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Critical analysis of the merchants of Venice
How is shylock presented in the merchant of venice
Critical analysis of the merchants of Venice
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William Shakespeare's The Merchant of Venice
“The Merchant of Venice” is a Shakespeare play about Bassanio, an
ambitious young man of Venice, asking his friend Antonio, a merchant
of Venice, for a loan in order to enable him to woo Portia, a rich
heiress in style. Antonio approach Shylock, a Jewish money-lender, who
agrees to the loan only if Antonio undertakes to give him a pound of
his flesh if he is unable to repay the money. Each character plays an
important role in bringing out the various themes of the play.
Antonio’s opening lines “In sooth I know not why I am so sad./ It
wearies me; You say it wearies you--/ But how I caught it, found it,
or came by it,/What stuff ’tis made of, whereof it is born,/ I am to
learn” immediately gives me an idea that he is a sober, serious and
rather somber character.
Antonio is a very successful businessman and extremely rich compared
to the other merchants. “Or as it were the pageants of the sea/ Do
overpeer the petty traffickers/ That curtsy to them.”
Although he is rich, he lacks any interest in women and has no serious
relationship with any. His frequent travel as a career-minded merchant
does not help. On the other hand, his friendship with Bassinio was
intense and probably is the only close relationship of his busy life.
His other relationships are those of a leading businessman with his
trade acquaintances and hangers-on. Beside from Bassinio, Antonio
seems to be leading an isolated and solitary life.
Antonio’s friendship for Bassanio is noble, self-sacrificing, generous
and brave. He even gave Bassanio permission to borrow money from
anyone, on credit for friendship’s sake. ...
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cruelty and vindictiveness. This could explain his cynicism,
spitefulness and obsession with money—he feels insecure, embattled and
embittered. On top of that, Shylock is also vehemently anti-Christian.
Hence, we see that prejudice breeds prejudice.
Generally, the three of them have very different characteristics but
share one thing in common - prejudice. Both Antonio and Bassanio are
loyal friends and Antonio “only loves the world for him” (Bassanio).
On the other hand, essentially audience sympathy is turned away from
Shylock by his hatred of Antonio (to the extent of murder) and his
ruthless pursuit of profit, but his eloquent description of Antonio’s
abusive language and behaviour redresses the balance a little in his
favour. Nevertheless, “The Merchant of Venice” is an interesting play
with a rich plot.
still a common view of Jews is for them to be penny pinching, both in
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Duke of Venice: The official authority in Venice, the duke has great respect for Othello as a public and military servant. His primary role within the play is to reconcile Othello and Brabanzio in Act I, scene iii, and then to send Othello to Cyprus.
say, “If I can catch once upon the hip I will feed fat the ancient
Racial barriers are often used as a means to manipulate a member of a minority group. in The tragedy, Othello, was written by William Shakespeare(1564-1616) an English poet and playwright, who is often contemplated as the greatest writer in the English Language. The story begins with Othello, a black general in the Venetian army who secretly marries Desdemona, a white woman. Early on, Othello promotes Michael Cassio as his lieutenant over Iago, fostering mass jealousy. Desperate to get even with Othello, Iago creates elaborate plans to ruin his marriage with Desdemona. Iago’s effective manipulation skills lead Othello to take his wife's life and then his own. Iago is successfully able to deceive Othello because of their many differences, mainly racial, and Iago's understanding of how manipulation works.
It is clear that the race of Othello is a factor in his downfall. A
Venice is a busy place where all the characters are constantly worried about their income, they give loans and they borrow money to maintain their business. Here we see the first clash of love and money. Bassanio needs to impress a rich heiress from Belmont, but unfortunately, he does not have the money to win a lady from a rich family as a wife, “O my Antonio, had I but the means to hold ...
Merchant of Venice: Portia was No Feminist. & nbsp; The question has been proposed whether Portia was her own woman, and if after she married Bassanio would she still be the protector of her fortune. I researched for evidence to the theory that Portia was not her own, her fortune was not her own, and she was bound financially to her husband after marriage. There is nothing out of the ordinary about this particular arrangement, and I don't feel that the relationship should continue to be hailed as a progressive, feminist relationship. & nbsp; The best evidence I could find were the words which were spoken out of & nbsp; One half of me is yours, the other half yours-- Mine own, I would say; & III.ii. 16-18. & nbsp; There you have it. Portia is Bassanio's. This may be idle lover's talk; however, it does signify the beginning of a possessive relationship in which Bassanio is the possessor! & nbsp; Directly after Portia is "won" by Bassanio's correct choice & nbsp; Happiest of all, is Com
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men. We see how she is manipulated by men through her father, who though dead, still manages to control who she marries from his will. He states in his will that from three different caskets the suitors will have to choose, in each of which will contain either a letter to the suitor or a picture of Portia. In one of the three caskets, either the lead, silver or gold casket, there will be a picture of Portia.
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio
Let us look at the marriage plot. Already in I,i Bassanio reveals his plans of wooing Portia. He describes his undertaking as a quest; "her sunny locks/ Hang on her temples like a golden fleece/ Which makes her seat of Belmont Colchos' strond,/ And many Jasons come in quest of her."(I, i, 169-172). We might notice how he describes Portia's looks in an almost petrarchan manner. He is describing a single feature of her (her hair), and thereby objectifying her. More importantly, Bassanio's words tell us that he is aware of the economic gains that he can achieve through the bond of marriage. This makes us ask an essential question: What does Bassanio want to achieve through wooing Portia?
Portia says “For in companions / that do converse…/ whose souls do bear an equal yoke of love, / there must be needs…/ which makes me think that this Antonio, / being the bosom lover of my lord, / must needs be like my lord. If it be so, / how little is the cost I have bestowed / in purchasing the semblance of my soul / from out the state of hellish cruelty!” (3.4, 11-21). Portia is devoted to her husband so she becomes devoted to helping his dearest
She demands to pay twice or even three times the amount owed, for she loves Bassanio and anyone he calls friend. Shakespeare shows here that money doesn’t have the same effect on love as it does with the caskets or with the evil in Shylock and that it can be used for good love in Portia’s donation. In Venice Bassanio brings fourth the 6000 ducats to repay Shylock, but he doesn’t accept it. Once Portia, disguised as the doctor, entered the court, she pleads with Shylock to show mercy, but he refuses. Shylock makes known that he would rather have law than his money and mercy. The doctor approves the pound of flesh to be taken from Antonio under the condition that Shylock must cut exactly one pound while shedding no blood, or he will lose all his lands and goods. Now faced with the impossible, Shylock requests that he take his 6000 ducats and let Antonio go. However, the doctor has already made the call and demands Shylock take the flesh or he will suffer death. Shylock has been so adamant that the law be upheld, but now that it has turned in loves favor, he becomes the victim. Venetian law states that any man who wrongfully attempts to take another man’s life will be subject to lose his own decided by the Duke and will lose all of his possessions. The Duke spares his life, but takes all his goods. Shylock cries out
From the first time Portia is introduced, she is depicted as a very smart woman. In the beginning, she is searching for a husband that has more in his head than money and beauty. Portia and her companion, Nerissa, talk about the flaws of all her suitors and she makes it very clear that she is looking for an honorable man who will love her for who she is and not for her money. She also finds that “If it be proved against an alien that by direct or indirect attempts, he seek the life of any citizen, the party against the which he doth contrive shall seize one-half his goods” (Act IV.