William S. Burroughs
William Seward Burroughs died recently at the age of 83 in the quiet of Lawrence, Kansas. Probably no other major American writer ever received such viciously damning "praise" upon his death. Whereas the once ridiculed Ginsberg was eulogized as a major American bard, obit writers like the New York Times' Richard Severo (someone enormously unacquainted with Burroughs' work) could dismiss this oeuvre as druggy experimentation and Burroughs' audience as merely "adoring cultists." Other obit writers, hearing of cut-up techniques and randomness, seemed drawn to the cut and paste icons of their PCs, with which they cobbled lit crit phrases into gibberish. Thus, for the Associated Press, Naked Lunch "unleashed an underground world which defied narration" and was somehow written "without standard narrative prose."
What does it say about the hegemony of realistic modes, and publishers' niches, that a book, first published in Paris almost 40 years ago, still poses such a threat to establishment arbiters that it must be continuously misrepresented. The literary world, after all, is not likely to be flooded by Burroughs wannabes. Though he has influenced experimental filmmakers, conceptual artists and rock bands, his influence on writers and literature is harder to find. He left no school, few followers, no imitators. He was as unique as Joyce. But whereas countless writers all over the world attempted to incorporate Joycean techniques, few have picked up on Burroughs'.
Even back in the mid-60s, the task of mass marketing Burroughs necessitated pigeonholing his work within familiar genres. "The only American novelist living today who might conceivably be possessed by genius," Norman Mailer proclaimed on the cover of the first American paperback edition of Naked Lunch. Its publisher, Grove Press, the most important and most courageous publishing house of that time, knew what it had to do, and subsequent works like Nova Express, The Ticket That Exploded, and The Soft Machine were all pointedly labeled "a novel." Yet Burroughs then and always was "merely" writing books. He was not necessarily trying to change or explode the form of the novel.
In Burroughs' books, routines, raps, skits and rants are held together by the sinews of sharply etched narrative prose. Reading him when he first appeared was like listening to a Lenny Bruce monologue. The "characters" who appeared were all carny voices--barkers, pushers, con men seeking rubes and marks--politicians, presidents of anti-fluoride societies, script-writing old saw bones lecturing on the viral nature of bureaucracy and the State.
It was not until the summer of 1860 when John Burroughs essay Expression was picked up by Atlantic Monthly. Which was later published in November of that same year. In 1864 John took a job as a c...
Rome for the end of the film. At the start of the film the central
In conclusion this paper has shown my perceptions on the described topics. I have identified why the family is considered the most important agent in socialization. I explained the dramatic changes to the American family and what caused them. I explained the differences in marriage and family. I expressed my feelings on the trend of diverse families, and how a change in trends to traditional views would change women’s rights.
He remains this way to serve as a check for each god's involvement in the
"The boundaries which divide Life and Death are at best shadowy and vague. Who shall say where one ends, and where the other begins?" Edgar Allan Poe, The Premature Burial (Bartlett, 642). To venture into the world of Edgar Allan Poe is to embark on a journey to a land filled with perversities of the mind, soul, and body. The joyless existence carved out by his writings is one of lost love, mental anguish, and the premature withering of his subjects. Poe wrote in a style that characterized the sufferings he endured throughout in his pitiful life. From the death of his parents while he was still a child, to the repeated frailty of his love life, to the neuroses of his later years, his life was a ceaseless continuum of one mind-warping tragedy after another.
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
“And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.” This is my favorite quote from Edgar Allan Poe’s poem Annabel Lee. It explains how Poe will forever be by the side of his love even after her death, and cannot ever be stopped. He, an American author, has felt the love and loss of many only to write the most emotion evoking pieces. Edgar Allan Poe is an amazing author despite losing loved ones early on, struggling with money, and even dying in a mysterious way.
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
Traditional family in today’s society is rather a fantasy, a fairy tale without the happy ending. Everyone belongs to a family, but the ideology that the family is built around is the tell tale. Family structures have undeniably changed, moving away from the conventional family model. Nowadays more mothers work outside of the home, more fathers are asked to help with housework, and more women are choosing to have children solo. Today there are families that have a mom and a dad living in the same home, there are step-families, and families that have just a mother or just a father. Probably the most scrutinized could be families that consist of two moms or two dads. These are all examples of families and if all members are appropriately happy and healthy then these families are okay and should incontestably be accepted. So why is the fantasy of the traditional family model still so emphasized in our society? This expectation is degrading and misleading. Progressing with times one ought not be criticized or shunned for being true to their beliefs. It is those living falsely, living as society thinks they should that are the problem. Perhaps as a society, if there were more focus and concern for happiness and peace within ones family and fewer worries for the neighbor then there would be less dilemma.
In the history of written literature, it is difficult not to notice the authors who expand their reader's style and manner of reading. Some write in an unusual syntax which forces the reader to utilize new methods of looking at a language; others employ lengthy allusions which oblige the reader to study the same works the author drew from in order to more fully comprehend the text. Some authors use ingenious and complicated plots which warrant several readings to be understood. But few authors have used all these and still more devices to demand more of the reader. James Joyce, writer of Ulysses and Finnegans Wake, uses extraordinarily inventive and intricate plot construction, creative and often thought-provoking word constructions, allusions to works both celebrated and recondite, and complex issues and theories when challenging his readers to expand their method of reading.
...nd Ginsberg come to celebrate his triumph over censorship, support of the arts, and the ways “Howl” revolutionized literature and opened doors for individuals who longed to reveal their eccentricities before it was considered “appropriate” to do so. The fact that festivals like these are permitted to exist, that people still gather in Ginsberg’s name, that people are allowed to live with out restrictions because of his work are just some examples of how this man’s legacy lives on far longer than he could have ever imagined. Allen Ginsberg led a band of misfits through a re-imagination of literature and, despite the controversy he inspired and through his determination to avoid censors, those misfits changed the way literature was written and how the world responded to literature forever. There has and will never be a writer to affect as many lives as Allen Ginsberg.
Do you like magical and fictional characters? One of the most Magical stories is A Midsummer Night’s Dream. This play is a contrast of the real world and a world inhabited by fairies and other magical sources and elements. This play takes place during Elizabethan time period. The Play was performed at The Globe Theatre. The play was written in 1590.
Jack Kerouac, author of On the Road, was one of the most prolific writers of the Beat Generation. Along with Allen Ginsberg and William Burroughs, Kerouac was a writer who broke away from traditional forms of literature and introduced a new style. This new style featured a musical structure that resembled jazz, and it pushed the boundaries of common literature. Throughout Kerouac’s novel, On the Road, one can see the new style used by authors of this post-war generation, even though he did not believe there was a Beat Generation. He left a large impact on modern literature by his breaking away from the usual writing styles. In addition, On the Road has been described as “a manifesto for the movement” (“Beat Generation”). The Beat Generation was a spark that began to change writing forever.
The 'Secondary' Klein, Marcus. A. The "Ralph Ellison" After Alienation: American Novels in the Mid-Century. Cleveland: World Pub., 1964. 71.
Edgar Allan Poe is one American author whose name is known to almost everyone. Edgar is known for his elegant poems and for being a tough critic of refined tastes, but also for being the first master of the short story form, especially tales of mystery. He has a talent of having an extraordinary hold upon the readers imagination and not letting lose. Many advents of Edgar’s life has probably led to the strange, but successful and renowned pieces of American literature.