Yacoubian Building Film Analysis

1001 Words3 Pages

The eponymous building-The Yacoubian Building- is an art deco apartment block, and all Egyptians live - from the rich to the poor who live on its top floor. In the recent past, Egypt has been rogue by a series of demonstration and violation of human rights. Contemporary Egypt seems to have regress from its original state to the present torn down state. Egypt therefore, is marred by a myriad number of problems. The realism and the forthrightness of the film captures the frustrations and disappointments of the Egyptian people, illuminates the government injustices and corruption, as well as criticizes the Islamism program and false religious piety. The Yacoubian Building film, which is a metaphor for Egypt, gives us a little insight on what exactly happens—homosexuality, political Islam, terrorism, torture, social inequality, political corruption and religious hypocrisy.
First, political Islam has rogue Egypt and held it down, suffocating the country, not allowing it to stand a chance. President Hosni Mubarak was ousted and people thought that Egypt was getting better. It has not been the case. While Zaki lives in faded luxury and chases women, Bothayna endures sexual harassment while working as a shop assistant to provide for her poor family after the death of her father. Meanwhile her boyfriend, Taha, son of the building's janitor, is rejected by the police and decides to join a radical Islamic group. Egypt is heading towards a bottomless abyss. Everything is controlled by the elite. Jobs are no more; it is preserved for the top. This increases the plight of the people and leads them into committing some of the acts seen in Islam as bad or as a taboo. The political elite are crashing its opponents and ensuring that whoever com...

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...“The people in the bar were drunk, shouting and singing loudly. Aswany continues to paint Hatim as a respectable character when he describes his professionalism, saying that though all of his employees are aware of Hatim’s homosexuality, they do not sense it nor does he make a show out of it at work; rather, he is quite stern and serious with them. Hatim’s homosexuality is identified but does not let it define or confine him intellectually or professionally. In the case of The Yacoubian Building, Aswany’s purpose was not to portray a homosexual in a negative light, but to illustrate Hatim Rasheed: a flawed but likeable character, who also happens to be homosexual. By using heartening flashbacks and positive descriptions, Aswany is able to present Hatim Rasheed as more relatable than his general audience would usually be willing to consider a homosexual character.

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