Translated by the Icelandic Benedictine monk Odd Snorrason during the tenth century CE, Yngvar’s Saga is the epic tale of the titular Viking warrior, a Christian explorer who desires to carve out a piece of the newly “explored” Russian wilderness as his kingdom, but not before discovering the source of the largest river in the Russian region. In Yngvar's Saga, Christians are depicted as being on a crusade in the lands of the Rus, exploring and destroying the heathen and all manner of creatures for the glory of God and the pursuit of land. It would be an incredibly easy endeavor to interpret Yngvar’s Saga as a depiction of what an upstanding Christian should do to glorify his God and stake his claim on Earth, however the content of the saga Yngvar’s party is invited into the city at the behest of the queen, and upon their entrance to the city are bombarded by “evidence everywhere of pagan customs” (pg. 52). As such, Yngvar, being the Christian he is and legitimately not wanting any pagan influences on his men, “forbade his men to mix with the heathen or allow any women into the hall apart from the queen” (pg. 53). When some of his men disobey this order, Yngvar kills them due to their disobedience, and the presence of pagan customs in the city is implied to have corrupted those that were executed. In contrast to what Yngvar’s actions suggest, we are never told that the heathens are anything but accommodating to the Viking expedition. There is no mention of anyone attempting to convert Yngvar’s party or have them partake in their customs, and there is no mention of the city’s women attempting to sleep with the men. In fact, the men were actually impressed by the “courtly conduct” of the city’s women. The only person trying to do any converting in this situation is Yngvar himself, as he spent a winter conversing with Queen Silkisif on the omnipotence of Christianity’s God. Yngvar’s actions in the city of Queen Silkisif provide the first insights into the hypocrisy present within Yngvar and Svein’s parties and Viking society as a 63) the party at a feast when the men blessed themselves and showed the cross in what is most likely a glossing over of actual events. When both sides formed their ranks for battle, Svein’s men are disgusted when the heathens “bore a bloodstained man before them as their banner,” (pg. 64) as the heathen “expected the corpse of some evil man to bring them victory.” In response, Svein and his men “[bore] before [them] the victory sign of Our Christ the Crucified and [called] upon his name… [to bring] death to the heathen” (pg. 64). Ironically, the entirety of Svein’s party as well as his priests fail to recognize the similarities between their “victory sign” and the “victory sign” of the heathen, and even the introductions of both the symbols have similar structures in the text, implying the translator realized this
Among some of the largest conflicts in the world stand the Crusades; a brutal conflict that lasted over 200 years and was debatably one of the largest armed religious conflicts in the history of humankind. Since this is so clearly an event of importance, historians have searched vigorously for the true answer as to why the crusades began. Ultimately, because of accusatory views on both the sides of the Christians and of the Muslims, the two groups grew in such hatred of each other that they began to act in deep discrimination of each other. Moreover, Christian motives seemed to be driven mostly by the capture of Jerusalem, the dark ages of Europe and the common-folks desperation for land, wealth, and a spot in heaven. What seems to be continually
In the book “The Art of Biblical Narrative” by Robert Alter, there is one chapter (Chapter 3) titled “Biblical Type-Scenes and the Uses of Convention” (Alter 47). Alter describes several different stories (but similar in some ways) in the Old Testament that can be difficult to interpret in today’s culture. Alter describes how reading any book (more specifically the Bible), requires use of conventions, which he describes as “… an elaborate set of tacit agreements between artist and audience about the ordering of the art work is at all times the enabling context in which the complex communication of art occurs” (Alter 47). In other words, an agreement of how the writing is done; it can be pretty complex as well. He states that there are stories in the Bible that have the same stories of narrative, but there are different characters, they often are told several times in the Bible. Alter uses several of examples, like how patriarch is driven by famine; or where someone is found and is invited to eat with them, or a betrothal (engagement) near a well/body
While these aspects are important to the discussion of the narrative, there is another more important aspect to the story. While it is not necessary to relay the entire contents of the translation, it is important to know that the discourse is focused on the rise and fall of Sigurd the mighty dragon slayer. All events leading up to his birth merely foreshadow the coming of a great yet fated king. All events following his life and death merely relate the damnation suffered by him and his closest family members. That said, it can be stated that one of the most central aspects of the work is the role that fate and divine guidance play on the family and friends of Sigurd. This, in turn, says much about the importance of fate and religion to the medieval Norse peoples.
Scholars have argued about the religious stance of the epic poem Beowulf for centuries. Although the man who put the poem down on paper, known as the Beowulf poet, was a devout Christian, the actual poem itself is pagan. There are many clues in the epic that lead us to this conclusion such as the numerous references to pagan symbols, namely the symbol of fate. Also, the central idea of revenge in the poem opposes the ideas of Christianity. The poem also contains many breaches of the Ten Commandments, which prove that the story is not Christian. However, the biggest clue to the paganism of Beowulf is the scene that contains the burial of Beowulf and the building and idolization of the tower, all of which go directly against the Christian religion.
Christianity had recently took hold in England at the time of the writing of Beowulf. Many people believe that Beowulf is a Christian story, when in fact it is not. Instead, the poem reflects a society that has a deep pagan background and has brought with it stories from its pagan past. Beowulf is a Germanic tale that was likely first composed in the first half of the eighth century, but it was not until the late tenth century that it was committed to parchment. At the time of its writing, the Germanic tribes were clearly pagan, as seen by such evidence in the text as Beowulf’s cremation at the end of the epic and the direct reference to swearing oaths at “pagan shrines” (line 175). As Christianity’s teachings and values began to take root in these pagan societies over the decades and eventual centuries, the stories of the Bible began to be worked into the tale as it was told, retold, and retold even again. When it came time to be written—probably by a Christian monk (or monks) whose beliefs, it is fair to say, flavored the work—the bards and storytellers had crafted an epic with the Christian permutations already in it. However, that is not to say that the writer was ignorant when it came to what message he desired to relate to the reader.
Pagan concepts are intertwined in this work, as is the nature of the time period. Fame was very important. Receiving status allowed one to prosper in this time and receive the best out of their life. Beowulf is enthralled with the idea of fame as he fights Grendel, but it is balanced out and reconciled with Christianity by his desire to protect his people. Vengeance was brought out when Beowulf tells Hrothgar to not grieve and that “It is always better to avenge dear ones than to indulge in mourning” (72 Simpson & David). Honor is disregarded when Beowulf’s men leave him to fight with the dragon. Wilgaf shames them and it can be inferred that they will be disregarded as warriors and nobles for their behavior. Protecting one’s master was essential during that time to receive food and shelter, in addition to having the Gods’ favor (Lawson). Christianity makes an appearance when it references the antagonist, Grendel, “a fiend out of hell” (43 Simpson & David) and the protagonist, Beowulf, whom the “Holy God, in His goodness, guided…to the West-Danes, to defend [Hrothgar and his subjects] from Grendel” (49 Simpson & David). Christianity was a prominent influence for authors of the Anglo-Saxon time period. The Christians had faith in God’s ability to determine their fate. If they lost a contest then God has decided they are not worthy of winning. Every day they will try to prove they are holy enough to have God’s grace and be saved from eternal damnation. The literature written was a reminder to the people to always do what is right and to avoid sinning. Because the only people who could write were priests, religion was added into stories when they were written and when previous works were transcribed. The presence of the church was ever present to ensure the obedience of the people. If all they were exposed to was religion that
For many centuries, Literature critics have constantly debated on whether it was more inspired by Pagan or Christian beliefs. These said critics have constantly been trying to differentiate between the symbolism used to describe the Pagan symbols and Christian symbols within the halls of Horathgar and the Castle lived in by the King of the Geats. These symbols can be argued to symbolize Pagan or Christian symbolism due to the fact that they can either describe the beliefs of Pagan or Christians. These include but don’t exclude; the heroic might of an epic hero, being portrayed as a Christian or Pagan hero. Examples of Pagan beliefs will include the following of Wyrd the Pagan belief in fate. Examples of Christianity will be Beowulf’s dislike
...tory over Satan to play a central part in the spread of Christianity among the Vikings, whom looked to Odin and Thor for such attributes.
"So,” begins poem. “The Spear-Danes in days gone by/ and the kings who ruled them had courage and greatness./ We have heard of those princes’ heroic campaigns” (1-3). What follows is a brief history lesson, the story of “Shield Sheafson, scourge of many tribes,/ a ...
Beowulf blends patristic references into a pagan narrative that previously focused only on Anglo-Saxon ideals. For 12 years, king Hrothgar has suffered at the hands of the terrible monster Grendel, who no man has been able to kill. However, when the mighty monster slayer Beowulf hears of Hrothgar’s plight, he at once goes forward to put an end to Grendel. Soon after they received fervent greetings on the Danish coast, the men prepare for the night, and Beowulf realizes that “God in His wisdom must allot the victory as He thinks fit” (43). Beowulf knows that he serves God, the resolver of all problems. The monks who altered the story taught that the pagan god Wyrd does not exist but merely acts as a capability of God. By getting rid of the main pagan god, the monks show God’s almighty power and his ability to control good and evil and decide right from wrong. All evil beings exist because they battled against God and lost; and for rebel...
The Vikings were a ruthless people. A historian by the name of Sherma tells the story of the ruthlessness of the Vikings, “The mother of all churches, . . . was taken and plundered by the Moors . . . moreover, [the Vikings] slaughtered all the Christians whom they found” (87). The Vikings were a fearsome people who made plundering and killing a way of life. The Norse were also heavily feared by the Christians. “The heathen from the North wrought havoc in Christendom as usual and grew greater in strength” (Sherma 87).
...ristianity, and not paganism. Though Bede touches on small aspects of the Anglo Saxon English culture, his work lacks vital information in the understanding of the major characteristics in the Anglo Saxon English culture.
Vikings were a Norse-speaking, seafaring people who lived from the 8th to 11th centuries, mainly in Scandinavia. They were expert sailors who, starting in late 700s, looted and burned civilizations along rivers and coasts of Europe and Asia. They traded, sailed and explored across the Mediterranean Sea and Atlantic Ocean, opening trade routes that connected Europe to the Mediterranean lands. During this time, some of the population settled in the kingdoms that they were exploring; namely England, Ireland, northern France and Russia. One of the main influences that the surrounding cultures had on them was through religion. As the Vikings came in contact with Christianity through their raids, it began to form a unique fusion of Christian influence, while still holding on to many aspects of their pagan lifestyle. Not many primary sources remain from pre-Christian Viking society as much of their culture was destroyed during the Christianization process. The extremely strong oral tradition and the artifacts that remain are what the knowledge of the culture is based on. The pagan culture interests me, as I can still examine influences of it on my Scandinavian family today.
In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.
In Beowulf, both pagan and Christian elements are present which add religious contrast to the poem. The poem begins with the king, Hrothgar, taking the throne of the Danes. During his reign, one of Hrothgars’ accomplishments included the building of the great Mead hall which served as a place of relaxation for his troops. Years passed and an evil monster came and terrorized the Hall. Then the great warrior, Beowulf, a foreigner offered to help rid the town of the monster. In the end, good triumphed over evil as he defeated the monster and returned the city to it’s people.