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Portrayal of women in american literature
How does kate chopin explore the roles of women in the awakening
The treatment of women in The Awakening by Kate Chopin thesis statement
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Kate Chopin’s texts The Awakening and “The Father of Désirée’s Baby” explore themes such as the societal conventions placed on women in the late 1800’s and the role of women in the (institution) of marriage. The women of the texts: Edna Pontellier, Chopin’s protagonist in The Awakening and Désirée, Chopin’s protagonist in the “The Father of Désirée’s Baby” both die tragically, due to their inability to upkeep the social values placed upon them. Because both of the women take their own lives at the end of the text, the underlying message Chopin seems to be conveying is one of warning: a warning to those women who have supposedly been inappropriate in marriage by highlighting the consequences; death. However, this reading of the texts is a limited one because it does not look at how the lives of the women in the text reflected the lives of women at the time that Chopin was writing. The fact that both women commit suicide end of the novel suggests that within the texts is Chopin’s social commentary on the difference in status between women and men. Men, do not (and are not expected) to assume any responsibility for the failure of their marriage, the onus of responsibility is on the women. In both The Awakening and “The Father of Désirée’s Baby,” the implications of the endings are Chopin’s critique on the lack of status and agency women have in the 18th century.
Chopin`s critique in the novels stems from the fact that both Edna and Desirée fail to live up to their societies ideals. In, The Awakening, Edna fails to uphold the Victorian feminine ideal. During the early stages of Edna’s awakening and after she has been ‘awakened,’ Edna often laments on how different she is from Adèle Ratignolle, (who represents the Victorian feminine...
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...re driven to death by the society they live in.
In both of the texts, it is the women who must pay for the unfairness in the society that they live in, which is what Chopin is commenting on by implying that death is the only option women have. Chopin highlights how problematic it is that a woman must either renounce her independence/innocence or die, through the stories of Désirée and Edna. Each woman chooses to end her life because she feels as though there is no place for her in society, and thus instead of living in a society that doesn’t accommodate difference, they would rather die.
Works Cited
Chopin, Kate. "The Awakening." Seyersted, Per. The Complete Works of Kate Chopin Volume II. New Orleans: Louisiana, 1969. 881-1000.
Chopin, Kate. "The Father Of Désirée's Baby." Knights, Pamela. The Awakening and Other Stories. New York: Oxford, 2000. 193-198.
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Elizabeth Fox Genovese of Emory University shared in a PBS interview that “She [Kate Chopin] was very important as one of the earliest examples of modernism in the United States or, if you wish, the cutting edge of modernism in American literature” (PBS – Interviews). Kate Chopin published At Fault, her first novel, in 1890 and The Awakening, her last novel, in 1898 (Guilds 924). During these years Chopin wrote numerous other works and most, like At Fault and The Awakening, centered around upper-middle class Creole or French women involved in womanly uncertainties; such as, extramarital affairs, acceptable behavior in society for females, duties as a wife, responsibilities as a mother, and religious beliefs. Chopin was an extraordinary woman, and no indication was made, during the investigation of this research paper, reflecting her having regrets regarding her position as a wife or mother. This document is an attempt at comparing the issues the main characters experienced and presenting Chopin’s unique skill in writing about the culture she observed during her years of living in Louisiana. The tragedy of this author’s existence is that during her life the literary world did not recognize such exceptional skill.
Kate Chopin’s “The Story of an Hour” tries to shed light on the conflict between women and a society that assigns gender roles using a patriarchal approach. Specifically, Margaret Bauer highlights, that most of Chopin’s works revolve around exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (146). Similarly, in “The Story of an Hour” Chopin depicts a society that oppresses women mostly through the institution of marriage, as women are expected to remain submissive regardless of whether they derive any happiness. The question of divorce is not welcome, and it is tragic that freedom for women can only be realized through death. According to Bauer, the society depicted in Chopin’s story judged women harshly as it expected women to play their domestic roles without question, while on the other hand men were free to follow their dreams and impose their will on their wives (149).
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
Kenneth Eble states, “.She undertook to give the unsparing truth about women’s submerged life” (2). Speaking solely about Kate Chopin, this quote puts emphasis upon Chopin’s disputes with her society. She used her writing as a technique to indirectly implicate her life by the means of narrating her stories through the characters she created. Kate Chopin was one of the modern writers of her time, one who wrote novels concentrating on the common social matters related to women. Her time period consisted of other female authors that focused on the same central theme during the era: exposing the unfairness of the patriarchal society, and women’s search for selfhood, and their search for identity.
Kate Chopin’s The Awakening should be seen as depicting the discontentment that comes from self-gratification rather than the glorification of delighting in one’s fantasies. Chopin describes the central idea of one who is seeking to please her personal needs and desires and, in the process, neglects to notice how her actions affect others. The protagonist, Edna, is not able to find peace or happiness in the accepted daily life that a woman of her era and social status should have. The fulfilling of her desires could essentially cause social ostracism for her, her husband, and her children, yet she is unable to find repose in living the typical social Victorian life. The final resolve of her “awakening” to her desires, her ultimate suicide, is not an honorable position that women should strive toward as a romantic ideal because her desires were hopeless in her situation. Through Edna’s striving for personal satisfaction, she loses the joys that daily life has to offer.
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
During the nineteenth century, Chopin’s era, women were not allowed to vote, attend school or even hold some jobs. A woman’s role was to get married, have children
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
The Awakening is considered to be Chopin’s best work as well as a unlikely novel to be written during the 1890s in America. The Awakening is a story about a woman, Edna Pontelier, who is a conventional wife and mother. Edna experiences a spiritual awakening in the sense of independence that changes her life. Edna Pontellier begins her awakening at the Grand Isle when she is 28 years old. She has been married for ten years, and she has two children. This situation proves to be different from the male characters of most other novels because they almost always do not have to face the complications of marriage and parenthood to reach self-determination (Bogarad 159). Chopin is able to portray this awakening through Edna’s rela...
...ree for his problems and treats her with disrespect. The issues and problems in Kate Chopin?s stories also connect with issues in today?s society. There still exist many men in this world who hold low opinions of women, are hypocritical in their thoughts, dealings, and actions with women, and treat honorable, respectable women poorly, just as Charles and Armand did in Chopin?s stories. Women in ?Desiree?s Baby? and ?A Point at Issue? strive for personal freedom and equality which equates to modern times in that some women are still paid less for doing the same job as men and in some countries, women still cannot vote. The relationship between men and women in Chopin?s stories still, in some effect, directly apply to today?s world.
Kate Chopin's novel, The Awakening details the endeavors of heroine Edna Pontellier to cope with the realization that she is not, nor can she ever be, the woman she wants to be. Edna has settled for less. She is married for all the wrong reasons, saddled with the burden of motherhood, and trapped by social roles that would never release her. The passage below is only one of the many tender and exquisitely sensory passages that reveal Edna’s soul to the reader.
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.
In America, the 1890s were a decade of tension and social change. A central theme in Kate Chopin’s fiction was the independence of women. In Louisiana, most women were their husband’s property. The codes of Napoleon were still governing the matrimonial contract. Since Louisiana was a Catholic state, divorce was rare and scandalous. In any case, Edna Pontellier of Chopin had no legal rights for divorce, even though Léonce undoubtedly did. When Chopin gave life to a hero that tested freedom’s limits, she touched a nerve of the politic body. However, not Edna’s love, nor her artistic inner world, sex, or friendship can reconcile her personal growth, her creativity, her own sense of self and her expectations. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. If she could have seen that her awakening in fact was a passion for Edna herself, then perhaps her suicide would have been avoided. Everyone was forced to observe, including the cynics that only because a young