dominated. E.g. Yearsley’s character would be tied into marriage where as Wagner would be Faustus’s student and would have to stick by him, which is clear, that’s not what he wants. The proposal, we presume, happens in the poem and the unwillingness we believe to be married, is also v... ... middle of paper ... ...is playing the lyre to him, is hiding his feelings. This is because she becomes very frustrated ‘What arts need I display, to woo a soul like thine?’ This again, shows Colin’s cowardly attitude towards the girl, and how he used her in a way, that Faustus uses Mephistopheles. The word’s used in Yearsley’s poem is a very romantic and dominant choice, however at the end of each line, the words tend to clash e.g. ‘mistake’ and ‘love’. You would not normally associate these two words to be together, and I think this adds to the overall tone of the poem and also sums up what the poem is all about. However when you look at Faustus, you begin to see a different kind of word choice with the words used here far darker such as ‘hell’ and ‘sin’. This makes the overall tone of the book have an envious tone and is contrasting with the poem, which is more about love and romance.
constantly tempted by superficial things that did not represent him. Faustina is described as Dunstan’s
The speaker compares the moment before a kiss to “syntax,” suggesting that, oftentimes, much thought goes into the forming of an emotion. He quickly juxtaposes this, however, against a relationship with nature. Immediately following this kiss, he remarks that this prior mentality has caused him “wholly to be a fool” (cummings 5). Throughout the middle of the poem, he compares the human body to the flourishing of the world. This is first introduced this in the second stanza, as he writes that “Spring is in the world” (6). This evokes imagery of life, of rebirth, of the sun rising to vanquish the cold winter behind us. The speaker goes on to speak of “kisses” from his lover, stating that “my blood approves,” in other words, races at the introduction of unreserved affection (7). If we analyze the symbolism in these lines, we can read them as the short narrative of a moment of enlightenment. The speaker, who has previously approached life in an analytical manner, has been suddenly inspired by the tenderness of a kiss. He realizes, in a flash of emotional impulse, that his prior lifestyle, his careful attention to “the syntax of things” has been dishonest (3).
The Marriage Vow highlights the contrast between the fantasies of marriage and the depressing reality of the ritual, as in the material world, “Woman’s lip to swear the heart away.” As the heart is symbolic of her soul and humanity, Landon has revealed the harsh truth that wedding vows are the catalyst for the bride’s downfall, reducing themselves to a mere possession. This line also expresses the discrimination against women in the Victorian Era. This is supported further as Landon proclaims that women “annul[s] the vow while speaking," highlighting the woman’s acknowledgement of being stripped from humanity, only to be reduced to the possession of the husband. Ultimately, the final line of the poem, “for the grave is rest” emphasizes the miserable nature that the female partner has put herself in, only for death to be the only solemn relief. Landon’s concluding statement is a disturbing one, as she hopes to accentuate the reality of marriage in the Victorian era from the cliché fantasy of living happily ever after that is seen in various literature today. Furthermore, the Marriage Vow has illustrated the changeable nature of attitudes and values within marriage through exploring
Nathaniel Hawthorne’s version of the Faust Legend in the works of “Young Goodman Brown” is considered to be a significantly different version when compared to the common Faust Legend. The article that I found discussing this subject is, The Rewriting of the Faust Myth in Nathaniel Hawthorne’s, “Young Goodman Brown.” By Hubert Zapf. A brief summery as to what this essay is about, Zapf’s entire thesis is filled with information and facts that all leads up to the analyzing of the common use and application of the Faust legend in Nathaniel Hawthorne’s story “Young Goodman Brown”, and how it compares in contrast to other “Faust users”. The points made through out Zapf’s essay consist of what the Faust legend originally is and how Hawthorne used it differently in his story, “Young Goodman Brown”. Zapf is analyzing the similarities, differences, and symbolism of Hawthorne’s version of Faust compared to the traditional out look of the Faust as well as the differences when compared with “Young Goodman Brown”. The comparing of this information is a way for Zapf to show that, “Both the transgression and the price to be paid are symbolically expressed in the central element of the Faust Myth” and to really show that that Hawthorne was using his own version of Faust (19). My own opinion of this essay confides with the fact that I agree the use of the Faust legend in the works of Hawthorne has the foundation of Faust, however there are some differences as well.
It is guaranteed To thumb shut your eyes at the end And dissolve of sorrow.” ” and it seems to be metaphorically saying that women are there for men to marry and they will be there to mourn their husband’s deaths. Women are supposed to be there for their men all the time, even after death. To add to this thought, line four in the fourth stanza to the last line in the fifth stanza says, “I notice you are stark naked. How about this suit-- Black and stiff, but not a bad fir. Will you marry it? It is waterproof, shatterproof, proof Against fire and bombs through the roof. Believe me, they’ll bury you in it.” In this section, the speaker offers the applicant a suit, which i’m assuming adds on to the marriage topic. Metaphorically saying that a man is naked until marriage and the suit represents the marriage. The speaker seems to be selling the idea of marriage as if it 's a cell phone, saying that it is waterproof, shatterproof, etc, even the line “Believe me, they’ll bury you in it” seems like it 's a lifetime
In Faust, the intelligent gentleman Faust, seeks spiritual wholeness in knowledge. Through years of hard study, Faust becomes knowledgeable in math, sciences and religion and yet he becomes inept and incapable of having any romantic or physical relationships with the outside world. As Faust strives to become the "over man" through knowledge, he realizes that books will not satisfy his curiosity and that maybe sensual pleasures will. Therefore, in the process of creating his new life, Faust, becomes distant and unconcerned with all reality and humanity around him.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
Faust is full of angst because he has mastered subjects like philosophy and medicine, but he thinks that he has not done anything for mankind. This leads him to learning magic so he can have the power of the universe, which leads him to a crossroads because this is going against God. He becomes hesitant at first when he begins wagering with Mephistopheles, but in time, we see that Faust has changed and keeps going to Mephistopheles before making decisions.
Love and Marriage in News of the Engagement, The Unexpected, and Twenty-Six Men and a Girl
A conclusion that one may draw from analyzing these texts is that pride is where all evil begins because it creates the illusion that anyone can do anything at any point in time. This is seen in both Lucifer and Faustus as they go on throughout the story making wrong choices and thinking that there will be no greater consequence and this feeling of elevation is mainly attributed to arrogance. One of the biggest impacts that these works make is to illustrate the ‘falling’ part of temptation. When both Lucifer and Faustus decided to take the wrong way and go against God for their own interests, both of them fell from a very high place without any chance of returning. Lucifer who was one considered the angel of light fell into a pit of fire full of pain and agony. Similarly, Faustus who had once been a man of great knowledge in the matters of God brought damnation upon himself by choosing to side with evil instead of
Browning's amazing command of words and their effects makes this poem infinitely more pleasurable to the reader. Through simple, brief imagery, he is able to depict the lovers' passion, the speaker's impatience in reaching his love, and the stealth and secrecy of their meeting. He accomplishes this feat within twelve lines of specific rhyme scheme and beautiful language, never forsaking aesthetic quality for his higher purposes.
One of the largest themes in Doctor Faustus is pride. Within the context of Christianity, pride is considered one of the Seven Deadly Sins. Through main character John Faustus, it is this pride that opens the gates to all of the other sins. Faustus forgets his place in this world as a man born into sin, preventing him from receiving God’s grace.
He wants it to be told that to write poetry is just as difficult as his attempt to court Maud. It is extremely difficult to produce a beautiful poem, as it is difficult to fall in love. Many people think that writing poetry is not hard work, as falling in love seems to be easy for some people. To make, “sweet sounds together” as in a po...
Doctor Faustus can only be described as a man that had a fervent hunger for power. The Tragical History of the Life and Death of Doctor Faustus, or, which is commonly known as, just ‘Doctor Faustus’, is an Elizabethan story written by Christian Marlowe. The work represents the tragic life of a scholar, John Faustus, who later finds himself into damnation because of his decision to practice sorcery. Since he had deliberately sold his soul to the devil, he gains incredible knowledge and power through his involvement of necromancy. Though he feels he has endless power, he is later forced to face his downfall. When his 24 year period, the time he had agreed to, is over, he is taken and dragged to Hell realizing his lack of good sense.