Hitchcock's Psycho
Psycho first hit our screens in 1960 directed by Alfred Hitchcock. It
faced major controversy, as it was different. Horror films before this
were more unrealistic and gruesome. Psycho was a groundbreaking film
of the horror genre. It was
Alfred Hitchcock's film Psycho
Psycho, by Alfred Hitchcock, was shocking for its time. Made in the
1960's when film censorship was very tight to today's standards,
Hitchcock pushed the limits of what could be shown and did with psycho
things that had
better as it would leave a lot less to your imagination. I can see how
film. The trailer was one of the first in the world and it managed to
: The movie Psycho is a suspense thriller directed by Alfred Hitchcock, starring Anthony Perkins, Janet Leigh, Vera Miles and John Gavin in the main roles. The story line revolves around a secretary from Phoenix named Marion Crane who is so fed up with the way things are in her life as she only gets to meet her lover over lunches. But they cannot get married because he has debts to pay off. But one day she steals a sum of 40,000$ from her employer so that she can run away with her love. Later as she is exhausted due to undergoing a heavy rain she stops at The Bates Motel. There she meets Norman Bates who is a polite young man who has a complicated relationship with his mother. And so he is the Psycho in the movie. He became like that because
The film Psycho (1960) directed by Alfred Hitchcock portrays Norman Bates isolated from society with an interest in taxidermy and an unnaturally close relationship with his mother. Norman is diagnosed with dissociative identity disorder (DID), referred to in the past as multiple personality disorder in which two or more distinct personalities, often called subpersonalities, each having a unique set of memories, behaviors, thoughts, and emotions (source). Throughout the film, one of Norman’s subpersonalities takes center stage and dominates his functioning. He uses his own recessive personality and his mother’s primary persona.
Hitchcock's Psycho
Hitchcock used the close up shot to reveal that Marion is blaming the
audience for her tragic death and therefore they feel guilty and also
responsible. The tears in her eyes suggest that Marion did not want to
die and
The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others. This film takes an in-depth look at how someone who possesses a mental illness might behave or think.
The famous Hitchcock film Psycho depicts an encounter between a travelling secretary, Marion Crane, and troubled motel owner Norman Bates. Crane, frustrated with her life and prevented from marrying her lover due to financial issues, seeks refuge at the isolated motel after embezzling money from her employer. Tired after a long night’s drive, she pulls off the main highway and into the Bates Motel. Bates, a shy, reserved young man whose life is dominated by his worthless mother, welcomes Crane to the hotel.
Psycho, produced by Universal Studios and released through Paramount (Rebello 51), contained a frank depiction of sex and violence "unlike any mainstream film that had preceded it" (Williams 1); the film included the first love scene in American popular cinema ever to feature a pair of lovers lying half-naked on a bed (Rebello 86). And not only did Psycho depict two brutal murders, but the first occurred in the intimacy of the shower. As a result, Hitchcock had to fight to make the film as close to his vision as possible and find ways to work around censorship laws. When the censors demanded he re-edit the shower scene on account of a fleeting glimpse of Janet Leigh's breast, Hitchcock simply sent back the original cut on the (correct) assumption that they either would not re-screen it or would fail to see the barely noticeable nudity the second time around (Rebello 1...
Alfred Hitchcock's 1960 Psycho is a masterpiece of tension, surprise, suspense and horror. Award-winning Janet Leigh plays main character, Marian Crane who encounters psychological murderer Norman Bates, played by Anthony Perkins. Hitchcock utilises techniques such as mise-en-scene, motifs and juxtaposition to position the audience in order for this film to be successful. After the murder of the central character the movie in theory should decline beyond this point but Hitchcock maintains the tension and the audiences attentiveness through the use of stylistic devices which manipulate the audiences’ position and emotions throughout the film. Hitchcock also explores key themes and motifs such as madness, duality, traps, birds and uses a riveting sound track which play with the emotion of the audience.
Given that Norman Bates takes on the identity of his mother in response to a strange attachment that he has to her, as Norman himself says, “a boy’s best friend is his mother,” and that his mother is his “trap” that he “was born into,” it appears that Hitchcock’s lifelong interest in Freudian psychology is very intense in that Norman Bates had an Oedipus complex. If this is true, Psycho contains the emasculation of Norman at the hands of a woman, who happens to be his mother. The idea that Norman Bates remained in love with his mother and that Marion has the power to provoke this pathology, Psycho is another example of a female having power over a man, or a “boy”—in the case of Norman Bates.
The movie Psycho, is one of the most influential movie in Cinema history to date. The director Alfred Hitchcock, wanted to test many of the conventions of movie making that was common at that time. Alfred Hitchcock movie broke many cultural taboos and challenged the censors. Alfred Hitchcock showed a whole bunch of at the time absurd scene, for example: Marion Crane (Janet Leigh) dying naked while taking a shower, Norman Bates with split personality disorder, and the first ever flushing toilet shown in a movie. Because from the late 1920's to the late 1950's, movies were made usually go around the story, and usually with a lot dialogue. This movie gives the audience an experience that was much more emotional and intuitive. The viewers were caught up in a roller coaster of shock, surprise and suspense based on image, editing and sound.
Norman Bates was an American serial killer and keeper of The Bates Motel in California. Bates suffered from Dissociative Identity Disorder and psychotic behavior, believing himself to be controlled by his mother. At the same time, he suffered from visual and auditory hallucinations, in which his mother apparently talked him into committing acts of violence to satisfy her. When his mother’s personality took over, Norman would fly into murderous rages targeting women who aroused him. He is known to have eventually killed his mother and kept her mummified corpse in the basement of his house for many years. He is the primary antagonist of the 1960 film, Psycho and appears as the anti-hero/protagonist villain. Lastly, Norman 's incestuous relationship
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.