The Women of the Odyssey
Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.
Athena, the grey-eyed goddess of wisdom and battle, has a soft spot for Odysseus and Telemachos. The action begins with a meeting of the gods, where Athena makes a plea on behalf of Odysseus, asking her father, “Why, Zeus, are you now so harsh with him?” (I, 62). This action, paired with another intervention into a meeting of the gods, shows Athena’s initiative and nerve, two traits which would have been greatly admired by Homer’s audience. Athena also shows cleverness and ingenuity when she disguises herself and others on several occasions: The goddess first appears as Mentes, and then later as Mentor, Telemachos himself, Penelope’s sister, a friend of Nausikaa’s, and various servants. Not only is she a master of disguises, but Athena has an incredible sense of when it is necessary to appear as someone else in order to achieve her goals. While possibly just a product of Athena’s goddess status, her ability to view the “big picture” is quite a highly regarded trait. Athena also has the virtue of restraint which she demonstrates when she does not take part in the final battle between Odysseus and Telemachos and the suitors.
In addition to Athena’s abilities and traits, the traits which she herself values give great insight into her own virtues. For example, she considers hospitality to be of great importance. This is shown several times in the Odyssey: first, when she arrives in Ithaka and is received so well by Telemachos, and a second time when she assists Odysseus by gaining the favor of Arete and Nausicaa. Athena is also very concerned with glory, which becomes clear when she sends Telemachos on his voyages with the primary purpose to grow up so that he does “not go on clinging to [his] child...
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...will greatly upset her. She is seen as indecisive in the sense that she never outright refuses to marry any of the suitors and leads them on to an extent (I, 245). Finally, while the audience is certainly sympathetic to Penelope’s grief, it has been twenty years since she has seen Odysseus and ten since she expected him to return. Even Odysseus himself told her that if he did not return, she had his permission to marry again when Telemachos was grown. The fact that she has not done so and has not made any progress towards that end gives her a negative image, consequently affecting the image of all females in the Odyssey.
The contradictory views of women presented by Homer, and the complexities of all main characters in the Odyssey, prove that Homer had a very good sense about human nature. Not all women are virtuous and admirable, but not all women lack positive virtues; and of course, some women cannot fit either extreme. Even the characters he sets up as role models are not perfect. Homer’s works have been so successful throughout history largely for that reason, I believe. Regardless, the Odyssey is a fascinating study of human nature and an exciting story of homecoming.
There is really no way to generalize the women in Homer’s Odyssey because they all have their own distinct traits that make each of them great, strong, and powerful women. A very powerful woman is Arete. She is as powerful as the king, Alcinous. Her daughter Nausicaa is an amazing woman, even though she is so young. She displays great intelligence in handling Odysseus. These women I speak of above are great women in a good sort of way but there are also some very bad women that still have some amazing qualities. For instance Clytemnestra who has great vengeance and deceit. Another Homeric women that breaks the mold is Helen. She is so independent and headstrong it’s almost scary. These qualities I’m applying to all these women are not their only but they are the most memorable. In fact some of them share the traits I have already laid out. One other thing I would like to mention before I go on is how different these women are from what I expected. I thought they would all be weak and completely under the control of the heroic men but all the ones I’ve mentioned are very powerful and could probably do with out their men. I know Helen would be all right with out Menelaus.
The women were generally less defined than the men, but that is due to the fact that none of the women could be considered main characters, except perhaps Penelope. The woman all served a point, and were there to add to the plot or to compliment another character, like Penelope and Odysseus’s connection. Homer wrote women to help the plot along, but not be a major point or character themselves. The women are very important to the Odyssey, and the poem would not of been able to read the way it did if the women played no role. The poem illustrates women as important people, but only for the sake of a man. Homer wrote according to the greeks pyramid of social standing, where women were lower than men, but he still allowed women greater roles, and even gave them important tasks to fulfill, like Penelope and her suitors, or Helen and her elopement with Prince
Women form an important part of the folk epic, written by Homer, The Odyssey. Within the story there are three basic types of women: the goddess, the seductress, and the good hostess/wife. Each role adds a different element and is essential to the telling of the story.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
The Odyssey by Homer tells the account of the celebrated king Odysseus and of his great feats on his way back to Ithaca, much like the Epic of Gilgamesh expresses the feats of the great king Gilgamesh and his friend Endiku. These male characters are exemplified in their incredible feats and capabilities. However, many of these deeds would not be possible without the help of the female characters. The seemingly perfect male characters have their greatest weakness in women and many of their pitfalls are a result of encounters with women. The female characters in both the Odyssey and The Epic of Gilgamesh show how even though women both mortal and immortal are subservient to men in society, whenever women are pitted against men, women almost
Nettie was wanted by Mister because she was beautiful, her father wanted to get rid of Celie because she was the ugly, spoiled one. Celie believes she is ugly until Shug forces her to face her beauty, her smile, and her strength but still the Mister wanted to get rid of her. The reason Shug can get away is through her voice, her talent, and her attractiveness. But in The Odyssey some women are known for the deeds of their sons or husbands, and never for a heroic deed of their own, their personalities, what they do themselves. The only accomplishment women could achieve was being beautiful. Penelope, Odysseus ' queen, is paid attention to only because of her position. Because she has a kingdom, she has suitors crowding around her day and night. Being a woman, Penelope has no control over what the suitors do and cannot get rid of them. The suitors want her wealth and her kingdom. They do not respect her enough to stop feeding on Odysseus ' wealth; they feel she owes them something because she won 't marry one of them. One of the suitors, tells Telemachus "...but you should know the suitors are not to blame- it is your own incomparably cunning mother "(Homer 21). Even Telemachus doesn 't respect his mother as he should. When the song of a minstrel makes her sad and Penelope requests him to stop playing, Telemachus interrupts and
The Odyssey was written near the end of 8th century B.C. by Homer. Homer wrote this epic poem in the Greek coastal region of Anatolia called Ionia. This poem talks tells the famous story of Ulysses journey back home after the Trojan war. In the surface the poem gives an interesting story about Ulysses battle against monsters and Gods, but after analyzing the story in depth one can find important information about Greek society in this time period. The Odyssey has the theme of women as monsters tempting men away from home and also the theme that men actually settle in a different area rather than return home. Historically, we are able to see that women were the reasons that many sailors prefer to settle on an island away from
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Ibsen). This saying also applied to the times of the Odyssey, an epic constructed by the blind, eight century B.C.E. poet, Homer. As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves. He engraved into his poem women’s roles; the roles of women, as mothers, wives, seductresses, and goddesses are exemplified in this epic, when shown in comparison to the men of that era.
In the era of Homer, women played a very specific role in society, and even in literature. Women of this time were basically put in a box, and expected to never step out of line. If they did go against the arbitration of men, then they were faced with serious consequences. However, female characters play a huge role in both aiding, and delaying Odysseus’s journey home. I will proceed to analyze, and interpret the actions and intentions of every major female character in The Odyssey.
Almost nowhere in The Odyssey can one find a woman doing the same things as a man. No women went off to fight in the Trojan War. There were no female members of Odysseus or Telemachus' crew, nor do any women participate in the battle against the suitors. The character traits that make a man great; strength, courage, and leadership are lacking in female characters of The Odyssey. Throughout The Odyssey women were given a double-standard. They were expected to act a certain way and exhibit certain traits while men had no such limitations. If women did not live up to these standards of behavior, they would be punished. If men broke these same rules nothing would be done. During the time Homer wrote The Odyssey it was the dominant belief that a society should be dominated by men and that women should be subservient to them. This belief is reflected throughout the writing of Homer in The Odyssey.
She is loyal, having waited for Odysseus for twenty years, not remarrying, though she thought he was gone for good. She also plays a much more active role in the marriage she has with Odysseus. Perhaps the most defining characteristics attributed to Penelope involve her role as a woman, in marriage and as a presumed “widow”. First, there seems to be a double standard, like described in Calypso’s case, between the loyalty of Penelope and the loyalty of Odysseus. Penelope is physically and emotionally loyal to Odysseus, while Odysseus is only emotionally loyal, meaning he has had sexual relations with other women within the twenty years he has been gone. During this time period in Greek culture, this was not frowned upon and was quite normal, suggesting that women were held to a different standard than men. In addition, as Penelope is presumed to be a widow, at least by the suitors, she is prized solely for her beauty. The suitors speak only of her beauty and none of her intelligence or of her personality or soul. This suggests that marriage was not always about love, and that women were judged and valued merely for their beauty. This idea further proves the act of sexualizing women during this
Homer’s Iliad is undoubtedly focused on its male characters: Achilles, primarily, but also Hector and Agamemnon. Nevertheless, it seems that the most crucial characters in the epic are female. Homer uses the characters of Thetis, Andromache, and Helen as a basis for comparison to the male characters. Homer wants his audience to see and understand the folly of his male characters in choosing war over peace, aggression over kindness, and honor over family. While the behavior of these characters clearly speaks for itself, the contrasting attitudes and behaviors of the female characters proffer an alternative; in comparison, the reader can hardly fail to concur with Homer’s message that war, aggression, and honor are misplaced and self-defeating values.