Eugene Sledge’s With the Old Breed is a memoir of a junior soldier during the island hopping campaign in the Pacific theater during the Second World War. Written over thirty-five years after VJ-Day, his narrative carries the weight of emotion while brilliantly depicting the struggle of the individual soldier at the tactical level. As Sledge recounts his experience, he writes like a patriarch attempting to preserve his legacy through the account of his physically arduous and morally dubious ordeal. Already an established classic, Sledge’s memoir has resurged since becoming one of the narrative mainstays for the television mini-series The Pacific. Frustrated by the commissioning programs of the time, Sledge begins his journey by resigning from the officer candidate program in an effort to more quickly reach combat. He subsequently volunteers to be a sixty millimeter mortar-man and joins Company K, Third Battalion, Fifth Marine Regiment (K/3/5) of the First Marine Division. It is within this command framework that Sledge experiences two of the bloodiest campaigns of the Second World War...
Tony Palmer, the author of “Break of Day”, tells a story that takes place in and out of war. The story follows a man named Murray Barrett who lives in the times of ww2. He ends up finding himself in the middle of it, down at Port Moresby. During the midst of war, Murray ends up coming across an injured Sid Archer, a childhood enemy and the man who stole Will’s (Murray’s older brother) childhood lover. Murray helps Sid instead of abandoning him, despite their childhood drama. In this book, Palmer really focuses on the themes of family, death, and bravery. He presents to us how complicated families can get, how people deal with death differently from others, and how there are many forms of bravery.
Many war stories today have happy, romantic, and cliche ending; many authors skip the sad, groosom, and realistic part of the story. W. D. Howell’s story, Editha and Ambrose Bierce’s story, An Occurence at Owl Creek Bridge both undercut the romantic plots and unrealistic conclusions brought on by many stories today. Both stories start out leading the reader to believe it is just another tpyical love-war senario, but what makes them different is the one-hundred and eighty degrees plot twist at the end of each story.
In January 1965, Caputo, now an officer, is sent to Okinawa, Japan with men in the Third Marine Division. While waiting for the call to join the war, the young men start getting antsy and discouraged by the long delay of battle. Two months later, on March 7, 1965, Caputo’s company, along with many others, are assigned to a war location, D...
Wallace Terry has collected a wide range of stories told by twenty black Vietnam veterans. The stories are varied based on each experience; from the horrific to the heart breaking and to the glorified image of Vietnam depicted by Hollywood. Wallace Terry does not insinuate his opinion into any of the stories so that the audience can feel as if they are having a conversation with the Vietnam Veteran himself. Terry introduces the purpose of the book by stating, “ Among the 20 men who portray their war and postwar experiences in this book. I sought a representative cross section of the black combat force.”(p. XV) Although the stories in this book were not told in any specific order, many themes became prominent throughout the novel such as religion, social, and health.
"Feature Articles - Life in the Trenches." Firstworldwar.com. First World War, n.d. Web. 05 Apr.
Lieutenant General Lewis B. “Chesty” Puller, through dedication to his mission and the welfare of his marines, was a visionary leader even by today’s standards. In his youth, Chesty attempted to join World War I before he had reached the required age. He attended Virginia Military Institute, but dropped out after one year to satisfy his urge to experience combat. He enlisted in the U.S. Marine Corps as a private and remained enlisted for only a year before his commissioning as a lieutenant. Unfortunately, the war ended before he was able to experience combat. When a force reduction ensued after the end of the war, Lt Puller was sent to the reserves and given the ...
When people think of the military, they often think about the time they spend over in another country, hoping they make it back alive. No one has ever considered the possibility that they may have died inside. Soldiers are reborn through war, often seeing through the eyes of someone else. In “Soldier’s home” by Ernest Hemingway, the author illustrates how a person who has been through war can change dramatically if enough time has passed. This story tells of a man named Harold (nick name: Krebs) who joined the marines and has finally come back after two years. Krebs is a lost man who feels it’s too complicated to adjust to the normal way of living and is pressured by his parents.
Terrence Malick’s The Thin Red Line (1998) is a film that examines the Guadalcanal Battle of World War II, looking past the physical results of the violence, in order to uncover the deeper truths and ramifications of war. The film conveys themes and ideologies that are somewhat uncommon to war films, especially WW II films. In this dark, surreal, journey, Malick takes us inside the minds of soldiers experiencing this battle to capture a remote pacific island from the Japanese. We do not hear or see gruff, hardened soldiers, anxious to die for their country. In fact, there are no heroes in The Thin Red Line. There are only regular men, scared of fighting and scared of dying, who have been thrown into a situation that will forever change their lives. The fighting is not suspenseful or glorious just brutal. Using an ideological approach to the study of film, this paper will examine The Thin Red Line’s messages about the truths of war, and how it challenges our society’s stereotypical view of war as a valiant undertaking where brave men fighting for good battle the evil of the enemy. Consequently, the ideologies that are uncovered will then be used to look at The Thin Red Line as a war film, and how it fits and does not fit into the genre.
...ust deal with similar pains. Through the authors of these stories, we gain a better sense of what soldiers go through and the connection war has on the psyche of these men. While it is true, and known, that the Vietnam War was bloody and many soldiers died in vain, it is often forgotten what occurred to those who returned home. We overlook what became of those men and of the pain they, and their families, were left coping with. Some were left with physical scars, a constant reminder of a horrible time in their lives, while some were left with emotional, and mental, scarring. The universal fact found in all soldiers is the dramatic transformation they all undergo. No longer do any of these men have a chance to create their own identity, or continue with the aspirations they once held as young men. They become, and will forever be, soldiers of the Vietnam War.
...n amnesiac nation into “working through” its troubled past.” (Bly ,189) Story telling was the soldier’s salvation, their survival method. Being able to tell their stories let them express everything they were feeling and ultimately cope with the horrors of war and the guilt the carried.
Award-Winning author Laura Hillenbrand writes of the invigorating survival story of Louie Zamperini in her best selling book, Unbroken. Louie Zamperini was an ambitious, record-breaking Olympic runner when he was drafted into the American army as an airman during World War II. On the mission that led him to embark on a journey of dire straits, Louie’s plain crashed into the Pacific Ocean, leaving only him and two other crewmen as survivors. Stranded on a raft in shark infested waters, without any resources or food, and drifting toward enemy Japanese territory, the men now have to face their ultimate capture by Japanese, if they survive that long. Louie responded to his desperation with dexterity, undergoing his plight with optimism and confidence, rather than losing hope. In this memorable novel, Hillenbrand uses a vivid narrative voice to divulge Louie’s tale of endurance, and proves that the resilience of the human mind can triumph through adversity.
War deprives soldiers of so much that there is nothing more to take. No longer afraid, they give up inside waiting for the peace that will come with death. War not only takes adolescence, but plasters life with images of death and destruction. Seeger and Remarque demonstrate the theme of a lost generation of men in war through diction, repetition, and personification to relate to their readers that though inevitable and unpredictable, death is not something to be feared, but to calmly be accepted and perhaps anticipated. The men who fight in wars are cast out from society, due to a misunderstanding of the impact of such a dark experience in the formative years of a man’s life, thus being known as the lost generation.
The two classic war novels ‘All Quiet on the Western Front’ by Erich Maria Remarque and ‘Catch 22’ by Joseph Heller both provide a graphic insight into the life of soldiers serving their country in the historic world wars. One distinct theme of interest found in both books, is the way in which war has physically and mentally re-shaped the characters. Remarque creates the character Paul Baümer, a young soldier who exposes anxiety and PTSD (commonly known as Shellshock) through his accounts of WW1’s German army. ‘Catch 22’ however, is written in the third person and omnisciently explores insanity and bureaucracy in an American Bombardier Squadron through its utter lack of logic. The two novels use their structure, characters, symbolism and setting to make a spectacle of the way war re-shapes the soldiers.
Lawson, Robert L., and Barrett Tillman. U.S. Navy Air Combat: 1939-1946. Osceola, WI: MBI Pub., 2000. Print.
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.