Young Girl Writing A Love Letter By Antonio Rotari

1339 Words3 Pages
bulb-icon

Recommended: Depictions of women in the renaissance

This is a painting by Pietro Antonio Rotari called “Young Girl Writing a Love Letter”. The painting is painted vertical with the background painted with a dark tone color. From the top probable one fourth of the painting is shaded from dark at each corner to light when coming to the middle. From top to bottom two fourth of the painting you start to see a woman face. From left to right you start with the background shaded in a dark tone and getting slightly lighter as you get to the middle. As you get to the middle you start to see a woman face with light brown hair and with combed hair from the top to her ear. With the forehead showing you get the bangs of her hair on each side of her ear, not straight but cur in a spiral reaching the tip of her ear. Her hair is long enough that it disappears behind her back. Just as its reaches the back it gets curly and tied down with a light green ribbon that goes around the neck, and tied as a bow in the back of the neck. As you go lower you start to see her hand as she is laying her head on the left hand while staring at the person that is drawing her. She has a expression of a person that is in love. With her eyes staring at you with with a look that can be read as a person that wants you to
The painting by Reni stands out more than then the painting by Rotari. Reni used so much brighter colors, therefore making the woman in his painting stand out more. Since the background of Reni painting was dark, therefore he had to make all of his colors bright. While Rotari background is still dark, it’s at a lighter tone. That is why Rotari painting is lighter. The color of the woman dress doesn’t stand out. It doesn’t capture the attention like Reni painting. If both painting where together side by side, It feels like if Reni painting would get all the attention. Just by the way of there hand movement and how many strokes they used, it made a big

Show More
Related

  • The Coloristic Virtuosity of Venetian Painting as Exhibited by Andrea Schiavone's "The Marriage of Cupid and Psyche"

    1110 Words  | 3 Pages

    Andrea Schiavone devised a strategy to distinguish himself from the master painters before him. This style is marked by a sense on incompleteness and feathery brushwork. The painting The Marriage of Cupid and Psyche shows Schiavone at his best because it is the perfect example of the harmony between Titian and Parmigianino. The sinuous lines depicted in the painting give it a lot of sex appeal, while his heavy-duty paint handling keeps it from cloying. In this work Schiavone forces you think past the accepted notions of what is right, and instead focus on the beauty that lies past right and wrong. The painting itself is of Venetian origins, dating back to 1550. It is composed of oil on wood and it was originally octagonal in shape. The corners were add...

    Read More

  • Critical Analysis Of Romare Bearden's The Family, 1941

    1303 Words  | 3 Pages

    I will compare the emotions that both artworks send to the viewers when they first look at them. When I look at the portray 1, I fell sadness. That’s what the artwork is conveying to me. No one in the picture is happy or smiling. Everyone is sad, upset or indifferent. When we look at their gaze, the father is looking traight away, with tired eyes. His gesture shows that he doesn’t want to hear what his wife has to say and is asking her to stop. The mother’s gaze is on something in front of them. Her eyes are big and she seems to be giving more attention to things than the man. She seems sad sad to be spoken that way. On portray 2, the atmosphere is visibly different. The man and woman have a little smile on their faces and the kids are playing next to them. The people in the portray don’t look indifferent to each other or sad like in the other portray, they look pleased and caring. The man and women gaze are relaxed and they seem to be enjoying themselves. They are looking straight away in a pose as if someone is taking a picture of them. The kids gaze are in their

    Read More

  • Sofonisba Anguissola

    2074 Words  | 5 Pages

    Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. Not only was she one of only four women mentioned by Giorgio Vasari in his famous Lives of the Artists, she also paved the way for later female artists. One may look at Sofonisba’s upbringing and assume that her talents were a result of her wealth and family background. However, if investigated more carefully through both analytical secondary sources and primary sources, it becomes clear that Sofonisba’s painting abilities formed because of her talent, not her wealth. Sofonisba integrated herself into the artistic community and used her second-class status as a female painter to accelerate her career: because she was not able to study as an apprentice in a workshop, her models were usually family members, she pioneered the style of genre painting. Historian Joan Kelly argues in her essay, “Did Women Have a Renaissance?” that women did not experience a Renaissance during the actual Renaissance. Sofonisba’s training and connections were extremely helpful to launch her career, refuting Kelly’s argument that women only were taught “charm” during the Renaissance. In addition, Sofonisba married her second husband for love, not for money, debunking Kelly’s argument that marriages during the Renaissance were not based on love. Though Sofonisba’s life as a woman is a unique case in terms of wealth and profession, her success and fame, talent, and marriage (van dyck?) disprove Kelly’s argument that women did not have a Renaissance during the Renaissance.

    Read More

  • Italian Women of the Renaissance

    2232 Words  | 5 Pages

    Artemisia Gentileschi (1593 – 1652), daughter of a well-known Roman artist, was one of the first women to become recognized in her time for her work.. She was noted for being a genius in the world of art. But because she was displaying a talent thought to be exclusively for men, she was frowned upon. However by the time she turned seventeen she had created one of her best works. One of her more famous paintings was her stunning interpretation of Susanna and the Elders. This was all because of her father. He was an artist himself and he had trained her and introduced her to working artists of Rome, including Michelangelo Merisi da Caravaggio. 1. In an era when women artists were limited to painting portraits, she was the first to paint major historical and religious scenes. After her death, people seemed to forget about her. Her works of art were often mistaken for those of her fathers. An art historian on Artemisia, Mary D. Garrard notes that Artemisia “has suffered a scholarly neglect that is unthinkable for an artist of her caliber.” Renewed and long overdue interest in Artemisia recently has helped to recognize her as a talented renaissance painter and one of the world’s greatest female artists. She played a very important role in the renaissance.

    Read More

  • Madonna Of Urbino Analysis

    638 Words  | 2 Pages

    While both the Madonna of the Meadow and Venus of Urbino are spectacular works of art, each differs and is similar in many ways. At first glance, Titian’s Venus of Urbino catches your eye because of the gold tones that Titian incorporated into his painting. Titian’s painting also has a shine to it, that Raphael’s painting does not. Raphael’s painting uses softer hues that play well with his incorporation of infants and the softness and subtle idea of the meadow. Nudity is an aspect that can be noted in both paintings, yet a sense of class is still associated with the painting as well.

    Read More

  • Pablo Picasso and Cubic Art

    1635 Words  | 4 Pages

    "Girl Before the Mirror" is created in 1932 and it is said that the girl in the painting is his at the time girl friend Marie Therese Walter. No matter who is drawn in...

    Read More

  • Art Analysis: Portrait of a Woman With a Man at a Casement

    2038 Words  | 5 Pages

    “The “Portrait of a woman with a man at a casement” dates from around 1440-1444. It is made with tempera on wood by a Florentine artist, Fra Filippo Lippi. The painting is 64,1 x 41,9 cm. A very interesting detail is the message on the cuff of the woman, reading the word “lealtà” which is Italian for loyalty. The painting is part of the Marquand Collection and is to be found at the Metropolitan Museum of Art, where it was given as a gift by Henry G. Marquand in 1889.”

    Read More

  • 'La Buena Ventura' By Charles Percy Austin

    548 Words  | 2 Pages

    The painting that captivated my eyes was “La Buena Ventura”. As I was walking through the hallway my eyes were drawn to this beautiful young woman wearing a bluish greenish dress and what seems to be pink hearts. She is sitting down with a sad look on her face staring at her cards. I tried distinguishing the type of cards and to me they look a little like tarot cards. So I interpreted this as her not happy with what her fortune has in store for her. Maybe she is waiting for her love or she might have found out that tragedy is going to strike her way. I noticed the guitar at the far left corner so she could be a musician who is having a hard time making money. This oil painting is done so beautifully, the artist used a lot of texture and a mixture of dark colors to bring out the shadows and accentuate

    Read More

  • The Song of the Lark

    813 Words  | 2 Pages

    The focus of the painting is a young woman, most likely in her late teens or early twenties. She works in the fields with her farming tool in hand and a bandana keeping her hair back. One can tell her is of modest means by her simple and somewhat ragged clothing and also by her lack of shoes. The girl is on her way to work, passing through a withered field on the outskirts of a small town, when she glances up to look at the lark singing its morning song. Although the lark is not portrayed in the painting, the deep gaze of the girl shows that she is mesmerized by this simple joy.

    Read More

  • Wayside Madonna

    948 Words  | 2 Pages

    The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...

    Read More

  • The Betrayal of Christ Depicted in the Italian Paintings by Duccio and Giotto

    945 Words  | 2 Pages

    In addition, to the composition of the painting, the balance is also a dynamic factor. Both Ducci...

    Read More

  • Analysis Of Cassatt's The Child And Mother Nursing Her Child

    1035 Words  | 3 Pages

    The painting is intimate, almost as if was not meant for the eyes of the viewer. The mother gently holds the baby, within her arms, as she feeds him. The mother’s gaze is met by the child as it reaches out to touch her face. The background is simple, emphasizing the closeness between the mother and child, much like Le Brun’s piece. Additionally, Cassatt’s The Child's Bath, 1893 “with its striking and unorthodox composition, is one of Cassatt’s masterworks” (“The Child's Bath”). Within this composition, she employed the use of unconventional devices such as cropped forms, bold patterns and outlines, and a flattened perspective (“The Child's Bath”). Cassatt utilizes a pastel-like color scheme, exemplifying the delicateness and tenderness between the mother and her bathing child. Her brush strokes are swift and gentle, again, suggesting the passionate, yet soft, love the mother has for her child. The elevated vantage point invites the viewer to observe this intimate moment, but not to

    Read More

  • Self Portrait with Two Pupils by Adelaide Gabille Guiard

    782 Words  | 2 Pages

    She captured herself in beautiful low-cut blue satin dress and the students in working dresses. The dress was painted in great detail and captured both the sheen and fluidity of satin. This was achieved by using shading and li...

    Read More

  • Analysis of Thomas Birch’s painting An American Ship in Distress

    738 Words  | 2 Pages

    ...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.

    Read More

  • peale anc cassat

    609 Words  | 2 Pages

    In conclusion, the pieces have a variety of similarities as well as differences. Both pieces are double portraits that show the difference in time periods in which they were created and the way artistic tastes change over time. Both works of art seem to express differences between light and dark. Though both pieces have similar subject matters they vary in the use of medium and technique to create stark contrast with each other.

    Read More

More about Young Girl Writing A Love Letter By Antonio Rotari

Open Document