Fox Galleries (103 Brunswick Street, Fortitude Valley) has opened the doors on it newest exhibition, “Anthony Lister: subtitled”. The showcase displays Anthony Lister’s unique brand of street art. His works can be described as anywhere from abstract to pop, to graffiti. The style is very free-form and none confined. Many mediums were used to create his art but he seems favor putting it all on canvas. When Lister paints he tells a story about whatever kind of environment he’s in at the moment.
The layout of the exhibition itself is rather structured and organized. I think simple and neat was the aim here. I have chosen three painting to closely analyze: “Portrait of Egon Schiele”, “Discard the Retard” and “Paddington from Pratts”.
When compared to his mentor, Max Gimblett the two distinctive styles would probably be as far as each other as possible. Max prefers his paintings to be on irregular canvases and his work can range from patterns to abstract, yet don’t have the slight chaos of Lister’s.
Predominant throughout the three mentioned works you can see the use of repetition, restriction of colour, emphasis and line. His particular style seems free, spontaneous and sees no real confinement. The general restriction of colour make anything not in bland almost scream off the canvas and creates a very effective focal point.
Anthony has said himself “I’m not trying to change the world, I’m just reacting to the world trying to change me”. That would perfectly describe Lister’s motivation to paint and create. Whether it’s a social statement or purely something for himself he has created something that people can enjoy. Again Lister stated he normally chooses his subject matter by simply finding something within his immediate environment.
Any deeper meanings one might find would probably be purely speculation, but the interesting composition in “Discard the Retard” where the constant stencil of a duck pattern has been used and a single “stand-out of the crowd” duck can be seen (solid black rather than just black outlining).
Many of these artists' works contain subtle hints to the author's opinion on the subject. By analyzing their central compositional effects, the viewer can obtain a greater appreciation and understanding for the art.
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
I believe the gallery presented the works in the best possible way. They are in the room on the first floor. T...
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
One of the most prominent features of the painting is the use of repetition. In the forefront of the picture plane we see a three-pronged pitchfork. That sam...
This group ran their own exhibition, and over time, became some of the famous names we know today, such as: Claude Monet, Edgar Degas, and Alfred Sisley. However, it was not all fame and fortune from the beginning. Most patrons who came to the exhibition were so used to the classic, disciplined style that they often criticized the artists’ works, calling them “unfinished” and offended that they could showcase “sketches” as finished pieces. But this is exactly what these artists embraced; letting go of formality and embracing the “freedom of technique” (“Impressionism”,
The entire Women’s Movement in the United States has been quite extensive. It can be traced back to 1848, when the first women’s rights convention was held in Seneca Falls, New York. After two days of discussions, 100 men and women signed the Declaration of Sentiments. Drafted by Elizabeth Cady Stanton, this document called for equal treatment of women and men under the law and voting rights for women. This gathering set the agenda for the rest of the Women’s Movement long ago (Imbornoni). Over the next 100 years, many women played a part in supporting equal treatment for women, most notably leading to the ratification of the 19th Amendment to the Constitution, which allowed women the right to vote.
One way the author tried to accomplish this was by the way that he used his figures of speech. Many of the authors' statements were very similar if not exact. For example, the author says a few times that 'the dust would rise and choke me.'; This figure of speech is repetitious, which I feel is one way that the author tried to capture the consistent style that he was looking for. Also, the author said, 'my pace was steady and rather fast.'; This statement is also used repeatedly as another way that he develops this consistent style.
Before analysing selected art works in more detail it will be worth introducing a few different definitions and hypothesis of aesthetics in art based on theories of well-known critical thinkers.
...lical scene, but the use of different artistic techniques and the impact of separate influences can create unique creations. The catering to particular audiences and patrons further exacerbates the apparent variation among art during this artistic period.
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
...technique of fluid in the brush strokes, which lead to an impression of blurry. The spots of soft color combine with the color of the figures, which shows bright light of beams through the trees. He blends colors in the background that appear to be people dancing. The lack of outlines is a traditional Impressionist technique.
Still although different in many ways they still share many similar aspects such as the use of large canvases, an “all over approach” in which the whole canvas is treated equally, every part of the canvas is important, quality of brushstrokes and textures, the use of accidents that play an important role to the entire work and the attempt to express pure emotion directly onto a canvas.
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.