Revenge is the act of deliberately inflicting harm towards a person for an injury. Revenge is instigated when a person or a group of people cause conflict between one another. Revenge wouldn't be possible without the evil act of another person. Revenge would be a problem if people had better intentions for the world. These people who search for vengeance are typically mistreated in their past life, so they take it out on those people that mistreated them. In the 1800’s novel, “Wuthering Heights” by Emily Bronte, Heathcliff, a character in the novel, devises a revenge plot against multiple that were associated in ruining his life. Firstly, Heathcliff uses Isabella as a part of his revenge against Edgar Linton. When controls Catherine sees that Heathcliff and Isabella are kissing, she becomes infuriated. She yells at Heathcliff and doesn’t believe that he actually likes her. However, Isabella truly does like him. While she is yelling at him, she blurts out that Isabella is in love with Heathcliff. Heathcliff uses this to his advantage to take further action on his revenge. Later on, Heathcliff and Isabella get married and have a baby. Isabella is forced to stay at Wuthering Heights by the demand of Heathcliff. When …show more content…
When Heathcliff was younger, he was cruelly mistreated by Hindley. As they got older, Hindley still mistreated Heathcliff and treated him as a servant when he took possession of Wuthering Heights after his father died. After a few years, Heathcliff leaves, then returns to Wuthering Heights with much more power and wealth. With this strength, he takes possession of Wuthering Heights and controls Hareton, Hindley’s son. Heathcliff is mistreating Hareton in a malicious manner, as well as Hindley, possibly even worst than Hindley ever treat Heathcliff. So taking revenge on Hareton will make matters fair and even for Heathcliff for the many suffering years he endured with
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
Catherine thought love was about being rich and having good looks, both of which Edgar Linton had. “You love Mr. Edgar because he is handsome, and young, and cheerful, and rich, and loves you. The last, however, goes for nothing: you would love him without that, probably; and with it you wouldn’t, unless he possessed the four former attractions” (76). This proves Catherine’s immaturity; she couldn’t tell the difference between love and infatuation. When he couldn’t have Catherine, Heathcliff reverted to Isabella, Edgar Linton’s sister. “Is Mr. Heathcliff a man? If so, is he mad? And if not, is he a devil?” (132). Heathcliff was troublesome
Heathcliff throughout Wuthering Heights becomes one of the most difficult characters to understand because of his undescriptive background and harsh actions. As a young boy he arises from Liverpool lost and somewhat saved by Mr. Earnshaw, but from there on nothing else is in his favor. This is what develops Heathcliff into a dark and foreboding character throughout the novel because he is seemingly never shown kindness and when he is it is taken away from him. Eventually, when Catherine marries Edgar and later on dies Heathcliff can not stop obsessing over her because she was the only real light that had shined in his life. He goes as far as bribing the sexton to open up her coffin saying, “I thought, once, I would have stayed there: when I
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
It has been proven evident throughout the history of literature that authors will tend to incorporate their own lives into their works. This is the case in Wuthering Heights by Emily Brontë. Although the novel is in itself fictional, Brontë invites readers into her private life by the way in which she writes her novel. Literary elements are often taken into consideration when determining the value of a literary work. However, they offer more than just layers of complexity to a work. Brontë uses countless metaphors to portray relevance to her own life. The ongoing comparison between the characters in Wuthering Heights and Brontë’s own life only exemplifies how often authors use their works to reflect their lives.
Which drew Catherine towards him; she describes him as “handsome”, “pleasant to be with,” and “cheerful,” and “rich”. Linton turns Catherine from a wild child to a well-mannered lady. They meet when Catherine got bit by a dog, and then the Lintons take her in while she is healing, this lasts for five weeks. Edgar tames her in a way, his overall persona clashes with hers in a perfect way. His love gives Catherine safety a security in the society. Heathcliff on the other hand is almost obsessed and can't give her the attributes she needs and wants; such as, commitment and how he won't sacrifice anything. However, those exact qualities attract Catherine to him. “She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him: yet she got chided more than any of us on his account.”(Brontë 41) According to Levy, “As a result of the Unlove that they were made to suffer, both Heathcliff and Catherine, by opposite means and in distinct circumstances, turn loneliness into a community of rejection over which they wield absolute control. Heathcliff does this by persecuting those he hates; Catherine, by persecuting those she loves.” Edgar and Heathcliff have a good angel bad angel complex, of course Heathcliff is the bad angel and Edgar is the good angel. The reasons behind this is simply the characteristics portrayed;Edgar
Linton Heathcliff is only interested in himself. He is a sickly and scared young man. Like his mother Isabella Linton who accused Catherine Earnshaw of selfishly wanting Heathcliff for herself – in which she didn't- Linton enjoys inflicting and watching people suffer. As Heathcliff threatened to kill Linton, Linton only thought about his own life and, decided to betray Cathy, tricking her into staying at Wuthering Heights and getting married to him, instead of returning to Thurshcross Grange to where her father lies on his deathbed.
The famous saying that from a true love to a great hatred is only a
Heathcliff never finds peace through his revenge. In fact, the only time he truly finds happiness is when he gives up his plan for retaliation. Austin O’Malley states “Revenge is like biting a dog that bit you” (O’malley 1). O’Malley’s quote reflects Heathcliff’s immature need to propagate agony in those who have offended him. Heathcliff’s plan for revenge on Edgar and Catherine is to marry Isabella, who is ignorant of love and of men because she has never experienced either. He wants to hurt Edgar because of his marriage to Catherine, and he wants to get revenge on Catherine by making her jealous. Catherine’s death proves that this flawed plan of repayment helps nothing. Heathcliff, haunted by the ghost of Catherine because he is her “murderer,” still is motivated by the need for revenge and tries to get young Cathy away from Edgar by having her marry his son, Linton. Heathcliff never finds peace until he gives up his plan for revenge just before he dies. When Heathcliff gives up his plan for revenge, he meets Catherine in death and truly becomes happy once more.
(4) Wuthering Heights’s mood is melancholy and tumultuous. As a result, the book gives off a feeling of sorrow and chaos. For example, Catherine’s marriage with Edgar Linton made Heathcliff jealous and angry. In retaliation, Heathcliff married Edgar’s sister, Isabella, to provoke Catherine and Edgar. Heathcliff and Isabella’s marriage ignited a chaotic uproar with Edgar and Catherine because Linton disapproved of Heathcliff’s character, and Catherine loved Heathcliff in spite of being married to Edgar. Inside, Catherine wanted to selfishly keep Heathcliff to herself. Their relationships all had tragic endings because Catherine died giving birth to Edgar’s child. Isabella also died, leaving behind her young son. Heathcliff and Edgar resented each other because of misery they experienced together. The transition of the mood in the story is from chaotic to somber.
Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.
Heathcliff determination for revenge Wuthering Heights by Emily Bronte is not an actual love story; it is built on revenge and not on love. Love is weaker than revenge. In this story, Heathcliff spend most of his time planning his revenge instead of going after Catherine, who he loves. Being deeply in love with someone should show some kind of happiness for one another instead of seeking revenge. Heathcliff dedication for revenge is greater than the love he has for Catherine. An innocence gypsy boy grows up with the Earnshaw. As he grows up the Earnshaw and Linton families mistreat Heathcliff for so long. Revenge. Only shows us that getting back at everyone at any cost is better than being in love, plus love is for the weak and revenge is for the strong. Heathcliff has a grudge on the two families and is determined for vengeance sooner or later.
Emily Bronte’s Wuthering Heights employs one of the most powerful forces to drive its plot forward: the need for revenge. This is a force like no other because it thrives on negative emotions such as suffering, loss, and anger, especially from the pain of rejection in the novel. Not only is it influential, but also prevalent. Bronte depicts that the need for revenge is hidden in many characters, suppressed by love, until a single event unleashes its fury, corrupting characters and causing them to aggravate their misdoings, with one disaster following a first. Revenge, like abuse, is a repeating cycle; a sufferer becomes the inflicter of suffering on others so that everybody feels the pain, and only the power of love can overcome this
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
In the novel Wuthering Heights, Emily Bronte strongly emphasizes the dynamic and increasingly complex relationship of Mr. Heathcliff and Catherine. Heathcliff, the abandoned gypsy boy is brought to Wuthering Height by Mr. Earnshaw to be raised with his family. After Mr. Earnshaw's death, he suffers harsh abuses from his "brother" Hindley and from Catherine, whom he dearly loves. This abuse will pave the way for revenge. The evolving and elaborate plans for revenge Mr. Heathcliff masterminds for those who he feels had hurt him and betray him is what makes Wuthering Heights a classic in English literature. The sudden change in feelings and emotions in Mr. Heathcliff are powerful scenes. Revenge becomes the only reason to live for him. Revenge is the main theme in Wuthering Heights because it highlights important events, personality flaws, and the path of destruction.