William Shakespeare's King Lear

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William Shakespeare's King Lear King Lear is universal - the tragedy is in a distantly remote and deliberately undefined historical period and location. Has resulted in its survival. The emptiness of the stage at the Globe Theatre allowed Shakespeare to both set his plays in any location and to put them in no particular setting, allowing him to draw the attention of the audience to the essentials of the play. Kind Lear portrays universal themes and situations such as the intolerance of the young towards the old, good versus evil, the vulnerability of old age, and he hidden nature of supernatural beings. Interpretations/readings ======================== Modern criticism - A modern critic argues that history, rather than fate or the gods, is the cause of tragedy. The origins of tragedy lie in identificable social causes and are capable of being resisted. Image clusters in the play are seen by John F Danby to be expressing the conflict between two sides of nature, benign and divinely ordered and the other governed by self-interest. They argue that traditional interpretations put a heavy emphasis on character and other abstractions such as the themes, which are misleading. They focus on how social conditions are reflected in characters’ relationships, language and behavior. It also concerns itself with how changing social assumptions at different periods of time have affected interpretations of the play. They see the play exposing the economi... ... middle of paper ... ...hat they are ‘Tigers not daughters’. Shakespeare also uses imagery to convey disease and pain. An example is when lear curses his daughters wishing on them ‘all the plagues that in the pendulous air hang’. To him Goneril is ‘a disease that’s in my flesh’, ‘a boil, / A plague-sore’. The fool constantly uses imagery as a clever method of commenting on what is taking place, such as when he says to Lear ‘the hedge-sparrow fed the cuckoo so long/That its had it head bit off by it young’. This image of Lear as a hedge-sparrow emphasises his vulnerability. There is imagery concerning the Gods: Lear worries that the heavens stir ‘these daughters’ hearst/against their father’. Other imagery includes Lear’s images of ell when he rages against female sexuality and when he states that ‘burning shame’ keeps him from Cordelia.

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