Humanity has struggled with the enormity of fate since the beginning of existence. Shakespeare’s Romeo and Juliet and Macbeth demonstrate fate’s wicked nature where its collision with mortals results in absolute tragedy. However, in A Midsummer Night’s Dream, fate assumes a lighter identity, a stark contrast to fate’s usually ugly face. This new role also demonstrates a new relationship between man and fate. Shakespeare’s use of dramatic irony illustrates the parallel between the mortal and immortal worlds to present the grave concept of fate in an unthreatening manner, thus enabling man to comprehend the inexplicable. In A Midsummer Night’s Dream, fate is in the hands of impish fairies with childlike ambitions, whose recklessness serves a catalyst for disorder in the mortal world. This seemingly disastrous set-up is made humorous thanks to Shakespeare’s incorporation of dramatic irony, which placates the audience, and serves as a reminder that all will be well. By Act 2 Scene 1 the audience has been introduced to the puppets of fate, the mortal lovers, and the puppeteers, the fairies. Lysander and Hermia flee to the forest to escape Hermia’s arranged marriage, while closely pursued by the vengeful Demetrius and Helena. The youth’s drama is overlooked by the majestic fairy king Oberon and his mischievous puck, Robin. Certainty, fairy king Oberon’s desire to balance out the unbalanced lovers is admirable. Ironically, his good intention to bring order to the lover’s disorder results in further disorder. As the audience witnesses Puck’s love potion mix up, they know that the lovers are in for chaos, because now Demetrius and Lysander both love Helena, and Hermia is left alone. The dramatic irony foreshadows the upcoming humor. The... ... middle of paper ... ...rization distances him in speech, manner, and appearance from Titania, proving the irrationality of love and fate. More daunting to the audience than irrationality however, is that fate does not discriminate between the beautiful and the grotesque. Oberon’s desire for vengeance motivates him to intervene in both his world and the mortal’s. Thus, fate in the hands of the reckless is inescapable. Shakespeare acknowledges that fate is a complex concept that man typically treats with reverence and caution. However, he pokes fun at that elevated concept through dramatic irony and brings it down to a level of childish play. He challenges the audience’s fears and forces one to view fate with a new meaning. Perhaps man’s destinies are in reckless hands. Regardless of fates true identity, it is still elusive. Therefore man is fate’s puppet; he is subject to the unknown.
Because of the witches’ prophecies, Lady Macbeth’s ambition and Macbeth’s greed, Macbeth diverges from his values and principles, corrupting him and ultimately leading to his downfall. Because of their greed and pride, the characters in the Tragedy of Macbeth end up not only losing everything that was important to them, but also the path on life they had tried so hard to stay on. Greed and pride shatters the fate that one would have had, whether fate is defined as where one would want to end up, or as where one will end up at.
Imagine living a tragic existence, not even two entire decades long. Imagine being controlled by an invisible, yet limitless puppet string conducted by “the stars”. When fate is your enemy and time reveals each unraveling tragedy to your dismay, you understand how it feels to be the protagonist’s of Shakespeare’s most famous love story, The Tragedy of Romeo and Juliet. Tradition, heredity, and ancestry symbolize the celestial psychology that is the stars. Controlling every miniscule detail of the play from human behavior to action sequences, to the ultimate climax of the tale. The power that fate has is surprisingly destructible yet inevitable to audiences as they come to realize the given characteristics that cannot be changed, even to avoid death. The moment Romeo and Juliet initially saw one another, they were sure their love was meant to be. This feeling was brought on because their love was the solution of the stars, or forefathers, to cure the rivaling families’ animosity. Fate contributes to the development of The Tragedy of Romeo and Juliet by relating to astrological terms, human behavior, and fate as an agent of destruction.
In society, people have varying opinions on fate. Many question whether life’s events are pre-determined by fate or whether people have a destiny to serve a greater purpose. Fate versus free will is an archaic topic among philosophers that is ultimately up for interpretation.The question on whether or not something else is controlling life’s events or if they are simply a coincidence faces us in some point of our lives. In Shakespeare’s Romeo and Juliet, Shakespeare plays with the idea of fate and its control on the events in the play. He forces us to realize the destiny between Romeo and Juliet involves the fate between the two opposing households as well. Shakespeare blurs the line between fate and free will in his play Romeo and Juliet to show that the outstanding cause of Romeo and Juliet’s tragedy was not something decided- it was fate. It is evident by the events in Shakespeare’s Romeo and Juliet that fate was the main cause of the tragedy in the play, and that Romeo and Juliet held the destiny to finally end the feud between the Capulets and the Montagues.
Shakespeare, through the dialogue and action of his characters, readily provides the evidence that both choice and fate are integral parts of human life. For example, Shakespeare illustrates fate through the words of Romeo who states, “I fear, too early, for my mind misgives some consequences, yet handing in the stars…” (I, IV, 116-117). Romeo believes that it is the stars that influence his life. It is not he who determines his life. He initially believes that his fate ultimately governs his choices, choices that cannot be controlled by humans. In addition, Shakespeare also reveals that choice plays a crucial role in determining fate. It is choice then that drives the decisions of the characters but these choices are made in the circumstance of their lives. And these circumstances cannot be removed from their consciousness. For instance, when Juliet says in her soliloquy before she drinks the sleeping potion, “Romeo, I come! This do I drink to thee” (IV, IV, 60) she is saying it is my fate and my choice to be with you. She chooses to drink the potion thus putting her into a coma-like sleep, and ultimately resulting in the death of them both. When Romeo declares, “Then I defy you, stars!” he is making the choice to challenge his fate of living without Juliet who he believes has died. Shakespeare has provided the evidence that fate and choice re so intertwined that they cannot be separated. Even the structure of his play alludes to this same perception.
Fate is an old, debated concept. Do one's actions truly play a role in determining one's life? Is fate free to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a person's head around. However, at the time of Antigone, the concept was a terrifying reality for most people.
Shakespeare clearly explores the themes ‘Fate and Free Will’, and ‘Ambition’ within this tragedy. Shakespeare weaves these themes around the character of Macbeth, showing us the depth of his insight into human society. Macbeth fell victim to his interpretation of supernatural prophecies and the influence from his wife. His impatience for the throne led to his crimes, subsequent guilt and acknowledgement of his sins. Shakespeare presents Macbeth’s life to his audience as a moral tale, warning them how men should be careful how they regard the ideas of fortune and fate and how in the end, evil intents and actions bring with them their own punishment.
Hermia , Lysander , Helena and Demetrius represent young love in Shakespeare’s A Midsummer Night’s Dream . They are potrayed as foolish and fickle , acting like children and requiring a parental figure to guide them . The parental figures are Hermia’s father , Egeus , and figuratively Theseus , the mortal ruler , and Oberon , the mystical ruler.
Fate in King Lear & nbsp; "There's a divinity that shapes our ends, rough hew them how we will. I will be able to do so. " These words from Hamlet are echoed, even more pessimistically, in Shakespeare's play, The Tragedy of King Lear, Gloucester. Like flies to wanton boys, are we to the gods, they kill us for their sport". In Lear, the characters are subjected to the various tragedies of life over and over again. & nbsp; An abundance of cyclic imagery in Lear shows that good people are.
Shakespeare wrote his acclaimed comedy A Midsummer Night’s Dream more than a thousand years after Apuleius’ Roman novel, The Golden Ass. Although separated by thousands of years and different in terms of plot and setting, these works share the common theme of a confused and vulnerable man finding direction by relying on a supernatural female. One of A Midsummer Night’s Dream’s many subplots is the story of Bottom, a comical figure determined to be taken seriously in his production of a Pyramus and Thisbe. As Bottom becomes caught up in a quarrel between the king and queen of the fairies, the commanders of the enchanted forest where Bottom and his players practice, the “shrewd and knavish sprite” Puck transforms his head into an ass’ s and leads him to be enthralled in a one night stand with the queen, Titania. (2.1.33) Apuleius’s protagonist Lucius endures a similar transformation, after his mistress’s slave girl accidentally bewitches him into a donkey, leaving him even without the ability to speak. Although Lucius’ transformation lasts longer and is more severe, he and Bottom both undergo similar experiences resulting from their animal forms. Lucius’ suffering ultimately leads him to salvation through devotion the cult of Isis, and Bottom’s affair with Titania grants him clarity and a glimpse into similar divine beauty. Ultimately, both asinine characters are saved through their surrender to the goddesses.
Shakespeare utilizes his characters beliefs and superstitions in fate to add a cautioning and foreboding tone to the story. Throughout the entire play, fate dictates the actions of others and ultimately leads Romeo and Juliet to their tragic downfall.
Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us a better understanding of how it affects the similarities and difference of the film versus the play.
At the heart of every great tragedy lies the universal struggle between the human inclination to accept fate absolutely and the natural desire to control destiny (Stockton). Like most of his plays, in Shakespeare’s masterpiece Hamlet one of the prevailing themes centers on the question, “Does fate and providence overrule man’s own choices and decisions?” Throughout the work, the main character Hamlet views Fortune in various differing lights as he plots and plans his revenge. This complex interpretation of Fate’s influence is also shared with Horatio, Hamlet’s most treasured friend. Their assessments seem to waver in different situations, or as they experience something in particular. Fate and Fortune, and Providence in all her ambiguity are all sometimes seemingly bound to the actions of man and other times they are inescapable.
The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.
In Romeo and Juliet, a play by Shakespeare, the characters are subject to fate and destiny and hence, have no control, whatsoever, over their lives. Shakespeare repeatedly refers to fate, the idea of a predetermined future or a hidden power beyond anyone’s control through various techniques. There is a sense of inexorable doom throughout the whole play which is made evident through the characters’ repetitive acknowledgement of destiny, as well as the constant foreshadowing and coincidences that take place. Romeo and Juliet have their entire lives played out according to fate and destiny which is obvious through the many references to their predestined future.
William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night’s Dream." They say that this play is the most purely romantic of Shakespeare’s comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night’s Dream" is a comedy combining elements of love, fairies, magic, and dreams. This play is a comedy about five couples who suffer through love’s strange games and the evil behind the devious tricks. This play begins as Theseus, the Duke, is preparing to marry Hippolyta. He woos her with his sword. Hermia is in love with Lysander. Egeus, Hermia’s father, forbids the relationship with Lysander and orders her to marry Demetrius. Demetrius loves Hermia, but she does not love him. On the other hand, Helena is in love with Demetrius. To settle the confusion, Theseus decides that Hermia must marry Demetrius or become a nun. In retaliation to her father’s command, Hermia and Lysander run away together. Amidst all the problems in the human world, Titania and Oberon, the fairy queen and king, continually argue about their various relationships that they have taken part in. (Scott 336) Titania leaves Oberon as a result of the arguments. Oberon is hurt and wants revenge on Titania. So he tells Puck, Oberon’s servant, to put a magic flower juice on her eyelids while she is sleeping. This potion causes the victim to desperately in love with the first creature that they see. Oberon’s plan is carried out, but the potion is also placed on Lysander’s eyes. Lysander awakes to see Helena, who is aimlessly walking through the woods, and instantly falls in love with her. She thinks that he is making fun of her being in love with Demetrius, so she leaves and Lysander follows. This leaves Hermia to wake up alone. Puck now has journeyed to the area where several actors are rehearsing. He uses his magic to turn one of them into a donkey, in hopes that Titania will awake to see it.