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William Wordsworth’s “Tintern Abbey” is an ideal example of romantic poetry. As the web page “Wordsworth Tintern Abbey” notes, this recollection was added to the end of his book Lyrical Ballads, as a spontaneous poem that formed upon revisiting Wye Valley with his sister (Wordsworth Tintern Abbey). His writing style incorporated all of the romantic perceptions, such as nature, the ordinary, the individual, the imagination, and distance, which he used to his most creative extent to create distinctive recollections of nature and emotion, centered on striking descriptions of his individual reactions to these every day, ordinary things. Tintern Abbey is just an old ruin (William). However, throughout Wordsworth’s poetry Tintern Abbey becomes something slightly more than a ruin. His poem recognizes the ordinary and turns it into a spectacular recollection, whose ordinary characteristics are his principal models for Nature. As Geoffryy H. Hartman notes in his “Wordsworth’s poetry 1787-1814”, “Anything in nature stirs [Wordsworth] and renews in turn his sense for nature” (Hartman 29). “The Poetry of William Wordsworth” recalls a quote from the Prelude to Wordsworth’s 1802 edition of Lyrical ballads where they said “[he] believed his fellow poets should "choose incidents and situations from common life and to relate or describe them...in a selection of language really used by men” (Poetry). In the shallowest sense, Wordsworth is using his view of the Tintern Abbey as a platform or recollection, however, this ordinary act of recollection stirs within him a deeper understanding. In his elaboration in “Tintern Abbey”, he says “For I have learned to look on nature, not as in the hour of thoughtless youth, but hearing oftentimes the still, s... ... middle of paper ... ... emotion, nature, and imagination which he used as effective tools in an exploration of humanity and memory, in hopes to reveal the true temperament of the human individual, or the search for the definitive nature, man, and so goes the quest of the romantics, and their focus on the individual; and thus “Nature will not stop writing” (Bloom 131). Works Cited Bloom, Harold. William Wordsworth. New York: Chelsea House, 1985. Print. Hartman, Geoffery H. Wordsworth's Poetry 1787-1814. New Haven: Yale UP, 1964. Print. "The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010. "Wordsworth ‘Tintern Abbey’" Wordsworth "Tintern Abbey" Web. 04 Feb. 2010. . Wordsworth, William. Selected poetry. London: Penguin, 1992. 76-80. Print.
The Norton Anthology English Literature. Ed. M.H. Abrams. New York: WW Norton, 2000. 238-50 Wordsworth, William. "
Wordsworth, William. “The Prelude: Book Fifth.” Abrams 341-2. - - - “I wandered lonely as a cloud.”
In the poem Tintern Abbey by William Wordsworth nature’s is portrayed to its readers. The speaker says,
In “Lines Written a Few Miles Above Tintern Abbey,” we find the purest expression of Wordsworth’s fascination with friendship.
Wordsworth, William. “The Thorn.” The Longman Anthology of British Literature: Vol. 2B. Ed. David Damrosch, et al. New York: Longman, 1999. 319-325.
Henry David Thoreau implies that simplicity and nature are valuable to a person’s happiness in “Why I Went to the Woods”. An overall theme used in his work was the connection to one’s spiritual self. Thoreau believed that by being secluded in nature and away from society would allow one to connect with their inner self. Wordsworth and Thoreau imply the same idea that the simple pleasures in life are easily overlooked or ignored. Seeing the true beauty of nature allows oneself to rejuvenate their mentality and desires. When one allows, they can become closer to their spiritual selves. One of William Wordsworth’s popular pieces, “Tintern Abbey”, discusses the beauty and tranquility of nature. Wordsworth believed that when people
William Wordsworth's Tintern Abbey As students, we are taught that William Wordsworth's basic tenets of poetry are succinct: the use of common language as a medium, common man as a subject, and organic form as an inherent style. Yet beyond these rudimentary teachings, it should be considered that it was the intimacy with nature that was imperative to the realization of Wordsworth's goals set forth in the "Preface" to Lyrical Ballads. In his "Preface," Wordsworth states, "Poetry is the image of man and nature" (Norton 247). A study of "Tintern Abbey," the intended finale and last impression of the Lyrical Ballads, reveals Wordsworth's conviction that the role of nature is the force and connection that binds mankind not only to the past and the future, but to other human beings as well. Regardless of the language employed, the subject used, or the method of delivery, it was the primal connection with nature that fueled Wordsworth's poetic genius.
Stephen Gill, editor. The Oxford Authors: William Wordsworth, pp. 67-80. New York: Oxford University Press, 1986.
Aristotle also believed that the use of simple language in the poetry will keep the ultimate meaning from becoming blurred by complicated figures of speech. Wordsworth basically rejects the ideas of “personification of abstract ideas (652)” and “poetic diction (653)” in The Preface to Lyrical Ballads, because his main goal is to imitate the language that the common men speak everyday. Wordsworth’s Tintern Abbey is written in journal style, which is not known for loftiness in speech or complicated language, but for an easy flowing style which employs common everyday language and description. This allows the audience to understand and develop a picture of the image in their mind.
Peters, John G. “Wordsworth’s TINTERN ABBEY” The Explicator(Washington) , Winter 2003, Vol. 61, Iss. 2, pg. 77 : eLibrary. Web 05 Mar 2002
William Wordsworth. “Lucy Gray.” English Romantic Poetry .Ed. Stanley Appelbaum. New York: Dover Publications, 1996. 33 – 4.
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.
Cosgrove, Brian. “Review: Wordsworth, Reality, and the ‘Absolute Self’.” “Reviewed works: The Prose Works of William Wordsworth”. An Irish Quarterly Review, 64 (1975) 49-58. JSTOR. Web. 21 Mar. 2010
The poems, “Above Tintern Abbey” and “Intimations of Immortality written by the poet, William Wordsworth, pertain to a common theme of natural beauty. Relaying his history and inspirations within his works, Wordsworth reflects these events in each poem. The recurring theme of natural beauty is analogous to his experiences and travels.
Durrant, Geoffrey. Wordsworth and the Great System, A Study of Wordsworth’s Poetic Universe. Cambridge: University Printing House, 1970.