The concept of beauty can be hard to define, as it is an ever-evolving notion. What people perceive as beauty has varied through time, across cultures (Fallon 1990) and can also vary based on individuals. To a culture, beauty can be its customs and traditions, and to an individual it can include physical appearance (outer beauty) or personality (inner beauty). However the word beauty can also defer according to gender, Ambrose Bierce (1958) once wrote, “To men, a man is but a mind. Who cares what face he carries or what he wears? But a woman’s body is the woman.” Despite the societal changes achieved since Bierce’s time, this statement still holds true. Attractiveness is a prerequisite for femininity but not for masculinity (Freedman, 1986).
The concept of physical appearance as a virtue is the center of the social problems portrayed in the novel. Thus the novel unfolds with the most logical responses to this overpowering impression of beauty: acceptance, adjustment, and rejection (Samuels 10). Through Pecola Breedlove, Morrison presents reactions to the worth of physical criteria. The beauty standard that Pecola feels she must live up to causes her to have an identity crisis. Society's standard has no place for Pecola, unlike her "high yellow dream child" classmate, Maureen Peals, who fits the mold (Morrison 62).
Somehow, everything about the whites appear to elicit a reigning beauty that raises hatred and envy the black girls have against the white girls. Packer argues that even small thing like hair contributes to hostility. The fourth grade says; “their long, shampoo-commercial hair, straight as spaghetti from the box” (Packer, 16). These reinforcements are ingredients of prejudice that brings about racial discrimination. The black girls get jealous of the white girls’ hair, and this leads to discrimination against them. It is worth noting that the prejudices are handed down by the environment and society that people are brought up in. Arnetta, remembers a mall experience when she and her mother were being seen as if they were from China. They were being discriminated because of their race. The various treatments given to black people has played a vital role in intensifying the issue of prejudice, magnifying people’s sense of inferiority, and shaping the views of the black people on the white people. Arnetta says; “Even though I didn’t fight to fight, was afraid of fight, I felt I was part of the rest of the troop; like I was defending something” (Packer, 12). This is a clear indication that society has the power to influence youths. It depicts how society joins hands to fight for what they think is their right. Owed to the fact that this is a society. Everything and everyone is interlinked in a given way, making racism and prejudice hard to do away
Craig, Maxine Leeds. Ain't I a Beauty Queen?: Black Women, Beauty, and the Politics of Race. Oxford: Oxford UP, 2002. Print.
...ize the white beauty ideal, but also the act of distancing themselves from their own people. Therefore, “the discriminatory practices are set forth by people that are themselves the victims or the progeny of victims of racial discrimination” (Kolehmainen). What Morrison wants to convey, however, is that one must realize that beauty is not one virtue, “it is something one can do” (Morrison, Foreword).
Kathryn Stockett has very well managed tension in the novel.The novel starts with racial tension,which encouraged me to read the novel further as I am interested in racial issues.As we get further,tension spreads through the novel from racism to relationships,for example, Celia’s relationship with John.She shows lot...
In Zadie Smith’s first and third novels, White Teeth and On Beauty, respectively, Smith utilizes the plot point of having a husband cheat on his wife with a younger and white woman. Through this plot point, Zadie Smith explores the marital dynamics of two couples: Alsana and Samad Miah in White Teeth and Kiki and Howard Belsey in On Beauty. Howard and Samad both sleep with women who are very different from their wives; Howard has relations with Claire Bowden (who is white, very thin, and academic) (and then with Victoria Kipps, who is young, extremely beautiful, and one of his art students), and Samad has relations with Poppy (who is white, childish, and a school teacher). These couples’ plot events are similar, but the reasons and outcomes
Thesis: Morrison argues that the western standard of beauty is based on whiteness and that blackness is viewed as ugly and inferior. Pecola Breedlove from The Bluest Eye is a walking embodiment of the issue Morrison is addressing. Although not to the extent in which Pecola is affected, this white standard of beauty affects people of all color and size; the media and fashion industry are the leading forces behind these struggles to conform to what society views as beautiful. These industries need to change and promote healthier and more realistic appearances because these unrealistic standards can be detrimental to a person’s physical and mental health.
In order to understand Joyce’s theory of beauty, the process that occurs must be de-constructed. Beauty can be found in vastly different contexts—the sun setting over the ocean or the Mona Lisa hanging in The Louvre in Paris—yet every experience has been
What is beauty? How do human beings decide who is attractive and who is not? Society is full of messages telling us what is beautiful, but what are those definitions based on? Do we consciously decide whom we are attracted to, or is biology somehow involved? The issue of beauty and how we define it has been studied for centuries. Scholars from all fields of study have searched for the "formula" for beauty. Darwin in his book The Descent of Man wrote, "It is certainly not true that there is in the mind of man any universal standard of beauty with respect to the human body. It is however, possible that certain tastes in the course of time become inherited, though I have no evidence in favor of this belief." (1) Science has tried to look at beauty beyond the conscious level. It has tried to determine what roles biology plays in human attraction. Scientists have discovered that symmetry and scent play a role in defining human attraction. (3) But while this can begin to explain beauty on the most basic of levels, what accounts for variations in the standard of beauty? The idea of beauty varies within different societies and communities. Do these cultural preferences have a biological basis? What is the relationship between biology and society in relation to the idea of beauty? How do they relate to each other, and how do they differ? In particular what role does science play in the preference that many societies, (in particular South Asian, East Asian, and North American Cultures), have for fairer skin?
Sarwer, D. B., Grossbart, T. A., & Didie, E. R. (2003). Beauty and society. Seminars in
Barbara Wels’ short story “Gorgeous” is a satire of an obsessive-compulsive woman who seeks a lifestyle mirrored by beauty and perfection. Wels’ writing style composed of carefully arranged lists of words, experimental narrative structure and third person voice, emulates the persona “Gorgeous” and her crazed nature for control and organised stillness in all aspects of her life. By focusing on the treatment of surface and superficially, through Wels’ use of cyclic narrative and the portrayal of the detailed-orientated “Gorgeous” this will link Wels’ story to the broader social context of a materialist culture and the importance of humour in the generating a response to the story.
One way of characterising the male antiheroes in American Beauty, Revolutionary Road, and Shame is by their family members, the relationship they have with them, and their role within the family. Starting with Lester’s family, American Beauty’s exposition introduces the main characters in the first few minutes and presents the viewer with a series of framed photographs such as the one below representing a perfectly harmonious, put-together, touchy, happy nuclear American family. Broadly smiling, they directly face the camera, of course, in order to remind the world and themselves on a daily basis how ‘normal’ they are. Reality, however, differs very much from what is portrayed in the photograph, illustrated by a regular family dinner in the
The main conflict is Ellen’s inner conflict and the effect that her repressed feelings have on her life and her attitudes.
Antoinette’s struggle to match the English ideal of a perfect, domesticated wife and an “angel in the house” once again subverts the value of physical beauty. However, in Jean Rhy’s novel this subversion has less to do with intellect’s connection to beauty, as it more so, seeks to reinvent the trope of beauty as a value by illustrating that beauty standards can be maddening and serve little purpose to reach a fulfilled life. From the beginning of the novel, Antoinette, a woman of mixed raced in post-colonial Jamaica, is “torn between two irreconcilable images, those projected by society and by her own self-image” (Fayed 237). Her self-identity is constantly questioned as she does not feel a sense of belonging due to her hybrid race. “Old time white people nothing but white nigger now, and black nigger better than white nigger” (Rhys 21), here Antoinette judges her own physical appearance and race as being inferior than being either full white or full black, which begins a long inner battle to try to grab onto traditional set physical ideals to develop her own identity. Physical beauty for Antoinette has always meant stability, perhaps alluding to its future connection of finding a subtable husband. Antoinette recalls moments of her childhood when she would obsessively stare at her mother