Metafiction is a literary theory that is present in several works of literature. According to the Oxford English Dictionary metafiction is, “Fiction in which the author self-consciously alludes to the artificiality or literariness of a work by parodying or departing from novelistic conventions (esp. naturalism) and narrative techniques; a fictional work in this genre or style.” In other words, Metafiction is exclusively fiction within fiction, or when the writer self-consciously reflects the writing upon itself. It uses both theory and criticism and creates biographies of imaginary writers. Metafiction is closely related to presentational theatre, metafiction does not let the reader forget they are reading a fictional work; where as presentational theatre does not let the audience forget it is viewing a play.
Fiction Essay Fiction stories are those stories not true or factual and are created by the author. These stories are imagined by the author and narrated to the reader. The reader has the opportunity to add their own imagination to the story to make the reading even more enjoyable. Fiction relies on the imagination of the author and the imagination of the reader along with the elements of fiction. Fiction readings are in the form of realistic and non-realistic.
Metafiction is a term given to fictional writing which self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality (Waugh 2). Metafiction is a term used loosely across many genres of fictions. Using metafiction, to describe a works allows usage along a full spectrum of ideas. From this concept, many short stories, and other works of fiction have been produced. Authors like Ambrose Bierce, an innovator of experimental fiction, are highly criticized for taking on projects using this writing style.
TS Eliot’s Portrait of a Lady and Dialogism There seems to be an air of paradox in bringing a theory on the novel as a genre and the most famous Anglo-American modernist poet as a whole. Mikhail Bakhtin’s seminal study of ‘Discourse in the Novel’, written in 1934-35, and finally appearing in English translation in 1981, offers us an account of the difference between ‘poetic discourse’ and ‘novelistic discourse’. The division is not strictly a difference in to the novel and the poetry as genres. Often with Bakhtin we find that the novel assimilates all genres including poetry which he himself calls the process of “incorporated genres” as one of the main features of the novel. Bakhtin also opines that even non-narrative poetry can possess a degree of ‘dialogism’ for which he rates the novel so highly.
Ejxenbaum quote Poe several times to give insight into how Poe created his unique and famous effects and moods. Poe was a master at creating effect, in most cases one of mystery and gloom, which drove his poems and short fiction. But he also was a storyteller, and like any good storyteller, he forms plots. And with those plots, he forms his moods and effect. Ejxenbaum sums up this idea with, 'The particular attention paid to the unexpected in the finale and, connected with it, a story structured on the basis of a riddle or and error which holds back the significance of the plot mainspring until the very end.
Each of these poems utilize similar structural and rhetorical techniques – creating characters out of pronouns - to convey their messages. Theme is an important component of any poem. It could be argued that the theme of a poem is what is most essential to poetry – the idea and message that a poem conveys is what poetry is often recognized for. Both authors, Cummings and Dickinson, have very different themes within these poems. “anyone lived in a little how town” appears to be a poem about the passing of time and various stages of life.
One poem that caught my attention was that of Scorn not the sonnet. The poem is rather interesting and brings up other poets before his time. It also talks about the form and the meaning of a sonnet. He talks of the sonnet as a delicate work of art. Wordsworth describes each part of the sonnet by talking of another poet.
In fiction, the author is call the narrator, but in poetry, the author is called the speaker. I also learned that there are certain characteristics that make up a process analysis paper. There’s always a plot, setting, characters, conflict, and
The Philosophy of Composition is an 1846 essay written by E.A. Poe himself which elucidates a theory of how good writers write when they write well. By the end of the paper, Poe concludes that in order to achieve a strong piece of writing, you must achieve what he calls “unity of effect.” Poe analyzes this theory based on his famous piece The Raven. In general, unity of effect is when an author can completely submerge their reader into the work of fiction. This can be achieved through the means of tone, diction, the setting and even the amount and the way the author allows the reader to interact with the characters.
Creative writing can be anything one's imagination or mind wants to show them, or allow them to write or share with other readers a... ... middle of paper ... ...ents that define poetry as being literature. Image and tone are two of the elements found in poetry, once again classifying it as literary work. It is obvious that A Night Without Armor by Jewel Kilcher, is a body of written works of language, creative writing, including basic elements of literature which categorizes and aids in the classification of poetry as being considered modern literature. Works Cited "Literature." The American Heritage Dictionary of the English Language.