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masculinity and femininity
Role of the woman in literature
women's role in patriarchal society
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“What is Woman?”
You can say that a woman is a woman because she has ovaries, but does this really inhibit everything that it means to be a woman. All cultures since the dawn of time had defined women in terms of procreation. The Second Sex revolves around the idea that woman has been apprehended in a relationship of long-standing oppression to man through her relegation to being man 's Other. The roles we associate with women are not given to them in birth; therefore, women are told what they’re supposed to be in life and what kind of roles they can or can’t perform. When Other is used in the book it describes the female’s secondary position in society. Beauvoir argues that man declare themselves as the one or self, and woman Other. The failure of defining woman either by her biological operations or by some broad understanding of the
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Beauvoir finds that the self needs otherness in order to define itself as a subject. The category of the otherness, therefore, is necessary in the constitution of the self as a self. Otherness is a fundamental category of human thought. Woman is consistently stated as the Other by man who takes on the role of the self. Beauvoir explains in her Introduction, woman "is the incidental, the inessential, as opposed to the essential. He is the Subject; he is the Absolute-she is the Other” (Beauvoir 6). For an individual to describe itself, it must also describe something in opposite to itself. There is also a negative undertone when you refer to yourself as a woman, whereas when you refer to a man it is positive because man represents the entirety of human beings. Women are thought of as the Other when compared with men who are seen as the Absolute. Therefore, one becomes a woman as defined by a man because of her existence. In other words, one becomes a woman by existing as a woman and living as a woman. The category of the Other is as ancient as
Throughout reading this novel, my thought on transgender and transsexual individuals was pretty set and stone. For example, I knew from reading the textbook that a transgender is a person that is born—in Jenny’s case—a male, but was psychologically and emotionally born a female. However, Jenny took things one-step further and became a transsexual, which is an individual that underwent surgery to obtain the genitals that match the psychological and emotional gender within, which in her case was a female. Therefore, Jenny Finney Boylan would be considered a transsexual female. What I did not know prior to reading this book is how tedious the process is to make a sex change. To be honest I never thought about the process a transsexual needed to go through to become one’s self, I did not think about the many steps taken to obtain the voice, or look of a female that Jenny was striving for. I also did not think about the surgery, and how scary that type of surgery could actually be. For example, on page 124 Jennifer is discussing the process of transition with her psychologist, Dr. Strange. On this page Dr. Strange is beginning to inform Jenny, and essentially myself, on how to begin the transition of becoming a female. First Dr. Strange was listing off the effects the hormones will have on Jenny’s body, and I first they made sense to me; softer skin, fluffier hair, but I never knew the physical changes hormones could have on someone, especially a man. For instance, I learned that there is such a thing called “fat migration.” This is when the fat on previous parts of your body migrates to another location. I learned from this novel that fat migration is a result of hormones, and since Jenny was once a man, her face would become less r...
What is otherness? Otherness is defined as “the quality or fact of being different”. We see this term thrown around, but what does it really mean? In the world we live in today, being viewed as “other” is considered a negative aspect of a person's personality. Through the society that impacts how we see ourselves, the thought of otherness has been constructed based off of a person's social identity. In the essay “Between the Sexes, a Great Divide” author Anna Quindlen states that different genders should not define the social aspect of one another. Similarly, in Paul Theroux’s essay titled, “Being a Man” he acknowledges the fact that in the society we live in, “being a man” is a standard stereotype that men should not compare themselves to in order to be considered “manly”. Both authors identify the problem of gender expectations that results from otherness; however, while theroux makes the divide worse by generalizing with a bitter tone, Quindlen invites everyone to “do the dance” despite the discomfort and awkwardness that might occur between both genders.
The construction of gender is based on the division of humanity to man and woman. This is impossible ontologically speaking; because the humans are not divided, thus gender is merely an imaginary realm. It only exist in the language exercises, and the way that cultural products are conceived in them. This essay is a preliminary attempt to offer an analysis of ‘One Is Not Born a Woman’ by Wittig and ‘The Second Sex’ by Simone De Beauvoir holds on the language usage contribution to the creation of genders and the imagined femininity.
The category of gender identity was not determined by one’s biological sex; rather gender is a social construct, which can be resisted through social and political struggle.(73)
Throughout the novel, A Thousand Splendid Suns by Khaled Hosseini, Mariam and Laila are constantly having their inner strength challenged from birth to death. They both had different lives growing up, but they both lived in the same society, meaning that they both dealt with the disrespect from the Afghani culture.
Historically, power has been manifested hierarchically within the social training of genders. Simone De Beauvoir’s concept of ‘otherness’ has theorized how individuals’ personal manifestations of self are influenced deeply by their social position and the available power to them within these circumstances (2000:145). She remains one of the first to develop a feminist philosophy of women. In her book The Second Sex (1950), Beauvoir provides “a philosophical account of the development of patriarchal society and the condition of women within it” (Oliver, 1997:160). Beauvoir’s fundamental initial analysis begins by asking, “what is woman” and concludes woman is “other” and always defined in relation to man (Beauvoir, 2000:145). “He is the Subject,
femininity. She first expresses two different ways of thinking about the nature of gender: as
The main thesis of The Second Sex revolves around the idea that woman has been held in a relationship of long-standing oppression to man through her relegation to being man's "Other." In agreement with Sartrean philosophy, de Beauvoir finds that the self needs otherness in order to define itself as a subject; the category of the otherness, therefore, is necessary in the constitution of the self as a self. In other words, for one gender to feel more important the other must be made inferior. de Beauvoir confronts history from a feminist perspective; however, within her arguments against the “oppression” of women, elements of Existentialist ideas can be seen. Though she attempts to bring to light the historical oppression of women, there is a slight undertone to her writing; a small air melancholy and malcontent hides under her meticulous research. de Beauvoir carries a whiff of depression as the timeline has gone too long in what she is trying to fix; even though she brings to light the idea of the Other, de Beauvoir knows well that the way things are will not change. And if they do change, the ideals behind the change will remain the same;
Simone De Beauvoir authored The Second Sex which regards the treatment of women throughout history. Introducing the popular work, she framed the theoretical question of “what is a woman?” (de Beauvoir, 34). Writing, first, a consideration upon a biological definition, she ends up rejecting the societal norm, for her own existentialist notion. This can be both compared and contrasted to the views of radical feminists, including Monique Wittig. The differences between such views directly affect the formulation of gender inequality and strategies correlated to feminism.
Portrayal of Women in La Belle Dame Sans Merci, Lady of Shalott, My last Duchess, and Porphyria's Lover
Therefore, gender brings is the action through which what it names is brought into being; masculinity or feminism. It is the language that constitutes and construct gender identities meaning gender comes after language. The extent to which a person performs the gender determine how much real a gender is. An outside gendered self or a self-preceding isn’t there; gender identity is not necessarily constructed by “I “or “we”. Social conventions enactments which is due to our retrospective reality results in subjectivity characterised by self-willingness and independence as contended by Butler. From this we learn the prerogative nature of gender identity, is determined by the situation in which one is in like society, contact etc. therefore certain social positions can potentially produce a privileged
Angela Carter’s “The Bloody Chamber,” is a visually intricate and feminist text; this feminism is portrayed through gender roles. The narrator is a young child who transitions into a woman searching for identity, and her husband’s masculine power defines it. In other words, this short story depicts gender roles and personal identity through the use of objectification of women. The deeper meaning behind the roles the men and women have may reflect Carter’s deconstruction of gender norms. The narrator enables the deconstruction by acting as a link; she conjoins two opposing ideas, like masculinity and femininity. These two opposing ideas create the deconstruction of gender norms that Carter elaborates on throughout her short story.
The form of this text is a poem. The visual appearance of the text on the page indicates to us that it is a poem: it is positioned in the center of the page and it is made up of uniform sections, or stanzas. The form is more constrained than that of a novel, which runs freely across the page from left to right. The text also utilizes formal poetic features, such as: multiple stanzas containing equal numbers of lines; line breaks between stanzas; and a regular number of beats per line. The knowledge that Judith Wright is a well-known poet adds to the evidence that this is a poem.
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
James Joyce's A Portrait of the Artist as a Young Man presents an account of the formative years of aspiring author Stephen Dedalus. "The very title of the novel suggests that Joyce's focus throughout will be those aspects of the young man's life that are key to his artistic development" (Drew 276). Each event in Stephen's life -- from the opening story of the moocow to his experiences with religion and the university -- contributes to his growth as an artist. Central to the experiences of Stephen's life are, of course, the people with whom he interacts, and of primary importance among these people are women, who, as his story progresses, prove to be a driving force behind Stephen's art.