William Shakespeare's Twelfth Night The final act is a simple scene in this romantic Shakesperian comedy. It brings together all the threads of the storyline the plots, mistakes and confusions. It shows Cesario (Viola) being accused of deception, lies and acts of violence by a number of others including Orsino, Olivia, Sir Andrew Aguecheek and Antonio. The scene is set outside Olivia's house. It begins with Feste (the fool) and Fabian negotiating with each other over Fabian being allowed to see the letter. The arrival of Orsino with his entourage including Cesario (viola). Allows the audience to observe the Duke is expressing his frustration with the lack of progress in his efforts to win over Olivia. He engages Feste and Fabian to bring Olivia to him. Feste gestures and asks Orsino to make it worth his while. (The audience may be encouraged to believe that people are not always helpful but selfish and greedy when Feste wanted a payment for assisting him. Olivia then enters the stage, Orsino turning his attention to her follows her arrival and speaking plainly for the first time, he declares his love for her. Olivia speaks plainly to Orsino rejecting him. They argue. "What to Perverseness? You uncivil woman to whose ingrate and nauspicios alters my soul. The faithfulls't off' rings hath breathed out that e'er devation tennderol". The audience watches as Orsino shows his anger through his body language and gestures. The audience is anticipating his reaction to this disclosure. The Duke then turns to leave followed by Cesario (Viola), he cannot cope with the humiliation of rejection. The audience observe Olivia watching ... ... middle of paper ... ...back to love. The audience would be shown how Orsinos supposed love of Olivia could not have been that strong if he could transfer his love to another in a moment. Orsinos love for Olivia was in fact a possessive, unrequited and self indulgent type of love. Olivia had given him no encouragement but he was angry when she did not respond the way he expected which just goes to show how arrogant he was. Orsino's newly found love for Viola could be considered to be suspicious it would seem more about sexual availability. Violas love for Orsino seems ironic that such an intelligent level headed woman should fall for this fickle man, perhaps Viola should be pitied. In conclusion, as the threads of the play come together the audience can see how love can take many different forms and how obstacle can be overcome.
that Olivia has emotional power of nobleman Orsino when in Act I Scene I he declares, "O, she
...volio declares revenge on the lot before exiting, giving the floor to Orsino. He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.”
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Andrew is funny, it is not intentional. His faults include a lack of wit, a
William Shakespeare's Twelfth Night In 'Twelfth Night' Olivia's trusted steward Malvolio, like Sir Andrew, is the 'butt of comedy'. His very name suggests 'ill-will', which echoes his role in the play. Malvolio is an egotistical, "overweening rogue", who is a straight laced, puritanical, social climbing rebuker of others for their anti-social and often sinful behaviour, or as he put it, "misdemeanours". Malvolio's character is summarised excellently by Maria in Act II Scene III: The devil a puritan that he is, or anything, constantly, but a time-pleaser, an affectioned ass that cons state without book and utters it by great swarths; the best persuaded of himself, so crammed, as he thinks with excellencies, that if is his grounds of faith that all that look on him love him.
Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us a better understanding of how it affects the similarities and difference of the film versus the play.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Many of the expectations surrounding male identity, especially at Shakespeare’s time, had to do with a man’s ability to control and impress women. Further, women at the time were expected to be affectionate and subservient to men, and the majority of their youth was focused on finding a husband. Shakespeare upsets these norms in Twelfth Night through hints of homosexuality, although these are more subtle than the motifs of gender roles and gender performance. The most explicit hints of homosexuality come from Sebastian’s friend and savior Antonio, who shows enough affection for the young man to be suspicious. Although Antonio’s sexuality remains ambiguous his affection also seems stronger than friendship. For example, Antonio is willing to escort Sebastian through the city even though he could be killed if he was caught, and gives Sebastian all his money in order to buy souvenirs. When he is caught and pleads to Cesario to help him, believing it is Sebastian, he appears to be more upset with the betrayal than his potential death, saying “’His life I gave him, and did thereto add/ my love, without retention or restraint/ all his in dedication. For his sake/ did I expose myself—pure for his love—‘” (5.1.66-69). Though Antonio’s sexuality is the most ambiguous in the play, there are undeniable hints of homosexuality in the main characters as well. Although Olivia denies the courtship of many men, she is instantly attracted to Cesario based on his looks and compliments his more womanly features when she says “’O, what a deal of scorn looks beautiful/ in the contempt and anger of his lip!’” (3.1.126-127). This suggests that she is not attracted to the male body, but the female form. Viola rejects the woman’s advances and is attracted to Orsino; however, she falls in love with him as she is playing a masculine role, complicating her sexuality as well. Throughout the play Viola hints at her love for
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
‘Twelfth Night’ or ‘What You Will’ by Shakespeare is seen as a comedy for various reasons. However, on many occasions, this play is almost categorised as a tragedy because of the different situations that the killjoy figure has to endure, through the use of mockery. Because of this, critics find that there is a very thin line between the categorisation of the novel and therefore see ‘Twelfth Night’ as both comedy and tragedy despite the fact that the audience and Shakespeare call this play a comedy. Furthermore, Mel Brooks says ‘Tragedy is when I cut my finger. Comedy is when you fall down an open sewer and die’. Therefore, this just shows how close the genres of comedy and tragedy really are as they can both lead to similar consequences like those Malvolio faced when he was mocked excessively by Shakespeare throughout all five acts of ‘Twelfth Night’. However, this mockery also shows many social messages as Malvolio was mocked for being a puritan which implies that Elizabethans were against their doings.
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...