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Desdemona and her role as a woman in shakespheres othello
Iago, character analysis
Desdemona and her role as a woman in shakespheres othello
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William Shakespeare's Presentation of Iago, Othello, and Desdemona in Othello
From the very beginning of the play ‘Othello’ Shakespeare presents the
friendship between Iago and Othello as a lie. Shakespeare makes us see
that Iago is only pretending to serve Othello for his own ends and
following this on, Othello completely trusts Iago and is able to speak
in confidence with him. All the way through the play, Shakespeare
shapes the audiences response to make us want to like or dislike them,
admire or have sympathy for them. From the moment the play opens,
Shakespeare gives us a negative impression of Iago. Shakespeare
presents Iago to us as a dishonest and false-hearted character. In
contrast, Othello has been presented as an articulate and persuasive
character. In the play we are able to see his calm reaction to a very
heated disagreement and this to the audience creates a positive
impression. Desdemona is presented as a very feminine and elegant
character that is but not confident just ‘bold of spirit’. Shakespeare
creates strong dramatic irony in the play which creates suspense and
makes the play more exciting for the audience, through Iago’s
conversations with Roderigo and soliloquies.
Many of Shakespeare’s plays highlight the very high importance in
Shakespeare’s day of a woman being ‘chaste’. This was very vital for
women in Shakespeare’s day. This means that a woman must not have any
extra marital sex of any sort. Before she was married she was to be
kept as a virgin and whilst she is married, she must not have sex with
another man apart from her husband. If any of these rules was to be
broken, she would become a total outcast...
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on a ‘gentle and intelligent’ side with men normally but she appears a
strong woman. Her father Brabantio says that ‘she is a maid so tender,
fair and happy so opposite to marriage that she shunned the wealthy
curled darlings of our nation’ She is very feminine, young and
vulnerable and he also describes her ‘delicate youth’.
By the end of Act 1 we have a strong sense of Iago’s determination to
destroy Othello’s love for Desdemona. We have heard him say that he
will not only poison the relationship of Othello and Desdemona, but he
will attempt to try and be as powerful as Othello and does it in a
sinful way. ‘I have't. It is engender'd. Hell and night must bring
this monstrous birth to the world's light’. This quote tells us that a
tragedy is yet to come and Iago will do all he can to make that
tragedy occur.
Iago has been regarded as : “Shakespeare’s greatest villain”; shown by his ability to be both admired and despised for his manipulative and obsessive nature towards Othello and his relationship with Desdemona. In Act One, Iago can be seen to be admired for his work within the Venetian army and his want to warn Brabantio about the ‘evil’ Othello’s plans to ‘bewitch’ young Desdemona: “The Moor is of a free and open nature, That thinks men honest that but seem to be so....” Here, Iago is speaking within a soliloquy and is warning the audience that Othello has cruel intentions. Within the Jacobean era, the time of which the play was performed, attitudes towards black people were very negative and therefore, a white man would play the character
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
...ression was very present. This continues right after he fails to kill Cassio. Iago proceeds to kill Roderigo; he does not need any evidence to float around and gets rid of him like he knew nothing of him. Even though Roderigo thought that Iago was his friend and later figured out that Iago was playing him, Iago continued to persuade and him manipulate his mind into believing he is there to help but Iago's true nature is very evil; because not only did he use Roderigo and play with his emotions to create a human wallet, he also got rid of him very quickly as soon as he became a liability and useless. Real sociopaths use people to their advantage and step on them after they are of no use to them; Iago had done this not only to Roderigo but anyone who came close to being a threat such as his own wife, solid proof of the real person under the layer of skin that is Iago.
The beginning of the play, Iago was just resentful and odious because of the the jealously he had
This shows how conniving Iago is. He will use the fact that Othello trusts him to get his revenge.
This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does. As early as the first scene of the play, Iago shows us strong motives for his actions.
Shakespeare's Portrayal of Iago and Brabantio in Othello. This extract below is taken from Act 1 scene 1, which contains plenty. of dramatic irony on the whole from Iago. It is also rich in imagery.
In act two, he is prompted by Iago to cause a commotion and begin a fight with
this with the character of Iago. In the first part of the play most of
In Act 3 Scene 3, we can see that Iago's plan of revenge is on
Iago's Manipulation of Characters in William Shakespeare's Othello. Introduction The play 'Othello' was created by William Shakespeare. Othello is a tale set in Venice at the time when adultery was a hanging offence. It is a tale all about jealousy and manipulation by one of the main characters, i.e. the characters, Iago.
role in the outcome. Iago was very consumed in the idea of revenge and wishing to be of
William Shakespeare’s tragic drama Othello sees the destruction of two very beautiful people because of a sinister intervention by a third. The most beautiful of all is the lovely and irreproachable Desdemona. Let us in this essay consider her character.
Make an argument that Iago is the hero, not the villain of this play. Why could we look at him that way? If he is the hero, who does this cast as the villain and why? What values are important if Iago is the hero?
When beginning to flesh out the skeleton of Iago's character, it must be first understood that he is not the admitted and obvious opponent of the tragic hero. Iago is a hidden antagonist, or rather he disguises his intentions within the actions or deeds others. He manipulates and "plays" other characters (pardon the pun) showing the reader that he values others as if they were tools available to be used for achieving his own ends, or pawns in a game center...