In the short story “Young Goodman Brown,” Nathaniel Hawthorne sets the locale of the story during the Salem witch trials at his convenience to include the Calvinist theme of sin, that belief in which formed the early history of New England’s social and spiritual identity. As a dark romantic, Hawthorne includes the elements of human nature, mysticism, good and evil, and one’s own spirituality to convey his message to the reader. However, it is left to the reader’s own digression to interpret his ambiguous conclusions. At the beginning of the short story, Brown finds himself on a journey to the enchanted forest outside of his village for a mysterious appointment. Unknowingly, Brown is traveling into the heart of darkness in which he will be tempted to surrender his faith for innate depravity. It is then where one can identify with Brown through the events, actions, and dialogue that Hawthorne used to place emphasis on the Calvinist sense of sin, idea of moral imagination, and the symbolism used as well.
“Young Goodman Brown” has been considered an excellent short story that has been widely criticized by many critics. However, most critics disagree that Brown lost his faith. Perhaps, their reasoning is based on the statement, “My Faith is gone!” professed by Brown when he discovers his wife’s voice and pink ribbon in the dark forest (Hawthorne 392). According to Thomas Connolly, “not only did he retain his faith, but during his horrible experience he actually discovered the full and frightening significance of his faith.” At the beginning of the story, Brown was seen as a devout Calvinist in which he truly believed he was one of the elect. The errand on which he is going is understood as a prearrangement with the devil. Because of h...
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In the short story Young Goodman Brown by Nathaniel Hawthorne, symbolism plays a vital role in the interpretation of the events of the story by the audience. In a work that is apparently never what it seems, drawing upon these symbols for clarity helps to provide the audience with additional depth to the deception that Goodman Brown feels. When going on his errand into the forest one night, Goodman Brown encounters the devil disguised as a man which is the beginning of his demonic encounters. The meeting symbolizes the start of his downward slope into the loss of faith of those around him and his own religious beliefs as well. He navigates the dark and chilling forest only to ultimately end up in the middle of it alone, which represents his journey through life after his revelation about the people in his community that night. His new found beliefs cause a projection of his own internal evil feelings upon his new wife faith. A woman who he once adored and had complete faith in just like her name, he now becomes very distant with and hardly acknowledges. His distance is due...
One’s self image of morals allows a person to accurately determine what they believe is wrong and vice-versa as is the case with Young Goodman Brown; the protagonist in Nathaniel Hawthorne’s story “Young Goodman Brown” who sees a disturbing vision in which all of the supposedly good townsfolk enter into a pact with the devil. In Goodman Brown’s vision, while following the unholy worshippers to their meeting place, he proclaims “With heaven above and fa...
During Goodman Brown’s journey, he recognized Goody Cloyse, his catechism teacher, the preacher, and Deacon Gookin is going to the devil’s meeting. However, after seeing his church members at the devil’s meeting, Goodman says, “My Faith is gone! and There is no good on earth; and sin is but a name. Come devil! for to thee is this world given” (Hawthorne 27). “But, where is Faith?”, asked Goodman Brown (Hawthorne 29). As hope came into his heart, he trembled when he found the pink ribbon of his wife, Faith, in the forest. At that moment, Goodman Brown lost his faith in his family and church members. Goodman becomes unforgiving of others and believes only evil can be created from evil and there is nothing that anyone can do to change it. Here, Hawthorne demonstrates that a naive faith in our family, friends, and church member’s righteousness could lead to distrust. While, “Young Goodman Brown” lives a long life with Faith, he never loses his meanness toward humanity and the evil in the world, “for his dying hour was gloom” (Hawthorne
In Nathaniel Hawthorne short story “Young Goodman Brown,” he takes us on a journey of the human heart, in which he would later coin the phrase that “there is a fund of evil in every human heart”. Though the story is filled with dark gloomy imagery, Hawthorne was able to keep us wanting to know more base on the fact its Salem village. With the uses of symbolism, the author incorporate nature such as the “deep forest”, and “Faith” the newly wife of young Goodman brown working hand in hand to illustrate the purpose of the story. Hawthorne shows us that our faith should not dictate base on the perception of others, as a result, would be compromised and weaken.
Hawthorne, Nathaniel. "Young Goodman Brown." Norton Anthology of American Literature. Vol1. Ed. Nina Baym, et al. New York: Norton, 1994. 1198-1207.
From the beginning of Hawthorne’s story a test of faith prevails. From the moment that Young Goodman Brown parts with his wife, Faith, to when they meet again at the heart of the forest, the very manner Young Goodman Brown has been taught his entire life is at stake. Yet it is not so much Goodman Brown’s faith in God that is the concern but whether or not Goodman Brown feels he can trust anyone or anything he has ever come to know and believe in. Society has preconditioned him to think a certain way, thus through this journey Young Goodman Brown cannot deal with the new Puritan life he witnesses. Since he is unsure of what his society is truly like Goodman Brown is now incapable of knowing his place in society and knowing whom he really is.
Hawthorne, Nathaniel. "Young Goodman Brown." Literature Craft & Voice. 2nd ed. New York: McGraw-Hill, 2010. 449-55. Print.
In Nathaniel Hawthorne’s “Young Goodman Brown”, Goodman Brown struggles with staying pure and not giving in to the devil. Hawthorne utilizes allegory and ambiguity to leave unanswered questions for the reader.
Hawthorne, Nathaniel. "Young Goodman Brown." 1835. The Heath Anthology of American Literature. Ed. Paul Lauter et al. 2nd ed. Vol. 1. Lexington: Heath, 1944. 2129-38.
Mrs. Leavis comes closest to the truth in her discussion of this story in the Sewanee Review in which she says: "Hawthorne has imaginatively recreated for the reader that Calvinist sense of sin, that theory which did in actuality shape the early social and spiritual history of New England." But Mrs. Leavis seems to miss the critical implications of the story, for she goes on to say: "But in Hawthorne, by a wonderful feat of transmutation, it has no religious significance, it is a psychological state that is explored. Young Goodman Brown's Faith is not faith in Christ but faith in human beings, and losing it he is doomed to isolation forever." Those who persist in reading this story as a study of the effects of sin on Brown come roughly to this conclusion: "Goodman Brown became evil as a result of sin and thought he saw evil where none existed." Hawthorne's message is far more depressing and horrifying than this. The story is obviously an individual tragedy, and those who treat it as such are right, of course; but, far beyond the personal plane, it has universal implications.
McCabe, Michael E. “The Consequences of Puritan Depravity and Distrust as Historical Context for Hawthorne’s “Young Goodman Brown”.”
“Young Goodman Brown”, by Nathaniel Hawthorne, delves into the classic battle between good and evil; taking the protagonist, Goodman Brown, on a journey to test the resolve of his faith. Goodman ventures out on his expedition deep into the sinister forest, in order to repudiate the attempt of the devil to sway him from Christianity; a test he believes his devout faith is prepared to confront. Goodman Brown is forever altered in ways unforeseeable by taking a stroll with the ultimate antagonist, the devil himself. The prevailing theme in this literary work, which is common in Hawthorne’s gothic writing, is the realization that evil can infect people who seem perfectly respectable. Throughout the course of his journey, Goodman Brown discovers that even highly reputable people of Salem are vulnerable to the forces of darkness.
Hawthorn, Nathaniel. "Young Goodman Brown" The Norton Anthology of American Literature. Vol. I. Shorter Seventh Edition. Ed. Nina Baym. New York: W.W. Norton and Co., 2008. 620-629. Print.
Nathaniel Hawthorne’s allegorical story “Young Goodman Brown” is set in Salem, Massachusetts during the late sixteen hundreds in a time of religious hysteria and only a few generations after the infamous witch trials. Although "Young Goodman Brown" is a fictional tale, it is based on the cynical environment of Salem during this time period. The short story is filled with many literary elements, leading you to question what did exactly happen to the main character at the conclusion. When analyzing a story like "Young Goodman Brown", one must recognize that the story is at whole symbolic. In the text, symbols are used to uncover the truth of the characters. The role of Faith as both a character and a spiritual element are crucial to both the story and the character of Young Goodman Brown.
In Nathaniel Hawthorne's short story "Young Goodman Brown,” the author uses danger and mystery to represent the struggle of good versus evil. Young Goodman Brown journeys into the night and comes to realize an unforgiving truth. Everyone is in danger of abandoning their faith or is inherently evil. Nathaniel Hawthorne has filled this story symbolism, after reading this story the reader may have questions about Young Goodman Browns’ determination to journey towards his evil purpose. Nathaniel Hawthorne implies strong faith can endure but when that faith is destroyed, what view does a person have towards mankind? Let us take a look at Nathaniel Hawthorne’s use of significant symbols throughout “Young Goodman Brown.”