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The importance of architecture
The importance of architecture
The importance of architecture
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In this modern era, non-comparatives between today’s buildings and the yester years buildings of the nineteenth century are due to size and contextual attributes, but one comparative that today’s buildings lack in is raw emotion within spatial design. Paul Goldberger’s book, ‘Why Architecture Matters’ touches on important architectural issues that influence us on our perception of architectural interior space, this essay will reflect on this by looking at the comparative aspects of the commercial and retail spaces of a pair of buildings within Auckland central business district, those being Elliot Stables and Telecom Place.
The age difference between this pair of buildings is just over 100 years. The Elliot Stables was originally purpose built in 1910 as a warehouse for Archibald Clark and Sons, a firm of warehouse men and manufacturers. This building was designed by Thomas Mahoney and later was brought by the Temperance and General Mutual Life Assurance Society for their Auckland branch who in 1928 added the tower and subsequently occupied the building as the main office tenant with the remainder ground floor being leased as retail. This Edwardian styled building was designed with a Renaissance style utilizing solid but raw formed materials. One example is the main entry and passage cobbled in Timaru Basalt and also the facing panels to the foyer utilizing Whangarei marble. Telecom Place was purpose built for this iconic New Zealand corporate identity. Telecom had the choice of several locations with different design offerings to establish their Auckland flagship head office. Initially the developers design included four separate building blocks on the single site. This was challenged by the tenants (Telecom) design consultant te...
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...ighting is non-defining and only there to achieve suitable lux levels for a corporate office environment. This is a missed opportunity as well designed lighting can be inspiring to a working environment as well as efficient.
A strong emotion does not need to be just visually spectacular to gain significance to the inhabitant. It would be detrimental to a design to neglect the other senses. Emotion within design depends on the prescribed characteristics of a designed space, its function and form, and how to suit different environments. Elliot Stables and Telecom Place are examples of differential environments that are tailored to suit dissimilar purposes. The commonality is the interaction of people, whether socially or a working environment, emotion in design needs to be established to suit a resolution that helps define a space and create comfort and functionality.
Bell, Clive. The Aesthetic Hypothesis. Aesthetics. Edited by Susan Feagin and Patrick Maynard. New York: Oxford University Press, 2010.
Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.
“Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t just follow function, function defined the space. By focusing on the relationship between the architecture and the interior elements, Chareau’s Maison de Verre expanded the idea of functionalism to include not only the architecture but also the space it creates and how people function within that space.
Emotion is a complex construct that has been explored for many years, yet there is still much to be learned regarding this multifaceted phenomenon. Given the pivotal role that emotion plays in our everyday lives, scholars have demonstrated a continued interest in describing and understanding its functional and structural properties. At its most basic level, emotion is referred to as a positive or negative response towards a given stimulus, which is accompanied by cognitive, behavioral, and physiological characteristics (Carlson, 2013). Although emotions are often perceived to be feelings rather than behaviors, it is often the behavioral mechanisms rather than personal feelings that have adaptive and reproductive significance (Carlson, 2013). In essence, emotion serves as a regulatory mechanism of daily interactions and social relations (Algoe, Fredrickson, & Gable, 2013; Keltner & Haidt, 1999).
My aim is to investigate why Tessenow chooses to use such methods of design which are simplistic in style for his own house and how it relates to his other designs in terms of size and dimensions. I would like to see how Tessenow’s work compares to that of other European architects, if there any links, or if Tessenow followed or started any trends in German architecture. But primarily i will focus on the use of space and seeing whether there is a barrier between public and private space or not. I would like to explore how the building affects the user, whether it possesses emotional interfaces, which in turn influence people differently.
But these contrived differences give rise to esthetic difficulties too. Because inherent differences—those that come from genuinely differing uses—are lacking among the buildings and their settings, the contrivances repre...
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork is trying to provoke. Regardless of whether or not the artwork is a true imitation of certain emotions, ideals, or images, it cannot be true art unless it conjures this aesthetic emotion related to formality (367).
Meijenfeldt, E. V., and Geluk, M. 2003. Below ground level: creating new spaces for contemporary architecture. Birkhauser
Being an architect is a very important thing, you have a large amount of responsibility. You control a large aspect of someone’s life whether it is where they walk in a shopping centre or where they sleep and eat, and that is why it is very important to design for yourself and your client. You have to imagine the space as if you were there, you need it to be
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
This usually entails the manipulation of texture, proportion and the setting pleasant utilization of sunshine with the intention to realize symmetry, harmony and an accurate equilibrium in complete human life. The essential ideas of good design are pure and to an enormous extent innate. When analyzing the universal properties of sunshine, house, colour and supplies, the inside designer appears to be like at the interplay of the natural legal tips that govern them. The precise design of a room works not only on the customarily ignored senses of odor and listening to but additionally on the emotions. Coloration schemes are selected to copy the mood of a room. Understanding how every side of a design contributes to a common look and feel of a room or area constantly takes precise experience and each architects and designers manipulate these to good
The first sign of a new architectural era was seen in Britain. With the production of new materials, Sir Joseph Paxton was able to design the Crystal Palace (1850-1851, 1852-1854) which boasted an intricate lattice frame work of prefabricated iron and glass panels set into wooden frames. The Crystal Palace served as a greenhouse with an impressive square footage of 770,000, the largest structure within its time. This structure was a monumental one and exhibits Britain’s advancement in the development of superior steel.
The distance learning environment creates a multitude of challenges that students or instructors do not have to deal with in a brick and mortar classroom. One controversial topic may be that people cannot express their emotions effectively online. Online environments are also complicated to have interactions and establish a presence. Is this really the case though? Is it challenging to show emotion online or have a presence; however, it is not impossible. These topics will be discussed in the following.
Have you ever wondered why people have certain reactions? I chose chapter eight on emotions for my reflection paper because emotions are something that everyone has and feels, yet cannot always explain or react to in the way you would expect. Personally, I have never been great at responding to emotions in a way that I would not regret in the future. Thus, naturally being drawn to this chapter as a way to expand my knowledge on how to react to things more positively. I also wanted to learn why I feel a certain way after events that would not affect most people and be reassured about my feelings. Opposite to that, it is nice to see that, while not always productive, others have the same reaction habits. Overall, emotions are a complicated